Lost links & Re-ups

On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook

15 January 2011

Mouthpiece Mega-post

UPDATE: This post was re-uploaded 08/31/2013. Enjoy, NØ.
 Guess today I’ll be the mouthpiece for Suavity’s Mouthpiece. Don’t know if it’ll make me suave or not.

I first came across Suavity’s Mouthpiece over at thee Brad Miller’s place with the release The Audial Equivalent of John Wilkes Booth. (since Brad's blog is no more, I have placed a link to the file here).
all decryption codes in comments

Brad said:
“This one was sent by a friend of the blog.... I told him people would either say it's the best thing ever or a joke. Either way, you will end up scratching your head with a WTF expression on your face.”

Well, I mighta had a WTF expression on my face but I definitely liked it & have played it many times since then. So here is some of what is known about SM...& most everything musickally from them (really mainly ‘him’ & frenz).

Suavity's Mouthpiece is the current vehicle of Pittsburgh,PA-born singer-songwriter Justin Trafford. Born Justin Antoszewski. His earliest musick was influenced by The Smiths & Magazine/Howard DeVoto. Trafford’s first release, 2002s single, "Empty Dreamer" was on his own Widowed Majesty label. Using the name Sinclair McRickson, Trafford blended styles reminiscent of 1920s/30s crooning with post-punk music. The single drew attention to Trafford (McRickson) in the outsider art community.

McRickson - The Very Last of My Promenade Days (revisited),
End of Music EOM94, 2009.

all decryption codes in comments

Trafford began working on his first commercial full-length album, which was to contain his specialized brand of crooning baroque pop he had presented in the first single. The album, The Very Last of My Promenade Days was released in 2002. The song "Interlude" from this album would re-appear on the Because We Must: The Smiths & Morrissey release in 2009, but unfortunately, TVLOMPD languished without much notice.


Justin was determined to make his next album a masterpiece. It seems as though he would be successful, as the first single, "Undesirable" from his sophomore album, The Winedark Serenatas (released in 2005) garnered several prizes around the Internet. He was awarded "Most Original" & "Best Mood" in the indie rock genre from prestigious artist review site GarageBand.com. "The Rapture Incarnate", also from Winedark was a huge hit & remains a staple in Suavity’s live shows.


Trafford's next full-length album, Embrace the Nocturne(2006) would continue the pattern of his baroque pop sound, but in a much less confrontational, more robust mood. He strove to recreate the atmosphere of his post-punk fave Magazine's sophomore album, Secondhand Daylight.

In early 2008, Trafford announced plans for his fourth studio endeavor, which was to be entitled These Thoughts Dost Seasons Manifest, but before even half of the album was recorded, Trafford had a falling out with the web-based distributors at his very own Widowed Majesty label, & vowed to dispose of the label after his new project was released. Under the new title Citta Creatura Viva (a deluxe version including tracks recorded after the trouble at Widowed Majesty)...taken from a book by obscure Italian poet Biagia Marniti...the album was finally released on Trafford's 18th birthday, 13 November 2008. The album yielded four successful singles: "Rush Toward the Hilltop"; "Killjoy"; "I Ebb to the Wayside"; & "Fast Car, Sharp Bend, I Will Love You Always". While the essence of baroque pop remained, Citta Creatura Viva was the first of Trafford's albums to rely heavily on distortion guitar & synthesizer.

Battery - The Beatles Would've Hung Themselves single,
Love Torture Records LTR171, 2009.


By January 2009, Trafford had signed to two separate labels, Love Torture Records in Canoga Park, California & End of Music in Pavia, Italy to better facilitate the release of his works worldwide. By early February, Trafford had released a new single entitled "The Beatles Would've Hung Themselves" under the new moniker Battery. The release stood apart from anything previously written by Trafford up until that time, building on a melodic punk vibe reminiscent of the late 70s singles of The Buzzcocks.

Suavity's Mouthpiece - Know Your Place single,
Love Torture Records LTR199, 2009.

With the release of a second new single, "Know Your Place", Trafford announced that Battery would record one more single leading up to a full-length album entitled The Audial Equivalent of John Wilkes Booth. Before the album was ready, Trafford announced that his new band would be called Suavity's Mouthpiece as he had run into publishing problems with another band from the southern California area already called Battery. "Know Your Place" garnered more acclaim than any previously released McRickson single, being dubbed by LOSINGTODAY UK magazine as ''a twinkling bed of celestial halos...strangely amorphous...operatic.''


At the time of the release of the third single leading up to The Audial Equivalent of John Wilkes Booth, entitled "The P.E. Survivors", Trafford's close friend Meredith Bigatel began accompanying him on the bass guitar & rhythm guitar in live performances. Bigatel's brother Nick was an active voice in Pittsburgh's Iron City punk scene with his band Bad Influence. The Audial Equivalent of John Wilkes Booth was released in April of 2009 to critical acclaim. The 9-track pseudo-electronic opus announced the arrival of Suavity's Mouthpiece on the popular music scene.
Suavity's Mouthpiece - Luck Be a Lady, Love Torture Records LTR220, 2009.

A departure from the old McRickson style, most tracks on the album have their basis in progressive keyboards & synthesized sounds with the propulsion provided by the guitar & vocals fashioned after the stylings of 1920s crooners, in particular 20s crooning sensation Russ Columbo, whose life was cut tragically short in the apex of his career in a freak antique dueling pistol accident.

Suavity's Mouthpiece - I Call it Madness, but You Call it Love single,
Love Torture Records LTR232, 2009.

In mid-June 2009, Justin announced plans for a new extended-play record by Suavity's Mouthpiece, to be heralded by a single dedicated to & bearing a unique twist on Columbo's signature tune, "I Call it Madness, but You Call it Love". Released in August 2009, the single continued Trafford's streak of topping his own material in popularity with each succeeding release.

Suavity's Mouthpiece - The EP, Love Torture Records LTR237, 2009.

The six-song EP Suavity's Mouthpiece was released a few weeks later, followed by a second single entitled "Au Revoir, Mssr. Meursault" released only on End of Music. It was at this time that Trafford began once again looking for new labels. He felt that the notable difference between his work & most of the more industrial or experimental acts on Love Torture Records worked against his band, despite the fact that Suavity's Mouthpiece had been garnering a substantial amount of business for the label.


Trafford opted to re-release "Au Revoir, Mssr. Meursault" on the new avant-garde Filipino label Kamias Road Records, headed by Lionel Valdellon, curator of electronic label QED Records. It was the first time since the beginning of Trafford's professional career that he was without backing from a US label.


In October 2009, Kamias Road Records released a compilation of twenty original singles spanning Trafford's seven year recording career (as McRickson, Battery, & Suavity's Mouthpiece), entitled Singles to Which Lovers Roll Their Eyes. The idea was to familiarize fans of Suavity’s Mouthpiece with the hard-to-find older musick, especially the McRickson catalogue which was basically out-of-print since the demise of his Widowed Majesty label.


It was at this time that the band began including more material from Justin’s back catalog in their live sets, specifically from the album Embrace the Nocturne. Trafford's next intended move was to follow-up The Audial Equivalent of John Wilkes Booth with a second full-length Suavity's Mouthpiece disc. Once again at odds with his label, he dropped Kamias Road Records. Suavity's Mouthpiece was soon signed by progressive Dallas,TX label Subspine Records. Now confident with the availability of his back catalog & finally with a US label again, Trafford looked forward to his next full length release, to be entitled The Passion of Suavity's Mouthpiece. The first new single from that project was the trumpet-blazing show tune called "The Brains of Flies" that was released in early December 2009. It immediately became a live favorite.

Suavity's Mouthpiece - I'm Sick of Your Tedious Girlfriend single,
Subspine Records SR-018, 2010.

The follow-up single "I'm Sick of Your Tedious Girlfriend" again caught the attention of Garageband.com, which awarded the new Suavity's Mouthpiece single five different awards for "Best Male Vocals in Alternative Pop", "Best Overall Programming", "Best Production in Alternative Pop", "Best Mood in Alternative Pop", & "Most Original Overall" along with making it the site's 'Track of the Day' on January 23rd. The new single featured a jazz-flamenco fusion rhythm with blaring trumpets & an exotic eastern breakdown, The sleeve for the single is the first to feature Meredith Bigatel alone, which Trafford jokingly has credited for the success of the single.

Suavity's Mouthpiece - Casual Friday, Subspine Records SR-024, 2010.

Suavity’s Mouthpiece are basically Justin Trafford & Meredith Bigatel with Ian Hatfield.

Suavity's Mouthpiece - The Rape of Laura Ingalls, Subspine Records SR-034, 2010.

Those who have participated in the sound of Suavity's Mouthpiece: Corey Florindi (the Gentlemen); Cody Kraski & Claire Secen (the Feel-Good Revolution); John Matta (Awaiting Daylight); Dr. Wes Miller (the Pocket Mystics); Megha Priya Pai; Zachary Santoro (the Spiffies); & Leland Shaw (Polar Opps Inc.)

Suavity's Mouthpiece - Apoplexy Index, Subspine Records SR-037, 2010.


Suavity's Mouthpiece - Suavity's Swansongs, bonus ep with Apoplexy Index.


Suavity's Mouthpiece - I've Been Expecting You, Subspine Records SR-039, 2010.
recorded for the occasion of the 20th anniversary of the Luxuria album Beast Box

Enjoy,

12 January 2011

Up for the Down Stroke

 UPDATE: This post has been re-uploaded 08/27/2013. Enjoy, NØ.

This is thee premier FUNK!

Parliament’s second outing, their first with Casablanca, the return of Bootsy to the Mothership (after two years along with the Horny Horns over at Godfather JB’s place). Everything is right with this slab. The critically acclaimed title cut, the funkier reworking of (I Wanna) "Testify", the poignantly hip "Presence of a Brain". & just as "Maggot Brain" is my número uno Funkadelic song, this album contains my favorite Parliament song, "All Your Goodies are Gone". That song alone propels P-Funk well beyond the adulations laid on less worthy bands like the Beatles or the Rolling Stones. Clinton & frenz are in a class of their own. The title of the album tells it all.

Parliament - Up for the Down Stroke,
Casablanca Records NBLP 7002, Dec 1974.
decryption code in comments

Side 1 -

Up For The Down Stroke
Testify
The Goose
I Can Move You (If You Let Me)
Side 2 -

I Just Got Back
All Your Goodies Are Gone
Whatever Makes Baby Feel Good
Presence Of A Brain

Enjoy,

Really Freaked

So I see Randy Quaid is in the news a lot lately, & since he is one of my favorite character actors, I was wondering what all the buzz was. I found out it is great news. He is starring is the sequel to 1993s Freaked.


The movie is called Really Freaked: The Persecution Of Elijah C Skuggs. Elijah & his wife Evie are wanted by the law & are found hiding out at their old place, Freekland. After being released on a half Zillion dollars bail each, they flee the country, trying to get asylum in a foreign Dominion. Elijah has incurred the wrath of the Hollywood Hierarchy after creating his troupe of mutant Entertainers using his Zygrot 24-powered mutation device.


The Hollywood Hierarchy dispatch the insidious Hollywood Star Whackers. What ensues is an action-packed comedy/thriller. The Star Whackers follow a trail of star-studded clues in the search for Elijah & Evie, eliminating everyone they encounter as they go. They manage to kill Heath Ledger, Britanny Murphy, Chris Penn, Natasha Richardson, Michael Jackson, & David Carradine. They poison Jeremy Piven with mercury-laced tuna, launch smear campaigns against Britney Spears, Lindsay Lohan, & Mel Gibson, & frame both Robert Blake & Phil Spector for murder.

The mainstream media is quick to side with the Hollywood-written script, mocking & ridiculing the couple, attributing their defection & apparent betrayal to drug abuse. They circulate rumors that the Skuggses “snort Demerol to cure migraines”.

Then one of Hollywood’s own, publicist Ronni Chasen is gunned down in her Mercedes on a busy Beverly Hills street in broad daylight. She has left documents & photographs to be released to the World press in case of her untimely demise. The media quickly begin singing a different tune (the theme song “Really Freaked” by pedophile Gary Glitter).

I’ve probably given away too much about the film already & I wouldn’t want to ruin the climax for anyone so all I’ll say is, go out & see it yourself. You’ll love it, it’s REALLY FREAKED.

Various Artists - Freaked Un-OST, Bill & Ted Records BTR @$*%!, 19--.

Freaked - Blind Idiot God featuring Henry Rollins
Gumby Jack Flash - Paul Leary
Rip/Stop - Blind Idiot God
Butter Queen - Butthole Surfers
Hideous Mutant Freekz - Axiom Funk (PFunk, Bill Laswell, & frenz)
Sweat Loaf - Butthole Surfers
Midget Man Skank - Blind Idiot God
Cha Bump - Bald Bill Hagan and His Trocaderons
Gluehead Stomp - Blind Idiot God

Eye & Eye, mon.

Enjoy,

07 January 2011

San Francisco Blues

UPDATE: This post was re-uploaded 08/22/2013. Enjoy, NØ.






While digging through all my accumulated esoterica, I came across this forgotten tome.

Kerouac typed up the complete text for San Francisco Blues in 1961. There were 79 choruses in all. Those choruses were never published together until 1983. Before that, fragments had appeared in small magazines & some only materialized on records. Fifty four of the choruses were never published at all! Kerouac would have loved for the entire work to be published as a 'beautiful unity' as he saw it. To fill that gap in the Kerouac shelf, San Francisco Blues is here published in its entirety.

"My new book of poems SAN FRANCISCO BLUES...I wrote when I left Neal’s in March & went to live in the Cameo Hotel on Third Street Frisco Skidrow---wrote it in a rockingchair at the window, looking down on winos & bebop winos & whores & cop cars..."
--Jack Kerouac (1954)

"SAN FRANCISCO BLUES was my first book of poems, written back in 1954 & hinting the approach of the final blues poetry form I developed for the MEXICO CITY BLUES.
In my system, the form of blues choruses is limited by a small page of the breastpocket notebook in which they are written, like the form of a set number of bars in a jazz blues chorus, & so sometimes the word-meaning can carry from one chorus into another, or not, just like the phrase meaning can carry harmonically from one chorus to the other, or not, in jazz, so that in these blues as in jazz, the form is determined by time, & by the musician’s spontaneous phrasing & harmonizing with the beat of the time as it waves & waves on by in measured choruses. It’s all gotta be non stop ad-libbing within each chorus, or the gig is shot."
--Jack Kerouac (1961)

Chorus (15)
When whistlers stop scowling
Smokers stop sighing
Watchers stop looking
& women stop wailing
& worrying overcoats
When gray beards grow no more
& pain don’t take you by surprise
& bedposts creak in rhythm
Night & morn
& dry men’s bones
Are not pushed
By angry-meaning
Pelvic propeled legs
Of reason
To a place you hate
Then I’ll go lay my crowned body
On the heads
Of three men
Hurrying & laughing
In the wrong direction
My idol

Chorus (25)
For the World’s an eye
& the Universe is seeing
Liquid,
Rare,
Radiant

Chorus (35)
I also have loud poems:
Broken plastic coverlets
Flapping in the rain
To cover newspapers
All printed up
& plain

Chorus (51)
Little boys are angels
Crying in the street
Wear funny hats
Wait for green lights
Carry bust out tubes
Around their necks
& roam the railyards
Of the great cities
Looking for locomotives
Full of shit

Chorus (52)
Run down to the waterfront
& dream of Cathay
Hook spars with gulls
Of half-a-void thought


Jesse ‘Lone Cat’ Fuller - San Francisco Bay Blues,
Original Blues Classics OBC 537,1992. (re-issue of 1963 release)
decryption code in comments

Side 1-

San Francisco Bay Blues
Jesse's New Midnight Special
Morning Blues
Little Black Train
Midnight Cold
Whoa Mule

Side 2 -

John Henry
I Got a Mind to Ramble
Crazy About a Woman
Where Could I Go But To the Lord
Stealin' Back to My Old Time Used to Be
Brownskin Gal (I've Got My Eye on You)

Enjoy,

02 January 2011

As the Veneer of Democracy Starts to Fade

UPDATE: This post was re-uploaded 09/08/2013. Enjoy, NØ.


Since I started the heavy rotation of Singers & Players around here, I dragged out all the OnU Sound/Adrian Sherwood material (Skip ‘Little Axe’ McDonald, Tackhead, Mark Stewart & Maffia). This is one heavy, heavy chunk o’ vinyl. 1985!

from the OnU Sound website -

"Mark Stewart & Maffia"

"As teenage front man and mastermind of seminal Bristol post-punk legends The Pop Group (1978-80), Stewart already used his microphone as a weapon. In an era that saw public opinion and perception tainted by Thatcher, Reagan and the Cold War, The Pop Group emerged as one of Britain’s most radical exponents of new music and quickly gained notoriety well beyond the British Isles. Their until then unheard mix of punk, funk, dub, jazz and noise, countered by Mark Stewart’s scathing political slogans and lyrics (We Are All Prostitutes), easily counts among the most impressive, provocative and lasting manifestations of musical spontaneity seen, heard and experienced by the end of the 1970s.

After the group’s dissolution in the early 1980s, members of the Pop Group re-emerged in a flurry of new bands and guises: Rip Rig & Panic (featuring the then still unknown Neneh Cherry), Pigbag (with their surprise Top 10 hit ‚"Papa’s Got A Brand New Pig Bag”) and Maximum Joy. After a short stint with the New Age Steppers, Mark Stewart decided to pursue a solo career as Mark Stewart & the Maffia. His friend, On-U sound owner Adrian Sherwood, took care of production and mixed the Maffia on their various tours. With Doug Wimbish, Skip McDonald and drumming talent Keith LeBlanc Stewart recruited a truly exceptional rhythm section who had previously played with the likes of Sugarhill Gang, Grandmaster Flash, James Brown, Madonna, Africa Bambaata, George Clinton, Tackhead and many others. Considered seminal milestones by many of his peers and fans, the solo outings by this‚ godfather‘ of Bristol’s eclectic music scene blend the most diverse of genres in a unique and unconventional mix of dub, funk, punk, techno, electro, noise – spiced up with a generous dose of Stewart’s trademark political lyrics and slogans.

Albums like As The Veneer Of Democracy Starts To Fade or Learning To Cope With Cowardice have left a lasting mark on the current music scene: icons in their own right like Massive Attack, David Bowie, Nine Inch Nails, Carl Craig, Asian Dub Foundation and Nick Cave call Mark Stewart’s work a decisive influence."

Mute STUMM 24, 1985.
decryption code in comments

Side A -

Passcivecation Program & (passcivecation dub)
Bastards
The Resistance of the Cell
Untitled (Call to Mecca)

Side B -

As the Veneer of Democracy Starts to Fade
Pay it All Back
Hypnotized
Slave of Love
The Waiting Room

Enjoy,

01 January 2011

Blood Satisfaction

UPDATE: This post was re-uploaded 10/12/2013. Enjoy, NØ.
 
Well, it’s a New Year.


Hope you all got your blood satisfaction for all your funky little demons.


You can read all about it in the Wolfgang Press.

" Too sophisticated for the mainstream and too, well, arty for the prevailing underground scene of the time, any record of theirs was always going to require more than one pass to grub out the intricacies. "
----- Sam Bucca


The Wolfgang Press - Funky Little Demons,
4AD CAD 4016, 1995.
decryption code in comments

Side 1 -

Going South
11 Years
Blood Satisfaction
Chains
Christianity
Derek The Confessor

Side 2 -

So Long Dead
Executioner
She's So Soft
New Glass
Fallen Not Broken
People Say

I have added the bonus CD Funky Little Demons Mixes from the 2007 CD re-release.

Executioner (Adamson mix)
Christianity (Sherwood mix)
Going South (Adrenalin mix)
11 Years (Sabres main mix)

Enjoy,