On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook

18 March 2012

Sukiyaki, not Reinhardt

UPDATE: This post was re-uploaded 09/07/2013. Enjoy, NØ.


Just got done watching Takashi Miike’s Sukiyaki Western Django. I don’t really do movie revus but this flick is the tits. Miike is my favorite Japanese director (Dead or Alive trilogy, Ichi the Killer, 13 Samurai to name but a few).

We’ve got some crazy cross-culturalism going on here that is fantastic. Sergio Corbucci's violent 1966 classic Django was one of the highlights of the Spaghetti Western genre. He & fellow Sergio (that Leone one) skewered both Westerns & Akira Kurosawa to create memorable Italian westerns. Miike takes those Spaghetti classics & re-invents them in his own inimitable way. This results in a movie of unbridled violence, humor & weirdness. The mix of different cultures: Japanese; American; Italian; creates a heady blend. The film seems to be set in the American West, in the Japanese named town of Yuda in the state of Nevada (sign written in Japanese). Yet the architecture of the town itself is unmistakeably Japanese, reminiscent of the town in Kurosawa’s Yojimbo. The inhabitants are all clearly Japanese, but they speak American, though with very noticeable Japanese accents. At times the line delivery of some characters posits the question whether the actors really spoke American or if they merely memorized their lines. As I watched, I decided this flick was set in some kind of bizarro alternate universe.

All these things combine to make the suspension of reality a simple matter & adds to the over-all enjoyment immensely.

To quote The Mighty Peking Man:
"Sukiyaki Western Django is a great film. If you’re a fan of both Asian and Italian Westerns, it’s a must...It’s not a remake, it’s not a wannabe, it’s not a rip-off, it’s just a great director having fun while making a cool fucking movie."


Koji Endo - Sukiyaki Western Django, Crown, 2007.
decryption code in comments

Tracklist -

Django Sasurai
Foot of a Mountain in the Wilderness
Main Title Sukiyaki Western
A Vast Plain at High Noon
Gold Rush
Red
White
Denhichi Heihachi
Shizuka Dance on the Table Fiercely & Sadly
Sukiyaki Guitar
Ex. 1
Nearby the Mountain Road
Blood
The Blade
Climb a Mountain Road
A Mountain Ridge
Heihachi
Ex. 2
Gion Shouja no Kane no Oto
Sukiyaki Trumpet
The Gunman
Death
Benkei, I'll Make him Notice Me
Denhichi
Benten
Sukiyaki Flute
Something White Floats Down from the Sky
I Ain’t Dead ‘til I Beat You
Django


Enjoy,

15 March 2012

Jewels from Mars

UPDATE: This post was re-uploaded 09/07/2013. Enjoy, NØ.


I’ve got my night stump tied with a Noctourniquet.

I’ve been called many things in my lifetime, but no one has ever accused me of being a prog-dog. I’ve listened to my share over the years...I think Amon Düül is one of the all-time great collectives in musick. But anyone familiar with this Nothin’ that I spew forth here is well aware that I’m totally queer for The Mars Volta.

As everyone who probably cares probably knows, The Mars Volta has a new release coming out March 27th called Noctourniquet. It is the only thing I’m listening to right now. Especially through good headphones...shit, the channel seperation will blow yer mind. I dug up some of the liquid 1394 I had buried in the backyard & oh what a trip it was. There is much here in common with MV’s debut De-Loused in the Comatorium, but it's tied to the tail of a blazing comet that is the monstrous drumming from Deantoni Parks.

This sucker starts out with an explosion & builds from there. By the time “Dyslexicon” kicks in, they have got the beat & don’t let go. The second track to be pre-released by MV, “The Malkin Jewel” is perfection. I’ve included an extended version here. (decryption code in comments)


I could go on & on about this but there are no words...so buy this sucker if you value my opinion at all. Listen to it yourself & be amazed & awed. It is so typically MV & yet so diverse, exploring musical landscapes where Ms. Rodriguez-Lopez & Bixler-Zavala have never gone before. Every time I listen I am once again rewarded with something new & delightful I missed before, yet challenged by the complexity to listen & grasp for more.


The Mars Volta - Noctourniquet, 2012.

Tracks -

The Whip Hand
Aegis
Dyslexicon
Empty Vessels Make the Loudest Sound
The Malkin Jewel
Lapochka
In Absentia
Imago
Molochwalker
Trinkets Pale of Moon
Vedamalady
Noctourniquet
Z & Ø Ø

I’ve never meant this more...
Enjoy,

04 March 2012

Do the Zanzibar's Twist

UPDATE: This post was re-uploaded 09/07/2013. Enjoy, NØ.

I was born at the age of 18 in San Francisco, U.S.S.A., Summer of Love, on the Eve of Destruction with flowers in my hair.

I spent my childhood in Washington, D.C. AC. V.C., devouring war racist reality, CIAss-ass in nation primer, Winter of Discontent with some ashes in the air.

Home is where the homeless hang, where homeless lessons lessen more or morons hang their heads.

Where might I be when from this Manchild I have groan?

Wanderlust...the now motion devotion, devoted to, yet devoid of, emotion avoiding the void.

The evasion of pressing urges, surges, invasion dirges, Press Club purges, burning bridges spanning occasions, flaming mergers of motion & fog. The putting off of solution's absolution 'til a little while later, 'til we've unblocked the clog.

I woke up last night screaming, dreaming, drowning in a cold sweat. Cities burning, world stopped turning, destruction is the safest bet. Neighbors just kidnapped a baby, cockroaches just ate my dog. Hooker beaten, Politico's cheatin', rat has become...the new god.

p.s. - When I died, I crept out of my body onto this note crumpled in my pocket. This note is a mirror walking down a strange street, empty-handed.



Zanzibar's Twist - Never Mind The Bollocks tape,
Limbabwe Records C07, 1982.
decryption code in comments


Side A -

Play de Fool parts 1 & 2
Een Schnell Nummer
Ode aan Jan Jacobs
I (got You) Feel Good
M-Arc!
Dancing Barefoot in de Park

Side B -

Graansilo
Pinkant Gevrij in de Alpenwei
Les Bouc de Thorn
Die Ami Band
Sonja’s Lied
Eat Your Dreadlocks
Schleyers Schlafen
‘s Bakkebaarden
Daf33
Oriental Uh!

Enjoy,

03 March 2012

Dewey the Freak

UPDATE: This post was re-uploaded 09/07/2013. Enjoy, NØ.
 
Dewey used to work as a freak in a sideshow at the Carnival.

When Dewey was still a young lad he got all bent out of shape. He started wearing his heart on his sleeve. He had a crush on a cheerleader, but she crushed him instead. She gave him the cold shoulder. Since then he’s had ice water in his veins.

He’d taken to saying that beauty was only skin deep, but he could really get under your skin. He’s such a bare bones kinda guy.

He got a job in the sideshow when the Carnies noticed he was pig-headed & two faced. He was a bald faced liar having a bad hair day. He had a big mouth but he was armed to the teeth. He was always biting off more than he could chew. He often spoke with a forked tongue, but he was always getting tongue-tied, except when the cat got his tongue. He was incredibly thick headed. He had mud in his eye & egg on his face. He used to keep his nose to the grindstone, but the pain was unbearable so he cut off his nose to spite his face. His eyes are bigger than his stomach.

Ever since the cheerleader fiasco, Dewey had butterflies in his stomach. His stomach was tied in knots. He was busting a gut. He had a bug up his butt. He had an ace in the hole. He was ass backwards & had ants in his pants.

His left hand didn't know what his right hand was doing. That’s why all the time he’d be getting caught with his hand in the cookie jar. Then he’d offer to give you a hand but he’d be all thumbs.

After that, the Carnies gave him an earful. Dewey was all ears. Even with a frog in his throat, his mouth was writing checks his body couldn’t cash.

When he lost his job at the Carnival, he really had his back against the wall. He didn’t have a leg to stand on & he was getting cold feet. Even though he had two left feet he felt like he was getting off on the wrong foot. He tried to tell his brother Hewey, they were joined at the hip, but he put his foot in his mouth. He felt like he had one foot on a banana peel & the other in the grave.

His brother split. He said Dewey had changed. He had a stick up his ass nowadays.

All of Dewey’s friends will tell you...he’s a real freak. He’s a walking cliche.


King Blank – The Real Dirt, Situation Two – SITU 21, 1988.
decryption code in comments


Side A -

Howl Upside Down
Blind Box
The Real Dirt
Big Pink Bang
Guilty as Hell


Side B -

Map of Pain
Shot Full of Holes
Killer in the Rain
Uptight
Bulletproof Crucifix

King Blank is: Ian Lowery - vocals; Kris Jozajtis - electric guitar & backing vocals;
Nigel Pulsford - guitar & keyboards; Hugh Garrety - bass; & Kevin Rooney - drums.

Enjoy,

26 February 2012

Veil of Thorns


Seems like I’m always listening to Veil of Thorns’ Necrofuturist. All VOT output is fantastic, but Necro just touches that special inner place.

VOT is the musickal brainchild of P. Emerson Williams, originally from the Boston, Mass. area & now residing in sunny Gotha, Fla. with an ever revolving cast of players, noisemakers, & voices.

I decided to dole out to the uninitiated the very first VOT recording. This has been released in a drastically different form in the not too distant past, but here is the original 1991 debut 4-track demo from Veil of Thorns, recorded on primitive equipment in a basement rehearsal complex in Boston. Instrumental tracks were recorded all at once on two tracks using two ribbon mikes & a direct line for Ruddy Bitch’s drums, leaving the other two tracks for vocals & a couple additional guitars. The sound of other bands sharing the rehearsal space can be heard at quiet moments. Originally on cassette.

The lineup here is: P. Emerson Williams - guitar & vocals; Jarrett Laitinen - guitar; Catherine Chenoweth - bass; & Ruddy Bitch - drums.

Veil of Thorns - Veil of Thorns debut demo 4-track
decryption code in comments
 

Tracks -

Void
Utopia
Tear the Cities Down
Sanctify (Drowning)
No Claim
Dreamshadow (Falling)
Re-Creating Space-Time
Crimson Smile
Nod

Enjoy,

29 January 2012

Department of Injustice


You are all probably aware of the Dept. of Injustice attack on MegaUpload. I had numerous files stored there, so if you're trying to access any of that musick, just let me know in comments here & I'll do my best to re-up anything I can.

Weird how this coincided with on-line protest against SOPA & PIPA.


Glad ANONYMOUS struck back against those opposed to FREEDOM!

Here's the story for anyone who is interested:

Department of Injustice, Office of Pubic Affairs
FOR IMMEDIATE RELEASE - Thursday, January 19, 2012

Justice Department Charges Leaders of Megaupload with Widespread Online Copyright Infringement

WASHINGTON – Seven individuals and two corporations have been charged in the United States with running an international organized criminal enterprise allegedly responsible for massive worldwide online piracy of numerous types of copyrighted works, through Megaupload.com and other related sites, generating more than $175 million in criminal proceeds and causing more than half a billion dollars in harm to copyright owners, the U.S. Justice Department and FBI announced today.

This action is among the largest criminal copyright cases ever brought by the United States and directly targets the misuse of a public content storage and distribution site to commit and facilitate intellectual property crime.

The individuals and two corporations – Megaupload Limited and Vestor Limited – were indicted by a grand jury in the Eastern District of Virginia on Jan. 5, 2012, and charged with engaging in a racketeering conspiracy, conspiring to commit copyright infringement, conspiring to commit money laundering and two substantive counts of criminal copyright infringement. The individuals each face a maximum penalty of 20 years in prison on the charge of conspiracy to commit racketeering, five years in prison on the charge of conspiracy to commit copyright infringement, 20 years in prison on the charge of conspiracy to commit money laundering and five years in prison on each of the substantive charges of criminal copyright infringement.

The indictment alleges that the criminal enterprise is led by Kim Dotcom, aka Kim Schmitz and Kim Tim Jim Vestor, 37, a resident of both Hong Kong and New Zealand. Dotcom founded Megaupload Limited and is the director and sole shareholder of Vestor Limited, which has been used to hold his ownership interests in the Mega-affiliated sites.

In addition, the following alleged members of the Mega conspiracy were charged in the indictment:

Finn Batato, 38, a citizen and resident of Germany, who is the chief marketing officer;

Julius Bencko, 35, a citizen and resident of Slovakia, who is the graphic designer;

Sven Echternach, 39, a citizen and resident of Germany, who is the head of business development;

Mathias Ortmann, 40, a citizen of Germany and resident of both Germany and Hong Kong, who is the chief technical officer, co-founder and director;

Andrus Nomm, 32, a citizen of Estonia and resident of both Turkey and Estonia, who is a software programmer and head of the development software division;

Bram van der Kolk, aka Bramos, 29, a Dutch citizen and resident of both the Netherlands and New Zealand, who oversees programming and the underlying network structure for the Mega conspiracy websites.

Dotcom, Batato, Ortmann and van der Kolk were arrested today in Auckland, New Zealand, by New Zealand authorities, who executed provisional arrest warrants requested by the United States. Bencko, Echternach and Nomm remain at large. Today, law enforcement also executed more than 20 search warrants in the United States and eight countries, seized approximately $50 million in assets and targeted sites where Megaupload has servers in Ashburn, Va., Washington, D.C., the Netherlands and Canada. In addition, the U.S. District Court in Alexandria, Va., ordered the seizure of 18 domain names associated with the alleged Mega conspiracy.

According to the indictment, for more than five years the conspiracy has operated websites that unlawfully reproduce and distribute infringing copies of copyrighted works, including movies – often before their theatrical release – music, television programs, electronic books, and business and entertainment software on a massive scale. The conspirators' content hosting site, Megaupload.com, is advertised as having more than one billion visits to the site, more than 150 million registered users, 50 million daily visitors and accounting for four percent of the total traffic on the Internet. The estimated harm caused by the conspiracy's criminal conduct to copyright holders is well in excess of $500 million. The conspirators allegedly earned more than $175 million in illegal profits through advertising revenue and selling premium memberships.

The indictment states that the conspirators conducted their illegal operation using a business model expressly designed to promote uploading of the most popular copyrighted works for many millions of users to download. The indictment alleges that the site was structured to discourage the vast majority of its users from using Megaupload for long-term or personal storage by automatically deleting content that was not regularly downloaded. The conspirators further allegedly offered a rewards program that would provide users with financial incentives to upload popular content and drive web traffic to the site, often through user-generated websites known as linking sites. The conspirators allegedly paid users whom they specifically knew uploaded infringing content and publicized their links to users throughout the world.

In addition, by actively supporting the use of third-party linking sites to publicize infringing content, the conspirators did not need to publicize such content on the Megaupload site. Instead, the indictment alleges that the conspirators manipulated the perception of content available on their servers by not providing a public search function on the Megaupload site and by not including popular infringing content on the publicly available lists of top content downloaded by its users.

As alleged in the indictment, the conspirators failed to terminate accounts of users with known copyright infringement, selectively complied with their obligations to remove copyrighted materials from their servers and deliberately misrepresented to copyright holders that they had removed infringing content. For example, when notified by a rights holder that a file contained infringing content, the indictment alleges that the conspirators would disable only a single link to the file, deliberately and deceptively leaving the infringing content in place to make it seamlessly available to millions of users to access through any one of the many duplicate links available for that file.

The indictment charges the defendants with conspiring to launder money by paying users through the sites' uploader reward program and paying companies to host the infringing content.

More Freaks


UPDATE: This post was re-uploaded
08/23/2013. Enjoy, NØ.

Freaks
Kooks
Psychos
Ding-a-lings
Fruitcakes
Whack jobs
Loopers
Spazs
Funky monkies
Weirdos
Nut jobs or nutters
Yahoos
Quacks
Goobers
Old Man Jenkinses
Freaks










I love to go shopping. I love to freak out salespeople. They ask me if they can help me, and I say, "Have you got anything I'd like?" Then they ask me what size I need, and I say, "Extra medium." Stephen Wright



I put instant coffee in a microwave oven and almost went back in time.” also S. Wright







This vinyl version varies a great deal from the more usually available CD release. There are always wonderful treasures in vinyl.

Freaks - The Man who Lived Underground,
Music for Freaks MFFLP005, 2003.
decryption code in comments

Side A -

The Man who Lived Underground
Telefunken (not your average cd version [plenty more funken])
Hang up Your Hang-ups (our extended hang-up)
Fix It

Side B -

The Creeps (You;re Giving me)[extended almost 12“ version]
Psycho-delia
80s Throwback (extended DJ version)

Side C -

Nyce & Slo
He’s Angry

Side D -

What’s the Point (you get the point instrumental)
Switchin’ Channels
Blam

Enjoy,

22 January 2012

Crystal Blues blowin' across the Sahara

UPDATE: This post was re-uploaded 09/01/2013. Enjoy, NØ.




Tinariwen formed in 1982 but remained underground (Mali & Algeria both banned their political lyrics) until the group moved to the Malian capitol of Bamako in 1999. There the ten members drew on a rebel rock sensibility, openly playing their passionate, trance-like Desert Blues.

Born in a region plagued by exile, war, & drought, Tinariwen (originally Taghreft Tinariwen, or ‘edification of the lands’) became known for vocalizing the political plight of endangered nomads.

They were no strangers to armed conflict: Kheddou is said to have received 17 bullet wounds after leading several raids, armed only with a guitar on his back & a Kalashnikov in his hands... once he was doused in gasoline, owing his life only to his good karma & a faulty lighter; Ibrahim joined a training camp in southern Lybia after witnessing his father’s murder at the hands of Malian soldiers. At the camp, Ghadaffi made false promises of helping the Tamashek cause. In between classes about revolution, Islamism, & guerrilla warfare, Ibrahim honed his chops on guitar.


Tinariwen’s music speaks of & to the Tuareg or Kel Tamashek people, appealing for a political awakening of consciousness. For many years the nomadic tribes of the southern Sahara had tried to maintain hope in the midst of ethnic cleansing & public executions. These mighty musicians are the modern warriors of their people, with guitars replacing AK-47s. The songs of Tinariwen are petitions for political & cultural self-determination. They have become a point of identity for Tuareg youth. In a land void of laptops & TVs, cheap cassette recordings spread the music of bands like Tinariwen: the new Tamashek weapon of choice.


Tinariwen – The Radio Tisdas Sessions, World Village-468010, 2002.
decryption code in comments

Le Chant Des Fauves
Nar Djenetbouba
Imidiwaren
Zin Es Gourmeden
Afours Afours
Tessalit
Khedou Khedou
Mataraden Anexan
Bismillah
Tin-Essako (live)

Recorded at Radio Tisdas, Kidal, Mali in January 2000 ( because of rationed electricity, they could only record between 7 p.m. & midnight each evening) except Track 10 recorded live at The Festival in the Desert, Tin-Essako, Mali.

Tinariwen are: Abdallah (vocals, guitar, bass); Ibrahim, Kheddou, Mohammed "Japonais", Foy Foy (vocals, guitar); Hassan (vocals, guitar, percussion); Seyid (percussion); & Nina, Anini, Bogness (background vocals).

Enjoy,

03 January 2012

Indiana Casino

Further Update: This post was edited 06/07/2015. Please read ADDED below.

UPDATE: This post was re-uploaded 09/01/2013. Enjoy, NØ.

I’ve always been a closet trip-hopper. Beth Gibbon’s voice with Portishead never fails to touch that special spot, but all these years & only 3!

I’ve always appreciated the similarity Siobhan de Maré & Gibbon’s voices share...enjoying Siobhan's short stint with Mono.

Shortly after her time with Mono, she was contacted by Robin Guthrie, former guitarist for the Cocteau Twins. After the Cocteau Twins were laid to rest, Elizabeth Fraser joined up with Massive Attack on Mezzanine, & Robin, along with fellow Cocteau band mate Simon Raymonde were busy running their Bella Union musick label. With a respectable roster under his belt, Guthrie continued adding his trademark touch to numerous collaborations such as Bunnyman's Ian McCullogh & longtime NSS fave Wolfgang Press. Despite all of this, Robin still wanted to perform, so when he learned that de Maré was available, he contacted her .


Violet Indiana is the musical union of the two. Together they create a sound not far removed from Portishead, but capitalizing on de Maré's despondency & replacing much of Portishead's synthesizer with Guthrie's fluid guitar.

Casino is Violet Indiana’s second release. The first being 2001s Roulette. Casino is more a collection of the bands singles than an actual follow-up to Roulette. It is a great place to begin one’s vacation in Indiana.

Violet Indiana - Casino, Instinct Records INS593-2, 2002.
decryption codes in comments

Tracklist -

Jailbird
Bang Bang
Purr La Perla
Silent
Storm
Sky
Safe Word
Ne Me Quitte Pas (written by Jacques Brel)
Poppy
Torn Up
Heaven
Chapter Three

Enjoy,


ADDED: 


Got a request from a reader for a coupla other V. I. releases. Thought I’d go one (or three) better…

First, one from Siobhan de Mare’s previous band, Mono. The final track & special mix from Mono – Formica Blues“Life inMono (Alice Band mix)”, a real trip-hop scorcher & precursor to…

Violet Indiana – Choke EP, Bella Union BELLACD22, 2000.

Tracklist –
Purr la Perla
Busted
Silent
Torn Up




Violet Indiana – Roulette, Bella Union BELLACD24, 2001.
decryption code in comments

Tracklist –
Air Kissing
Feline or Famine
Sundance
Powder River
Little Echo
Angel
Poison
Hiding
Rage Days
Liar
Killer Eyes




Violet Indiana – Killer Eyes CD single, Bella Union BELLACD26, 2001.
Tracklist –
Killer Eyes
Storm
Safe World




Violet Indiana – Russian Doll, Bella Union BELLACD65, 2004.
decryption code in comments

Tracklist –
Never Enough
Quelque Jour
(My Baby was a) Cheat
New Girl
The Visit
You
Touch Me
Innocent
Beyond the Furr
Close the World




Violet Indiana – Beyond the Furr CD single, Bella Union BELLACD67, 2004.

Tracklist –
Beyond the Furr
Crystal Mountain
Perfect Day

Robin Guthrie plays a mean guitar,


24 December 2011

It's Yule, ya Yob

 

The Yobs were the alter-egos of The Boys. Following the release of Alternative Chartbusters, The Boys had a falling out with NEMS, their record company. So they bootlegged themselves as The Yobs for their Christmas 1978 offering of "Silent Night" b/w "Stille Nacht". 

 

After signing with Safari in 1979 "Little Drummer Boy" was given The Yobs treatment & appeared as "Rub A Dum Dum" in time for Christmas. After Baron von Bratboy left the band, the Yobs released "The Yobs Christmas Album" in 1980, adopting the names of H. J. Bedwetter, Noddy Oldfield, Ebenezer Polak & Kid Vicious. In true Yobs style the album was written, recorded & mixed in two days at Pete Townsend’s Eel Pie Studios. 

 

The Yobs - The Yobs Cristmas Album, Safari Records Rude 1, 1980.

Side A: Rub-a-Dum-Dum The Ballad of the Warrington Another Christmas Doggy Jingle Bells Auld Lang Syne Side B: Silent Night Silver Bells C-H-R-I-S-T-M-A-S Gloria 12 Days of Christmas White Christmas Wish You a Merry Christmas May the Good Lord Bless & Keep You 

 Enjoy, 

09 October 2011

Invisible Invisible Chains

 

Anonymous was kind enough to let me know that my Invisible Chains post was uploaded to drop.io & no longer available. I have re-uploaded it to mediafire, freshly ripped. Sorry if I have been less than attentive to this here blog, but it's harvest time in NoCal. My free time right now is non-existent but shortly I will return. I have been listening to King Tubby, The Scientist, & Thievery Corporation 24-7. 

Enjoy the Carla Noelle (Bozulich), 

06 September 2011

The Noble Theft of Sound

UPDATE: This post was re-uploaded 05/11/2014. Enjoy, NØ. I also added several other post Steel Pole Bath Tub releases by Dale 'Agent Nova' Flattum & Mike 'Bumblebee' Morasky that they released under the Milk Cult banner.

Agent Nova

I’ve posted musick by the great bizarro noise-rockers SteelPole BathTub here before, used to see them all the time in the late 80s/early 90s around San Francisco.

Experimental electronica outfit Novex was actually a spinoff group from SteelPole BathTub.

When the band moved over to Slash after being with Boner/Tupelo for several years, they met resistance with their idea of releasing a cover of The Cars debut album (finally released in 2002 as the SPBT album Unlistenable after a comment made by one of the Slash team). Their label-related hiatus in 1996 turned into a breakup of the band. Bassist Dale Flattum (as Agent Nova) had cut his teeth on electronic music through SPBT's interest in sampling & tape manipulation. He then formed Milk Cult with SPBT guitarist Mike Morasky (Bumblebee). Following the release of their album Project M-13 in 2000, Milk Cult also went on hiatus. At that time Flattum reunited with SPBT drummer Darren Mor-X (Morey) to form Novex. Their first album together, 2001s Kleptophonica, continued the surreal found-sound experiments of Milk Cult, but placed them in a more accessible, song-oriented context.

Novex - Kleptophonica, 0 To 1 Recordings – 002, 2001.
all decryption codes are in comments

Tracks -
Requiem
Mary Gravy
Interlude
Paris Is Burning
Tea Pocket
Joan & Jack & Nina & Steve
The Pharmacist Will Help You Now
Paris Is Still Burning
The Happiest Song In The World
Flavoriffic
Bullit


Milk Cult – Love God, Boner Records BR38-2, 1993.

Tracklist –
Love God – The Original Soundtrack Recording! Of Frank Grows’ “Love God”
Drag Strip Riot Dream Sequence
Tuesday
Relax & Sleep
Looking at the Drowning Man
Clown Party 1
Clown Party 2
Clown Party 3
Clown Party 4
Clown Party 5
Clown Party 6



Milk Cult – Burn or Bury, Priority Records P253914, 1994.

Tracklist –
Psychoanalytwist
The Fuzz Wah Song
Bow Kiness Static
Blue Godzilla
Urine, the Money
Big King Frog
Son of Obituary
Hello Kitty (Meow mix)
Rabbit in the Hole
Sabine
’63 Mercury Meteor ($500)




Milk Cult – C.C. Nova Dispatch, Communion 31, 1994.

Tracklist –
Bus Stations of the Cross
Relax & Sleep
Purgatory, Isolation, & Pinball, pt. 1
Purgatory, Isolation, & Pinball, pt. 2
Purgatory, Isolation, & Pinball, pt. 3
Tuesday, September 3, 1964
Uptight Chevelle
40,000 Volts of Solitude
Bacon Train
The March of Hectors
Witchdoctor Highball
A Shovel Full of Pigeons
Whirlpool Bursting Test
Ignition
Song for Amelia Earhart

Note: SPBT bassist Dale Flattum (aka C.C. Nova) issued this Milk Cult release as a solo project. It is often mistakenly called C.C. Nova – Milk Cult Dispatch (1995) with a different track list, but the information here is taken directly from the CD.

Milk Cult – Project M-13, 0 to 1 Recording 001, 2000.

Tracklist –
Hawaiian Motorcycle Joyride - Act 1
Hawaiian Motorcycle Joyride - Act 2
Ambient Obituary
Donka
Slink-fest
Drug Lord
Martini Boat
Mystery Oasis
Tens & Twenties in a Brown Paper Bag
Paté Pipe Bomb
Biker Party Hole
Funky Fat Tony
Slow Twisting
Network Epilogue
Slow-Twisted
Running the Plates
Detroit Disco Cop

Enjoy,

29 August 2011

An Unidentified Man


Something to listen to (& ponder) as you read:
Captain Beefheart & His Magic Band - Harry Irene,
The Brown Star Sessions, bootleg 1972.
decryption code in comments

I wrote this when I learned my old friend Mother Jim, an alcoholic for many years, had committed suicide by hanging himself from a rail-yard trestle. An article in the local paper began,
"An unidentified man was found Thursday night hanging from the Fourth Street Railroad bridge. Cause of death was apparently suicide."


An Unidentified Man

A philosophical dialectic featuring three players:
The Narrator (played here by Aleister Crowley)
Mother Jim
Nathan

Narrator (seated on his resplendent throne) :
Thirst!
Not the thirst of the throat
Tho' that be the wildest & the worst
Of physical pangs---that smote
Alone to the heart of Christ,
Wringing the one wild cry,
"I thirst!" from His agony,
While the soldiers drank & diced.
Not the thirst benign
That calls the worker to wine.
Not the bodily thirst
(Tho’ that be a frenzy accursed)
When the mouth is full of sand,
& the eyes are gummed up, the ears
Trick the soul 'til it hears
Water...water at hand,
When a man will dig his nails
Into his breast & drink the blood
Already that clots & stales
E're his tongue can tip its flood,
When the sun is a living devil
Vomiting vats of evil,
& the moon & the night but mock
The wretch on his barren rock.
The dome of heaven high-arched
Like his mouth is arid & parched.
The caves of his heart high-spanned
Are choked with alkali sand.

Now this! but a thirst uncharted;
Body & soul alike
Traitors turned black-hearted,
Seeking a space to strike
In a victim already attuned
To one vast chord of wound.
Every separate bone cold,
An incarnate groan
Distilled from the icy sperm
Of Hell’s implacable worm.
Every drop of the river
Of blood aflame & aquiver
With poison secret & sour---
With a sudden twitch at the last
Like certain jagged daggers...

Mother Jim (rambling) :
With bloodshot eyes dull-glassed
The screaming Viet staggers
Through his village aghast.

Narrator (perturbed at being interrupted) :
So blood wrenches its pain
Sardonic through heart & brain.
Every separate nerve
Awake & alert, on a curve
Whose zenith’s name is "Never"
In a hyperbolic "Forever!"
A bitter & burning snake
Striking its venom within it,
As if it might serve to slake
The pain for the tithe of a minute.

Nathan (full of sound & fury, signifying nothing) :
Awake, forever awake!
Awake as one never is
While sleep is a possible end.
Awake in the void, the abyss
Whose thirst is but an echo of this.
That martyrs, worlds without end.
(World without end, Amen!)
The man that falters & yields
For the proverbs "giveth & taketh away"
To the lure of the grain-ripe fields
Where the alcohol sees its first day.

Only a sip from a glass
Charged from a Wizard’s well!
Is this sufficient to pass
A soul from Heaven to Hell?
Was human’s spirit weaned
To fawn at the feet of a fiend?
Is it so terribly odd---
The heir of ages of wonder,
The crown of earth for an hour,
The master of tide & thunder
Against alcohol’s power?
Aye, in the roar & the rattle
Of all the armies of sin,
This is the only battle
He never was known to win.

Slave to the thirst---not thirst
As here is so weakly written,
Not thirst in the brain black-bitten
In the soul more sorely smitten!
One dare not think of the worst!
Beyond the raging & the raving
Hell of a physical craving
Lies, in the brain benumbed,
At the end of time & space,
An abyss, immeasured, unplumbed---
The haunt of a face!

Mother Jim (in reverie of his true love, Alcohol) :
She it is, she, that found me
In the throes of my virginal honeymoon,
With silk & steel she bound me,
In her poisonous milk she drowned me,
Even now her arms surround me,
Stifling me into the swoon
That still---but oh, how rarely!---
Comes from that sip from that glass.
Steadily she stares & squarely,
Never needing to receive my pass.

(here he slips fluidly into the ease of non-corporeal 3rd person)
Her slave agasp for a kiss.
Her whose horror is his
That knows that viper womb,
Speckled & barred with black
On its rusty amber scales
His tomb---
The straining, groaning rack
On which he wails---he wails!
Her cranial dome is vaulted;
Her mad Mongolian eyes
Aslant with all the ecstacies
Of things immune, exalted
Far beyond stars & skies.
Slits of amber & jet---
Her snout for the quarry set.

(it seems as though he percieves clearly at last)
Her snout for the quarry set,
Fleshy & heavy & dross,
Bestial, broken across
& below it her mouth, it drips
Blood from her lips
That hide the fangs of a snake.
Drips down upon venomous udders
Mountainous flanks that fume & sweat.
The spirit sickens & shudders
At the hint of worse things yet.

Alky! the golden bait
Barbed with infinite pain.
Fatal, fanatical mate
Of a poisoned body & brain!
Alky! the name that leers
Its lecherous longing & knavery,
Whispers in crazing ears
The secret spell of her slavery.

(as if the memory of his slavery plunges him painfully back into his body in a maddening rush, he finds himself once more)

Horror indeed intense,
Seduction ever intenser,
Swinging the smoke of sense
From the bowl of a smouldering censer!
Behind me, behind & above
She stands, that mirror of love.
Her fingers are supple-jointed;
Her nails are polished & pointed,
Tipped with spurs of gold.
With them she plows my brain.
Her lust is critical, cold;
Her Chinese cheeks are pale
As she daintily picks, profane,
With her octopus lips & teeth,
Jagged & black beneath,
A morsel of pulp & blood she’s impailed.

One soothing drink was enough
In days gone by to invoke her.
She was incarnate love
In the hours when I first awoke her.
Little by little I found
The truth of her---stripped of her clothing,
Bitter beyond all bound,
Leprous beyond all loathing.
Black---the plague of the pit,
Her pustules visibly fester,
Cancerous kisses that bit
As the asp caressed her.

Nathan (final nothing) :
Dragon of lure & dread;
Tiger of fury & lust;
The quick in chains to the dead;
The slime alive in the dust.
Brazen shame like a flame,
An orgy of pregnant pollution
With hate beyond aim or name---
Orgasm, death, dissolution!
Know you now, dear brother, why her eyes
So fearfully glaze, beholding
Terrors & infamies
Like filthy flowers unfolding?
Laughter widowed of ease;
Agony barred from sadness;
Allison, sweet innocent child, robbed of peace---
Is not your she-devil madness?

Mother Jim (teen again, in the school yard, bristling at Nathan’s insult) :
She waits for me, lazily leering,
As moon goes murdering moon.
The moon of her triumph is nearing.
She will have me wholly soon.
& you, you Puritan other
Who missed the alcohol’s craving
Cry scorn if I call you brother---
Curl your lip at my maniac raving.
Fool, seven times beguiled.
You have not known her? Well!
That was never a need she smiled
To harry you into Hell!

Narrator (getting his sweater out of the closet & putting on his slippers, looking now like Mr. Rogers) :
Alcohol is but one spark of its secular fire.
She is the single sum-type of all desire!
All that you would, you are & that’s the crown
Of the craving,
You are slaves of the wormwood star.
Analysed, reason was raving---feeling, examined, was pain.
What Heaven were to hope for a doubt of it!
Life is anguish, insane; death is---not the way out of it.

I won't say Enjoy,



18 August 2011

Ride On

Crustation - Bloom was re-uploaded 08/22/2013. Enjoy, NØ.





One thing I’ve learned doing this blog is that out here amongst the byways of the Interweb there are a
bunch of wisenheimers, wait, strike that, fonts of wisdom. I’m calling out to all you Brainiacs around the globe. Riddle me this: What ever became of Bronagh Slevin (musickally mostly...I don’t mean I want to invade her privacy or anything...I not a stalker)???

Crustation was a trip-hop band, formed by Ian Dark, Stig Manley & Mark Tayler, three producers from Bristol. In the 80s they had played in bands with Adrian Utley of Portishead. In a later incarnation of Crustation they collaborated with vocalist Bronagh Slevin. In 1997 they released their only full length album Bloom, under the moniker Crustation with Bronagh Slevin.

After that, the trail of Bronagh becomes sketchy at best.
Below is a picture of her at a Gala student reading Saturday 26 May, 2007.



Carrie Etter presents
a Gala Student Reading
at The George
in Bradford on Avon
with creative writing students
from Bath Spa University
& The Poetry School.














There is a track on Up, Bustle, & Out’s 2010 Soliloquy album, "Luminous Fragments" featuring Ms. Slevin. That’s about all I can discover. Can someone please fill in some more information? Any Irish readers that have the skinny? Musick insiders in the know?

Crustation w/ Bronagh Slevin - Bloom, Jive Records HIP 184, 1997.
decryption code in comments

Side A -
Hey
Purple
Close My Eyes
Face The Waves
Reverie
Side B -
Down Down
Falling
Flame
Life As One
Ride On

Enjoy,


Thanks to loyal musick lovin' visitors, I've got a fresh half dozen.
As always, decryption code in comments.

15 August 2011

Aztec Ascent

Update : This post was re-uploaded 08/25/2013. Enjoy, NØ.

Something to listen to while reading, if you so desire.


White Car - No Better ep, Hippos in Tanks 4-song 12" HIT002, 2010.
decryption code in comments

Side A -
No Better
Feel Hunt
Side B -
Spread Split Slap
Reality Beat
plus extra non-ep bonus track
No Better (Gatekeeper Freundshaft remix)

& now on with Story Time

Saying things didn’t start too well on this mini-tour, this southwestern soiree, would almost be a joke if any of us were inclined to laugh about it now, but we’re not, so... We just threw this tour together on our own, calling friends & bars, using phones & maps, counting our shekels & busting our piggy banks. I’ll admit, on paper it looked good...really good...BOOK OUR OWN FUCKIN’ LIFE good...this is IT...what a life.

L.A. went smooth as Ex-lax. We played Hell’s Gate. We’ve played there before & they seem to like us all right...at least they don’t throw shit. Hell’s Gate...what a hole. But just the hole we needed to feel our creepiest & play our freshest. Damn, we even got paid $86 so we all fooled
ourselves into believing it was the (false) portent of good future.

Outside of Mesa, AZ...the first problem with our van. The true Mother of all our van problems to follow. Just something simple, right, no problem. The fan belt breaks...& wraps around the fan...& bends the fan...which gouges the radiator. I cut free the fan belt, straighten the fan blades, crimp closed the leaks in the radiator coils with some needle-nosed pliers we just happened to have... BE PREPARED (yeah). Dirt & I hitch to the nearest town/gas station for a new fan belt & more beer, leaving Slag & Pete to keep watch over our gear in the 100o + van. Soon belt, beer, & on our way. Get to the Mesa show late & have to play last. Maybe three people stay for our set after The HeadLiners finish. We’re hot, greasy, & tired. We couldn’t really give a flying fuck about this late night ‘practice’ session, but we give it all we’ve got & then some. The three who stayed liked us. Also, Sean, the punk who hooked us up for the gig, really appreciated the effort & could relate to our road woes. He let us park the van in his driveway. Next day when we finally joined the living, we all got showers & breakfast courtesy of A Righteous ‘Zonian. He even gave us $20 for gas. Thanks, Sean!

50 miles from Durango, CO. More van trouble. Seems the fan shaft had become bent when the fan belt broke. The bent shaft ruined the water pump. Then the water pump froze-up, the fan sheared off & this time devoured the radiator to such a degree that first aid was not going to help. Pete shagged a ride to the nearest phone. Called a tow-truck in Durango to come & get us. Put it on some bad plastic he was burning up. We rode in the van on the back of the tow-truck into Durango (highly illegal but way cool, just sailing alone with no one driving, no one even looking outside. We cranked up the tunes & smoked out. Left the van at a garage in Durango & went to check out the club where we were playing. Turns out the owner is some cowboy redneck shit-kicker. He informs us, thumbs in suspenders & pistol on desktop, that the show has been changed to tomorrow. By the time we get back to the garage after hassling with Cowboy Roy, the place is closed & locked up. The van & all our gear out of reach, locked in tight, well-fenced & guard-dogged. We go back to the club & using our nicest manners, threaten Cowgurl Pearl into putting us up for the night. He finally agrees to let us stay in the club. After it closes at 2:00am, the cleaning crew (bartender [redneck], waitress [redneck’s sister/wife] & bar-back [Hispanic]) take another hour of extreme noise terror & merciless CW mu-sick-sick-sick bombardment. We feign sleep until the dogie-punchers vamoose. Then we help ourselves to an enormous amount of the club’s beer & liquor supply. We drink ourselves to oblivion. We crack our eyelids about 2:00pm & head back to the garage. They’ve already replaced the water pump, the fan, & the belt. They’re just getting ready to put in the used radiator they found at a Pick’n’Pull. Before long, we rolling again...now totally broke. Back to the club. Cow-owner, none too thrilled with our bar tab...informs us that The College Radio Stars who were headlining tonight have canceled so now it’s a free show. No pay. Gas money. $15. We were burning but we were broke. We couldn’t refuse. We couldn’t revenge. All we could do was play our best & pass the hat. We collected $21, sold two T-shirts for $10, & three cassettes for $9 for the huge total of $55. Luckily our next gig was in Aztec, NM, only 120 miles away.

Aztec is where our fortune changed for the as they say better. I don’t want to sound totally bonkers. I don’t want anyone to think my time on the road finally drove me completely insane, but I have to believe it was a direct result of the sacrifice. Normally, I’m the last person to fall for that supernatural mumbo-jumbo. I live in the Here/Now & revel in my own reality. But I saw what happened that night & have experienced all that has transpired since. It is of that sacrifice which I now speak.

Aztec, New Mexico (the Land of Enchantment). Nestled serenely in the arms of the Sangre de Cristo Mountains. Yes, the Blood of Christ mountains. Aztec. Population 6384. Never played a town this small & not at all certain as to the outcome of this venture. We call Zarak, our contact in Aztec. He sounds genuinely enthusiastic if a bit ‘spacey’, but gives us precise directions to his place. He lives on the outskirts of town in a place that used to be a chicken ranch. It’s called The Chicken Ranch. No, really. We find our way to The Chicken Ranch with no problems & are warmly greeted by our host, Zarak. He led us to the bunk-house, which though Spartan, was clean. It afforded us the luxury of spreading out more than van floor or bar booths had thus far. He told us to come up to the main house after we got settled in & washed up. We could discuss plans for tomorrow night’s full moon extravaganza. We unpacked our sleeping bags & back-packs, washed up, smoked a few dubes, then headed up to the house.

Right away Zarak starts smoking us out. Huge hookah bowls of his personal-grown Indo mixed with native Peyote. He had home-made cactus liquor to drink. Before long, the long road was falling away behind us. He started telling us about his plans for this show that he was putting together up on this ridge above the town. Under the full moon. The ridge was a holy Anasazi place. Supposed aliens landed there in 1948. Zarak’s got his own generator. He’s invited thousands of acquaintances. He wants us to really get into it, be the soundtrack to this dream of his. He’ll pay us $1000. He’s going to sacrifice a virgin & eat her heart. We’re all righteously fucked-up. Bound into the web he has woven with smoke & drink & magick. It sounded huge & radical. It sounded fierce. Dangerous. We unanimously agree. We wake up the next evening from our drugged debauch to the sounds of progress. 15 or 20 people are loading equipment & supplies into an old ex-military half-track with the generator loaded on a trailer behind. The show is on. We follow the growing convoy of vehicles to the ridge above Aztec & near the stage find parking in the dust-swept lot. The next hour is a buzz & blur of activity. Zarak comes by, thanks us & pays us in advance for playing. He gives us a generous supply of weed & peyote & cactus liquor. Tells us he wants us to start the show just as we see the moon coming over the horizon.

At first I’m not positive it is the moon coming up. I’m so high. But Dirt, Slag, Pete, & I all vote. We decide it’s time to get the show started. We stumble onto the pale moon-washed dimness of the stage. With a sudden gigantic surge of feed-back we go live, we rip into the start of “Howling at the Moon”. There are several thousand people staggered around the ridge & ancient ruins. The only lights are from our equipment, the moon, & eyes glowing in the night. The moon & the power of the place, the sum of this one moment in time carry us to greater heights. We play as we know we can.

Some time unmeasured later, out of our drug/musick rush of joy I notice torches approaching the stage from the distant darkness. The torch-bearing procession parts the crowd of revelers much as Moses must have parted the Red Sea of lore. A masked High Priest leads a smiling maiden in virginal white to the front of the stage. The musick swells to touch the moon. The moon shines in the midnight sky. The virgin laughs a laugh caught by the microphone & amplified above the cacophony. The knife blade flashes in the wavering torch light. A dripping hand raises high, holding a still beating heart. Zarak throws back the High Priest’s mask. He sinks his teeth into the throbbing organ. I see his scarlet liquid grin in the spotlight moon. I see our musick caress the moon. I smell incense & jism. I smell brimstone & funk. I hear the multitude baying on the night breeze. My fingers are bleeding on my bass strings, but still there’ll be more.

We awaken in our van, alone. We drive around Aztec but can’t seem to find The Chicken Ranch. No one we ask in Aztec has ever heard of it. They all look at us extremely weird. We try Zarak’s phone but the number is no good.

But the $1000 is good. & our next show in Taos, NM is sold out. Word about the Full Moon Show is on every lip. Everyone seems to be expecting a sacrifice. A riot ensues. We’re asked back the following night for double the cash. Another sold-out performance. Plus all our T-shirts & cassettes are sold. It’s just grown from there. Great gigs. A recording offer. $$$. We’ll be back in Sacramento in about two weeks. We’ll see how it goes at home. Slag, Pete, & Dirt all say they vaguely remember eating some raw heart. I tell them it was just the drugs, but... Who knows. Just glad I’m a vegetarian. I’ll never sign on that dotted line. Oh, no.

Enjoy,