On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.
Showing posts with label Bim Sherman. Show all posts
Showing posts with label Bim Sherman. Show all posts

08 July 2018

Dread Pon Some, Jah Love Pon Bim




Bim Sherman (born Jarret Lloyd Vincent - February 2, 1950 in Westmoreland, Jamaica) was a musician & singer-songwriter hailed as "reggae's sweetest voice". Bim was gifted with a haunting, ethereal voice that reached into the very heart of his listeners.

Bim Sherman did not ascribe his love of music to any one person but rather to his family, with whom he would attend church services & Sunday school. But as he became older, he began going to the local dancehalls:

"I always knew I could make the music, ever since I was small and it was all I wanted to do. I remember growing up and listening to it, singing along with it and feeling the power of it, which is the other side of roots, and feeling light-headed"

In the early seventies the young Sherman swapped trades from fisherman to electrician when he moved in with one of his brothers in central Kingston. His closest musical friends were Keith Porter & Ronnie Davis, who would go on to form the respected vocal group the Itals, but his first recording experience was with his early mentor Gladstone 'Gladdy' Anderson at the famous Treasure Isle studios. Things did not work out as well as he hoped there, or as Bim once so eloquently put it:

"things just go boof!"

In 1975 his first single to be released was "100 Year" b/w "100 Year version" which was cut at the Federal studio with Sid Bucknor as the engineer, produced by one Jarrett Tomlinson (aka Bim Sherman) & released on Micron Music Limited. "Love Forever" followed the same year, a self-financed affair on the Elements label with the Soul Syndicate band. Then came a string of tunes now recognized as reggae roots classics on Sherman's own Scorpio, Red Sea, & Sun Dew imprints ("Valley of Tears", "Tribulation", "Golden Locks", "World Go Round" & many others). These singles met with a degree of local success & appreciation which convinced Bim to continue, but in Jamaica there was always too much pressure:

"Lots of people like Randy's or Joe Gibbs want to record me, and even producers before them like Coxsone (Dodd). But its not easy in JA to get what you want out of recording and those people have a range of tricks they use to oppress you..."




Bim's first full-length album Love Forever (billed as Bim Shierman) was released on the Tribes  Man Records label, produced by Bim & Jah Lloyd, & included the title tune plus nine other previous Jamaican singles. Jah Lloyd was Lloyd Blackford, who was born in Morant Bay, Jamaica & had moved to the UK in 1961 to start Sir Coxsone Outernational, an extremely successful UK Sound System named after Jamaica's Coxsone Dodd.

Like so many other young Jamaicans in the 70s (& with encouragement from Jah Lloyd), Sherman decided to try his luck in the UK after the end of 1979s Roots Encounter tour (where he performed alongside Prince Far I, Creation Rebel, & Prince Hammer).

He moved to London where he started a friendship & business relationship with the young maverick music producer Adrian Sherwood, a long-time admirer of the singer.

Regarding Bim Sherman, Adrian Sherwood sez:

"All great singers and vocalists have one thing in common - their voice stands out like a uniquely tuned instrument that only one person can play. Bim Sherman was a singer/songwriter with a truly golden tone.  I have been throughout his whole career a huge fan. I first heard one of Bim's songs while working in PAMA records Soundville Shop in Harlesden, London, in the mid 70s ... His was like a voice from the wilderness, the lyrics and fragile power ensured that in every subsequent batch of imports I was looking out for a new Sherman record. I wasn't disappointed."

Adrian went on to buy all of the 7" pre-releases which featured the voice of Bim Sherman. It was during this time that Sherwood was developing his business collaboration with the heavyweight Jamaican DJ Prince Far I. He encouraged Prince Far I to hook up with Sherman for recording purposes. Eventually tunes such as "Down in Jamdown" (HIT DD 12) with Jah Lion & "Love Jah Only" (HIT DD II) with Jah Buzz came into the UK on the Hitrun label, a partnership venture between the young English producer Sherwood & the veteran Jamaican toaster Far I.

As part of the post-punk reggae infatuation, Bim made a name for himself recording on Sherwood's On-U Sound label. He became part of various musical collectives associated with On-U Sound, such as New Age Steppers (teamed with Ari Up, formerly of The Slits), Gary Clail & Tackhead, Singers & Players (with Congo Ashanti Roy & Prince Far-I ), Akabu, Japan's Audio Active, Sabres of Paradise, Groove Corporation, Bomb the Bass, Dub Syndicate, & Justice League of Zion.

In September 2000, Bim was diagnosed with cancer & succumbed to it on November 17, 2000 in London. His voice, song-writing, & impeccable class will never be duplicated but can be easily appreciated through his bountiful output.  

Here's an early one I've always loved. Hope you do to...



Yard International YI 05, 1979.
decryption code in comments

A Side -
It Must Be a Dream
Dreaming (Dub)
If I Can Make It
Make It (Dub)
Lamb of Judah
Judah (Dub)

B Side -
Dread Pan Some
Dread (Dub)
Tonight (Dub)
Power Chant
Chant (Dub)

A Side is Bim Sherman
B Side 1 & 2 is Bim & U. Black, 3 is Horace Andy, 4 & 5 is U. Black.
Mixed by Prince Jammy & produced by Jah Woosh.

Enjoy the heavy heavy soundz,

24 May 2014

This One's On-U




 
A friend of mine who had been MIA for a couple years recently contacted me. It was great to hear from him again. He, like myself, is a big fan of all things On-U Sound.




 
In the past I have posted a good amount of Singers & Players, but like my friend, Vacuum Pumping has been missing in action here. Jonder asked if I would rectify that short-coming & I am only too glad to oblige.


Singers & Players – Vacuum Pumping, On-U Sound On-U LP39, 1988.
all decryption codes in comments

Side A –
Run Them Away
Lighthouse / Dreamworld
Holy Scripture
To Be Fee

Side B –
I Don’t Want AIDS
Boof Um Baff Um
Pneumatic
These Eyes

While I’m at this thing, here are a few other On-U treats for you to enjoy.

In 1982 Adrian & Co. issued the Discoplate series of 10" singles, DP1 – DP6. There are actually only five 10" releases. I don’t know why, but DP5 is a 12" EP of three tunes from Mark Stewart & Maffia. Here we go…


Side A –
Prince Far I / Singers & Players – Virgin
Side AA –
Singers & Players – Danger




Side A –
Revolution
Side AA –
Too Much Work Load




Side A –
Independent Man
Side AA –
Creation Rebel




Side A –
Strange Things / Conspiracy
Side AA –
Why Do Fat Men Have Such Skinny Thoughts?




Side A –
Jerusalem
High Ideals & Crazy Dreams
Side B –
Welcome to Liberty City




Side A –
Murder
Side AA –
Stand Firm

Next I thought I’d offer my friends, visitors, lurkers, & leechers Andy Fairley’s only credited 'solo' album, System Vertigo from 1992. 

 



The late Andy Fairley had probably the most distinctive vocal style of any artist to record for Adrian Sherwood. In the early 1980s, art school dropouts Howard Purse & Doug White landed in Bristol, UK. There they masterminded the creation of the band Fish Food. Joined by local drummer Dan Swan, ex-Cortinas, & poet Andy Fairley, the group began cooking up their fractured slices of surreal beat. Always on the fringe of the Bristol scene, the four rehearsed in their squat, a haunt for the likes of The Pop Group, Pig Bag, & Scream & Dance.

Andy Fairley was a modern-day poet; a shrewd observer of the injustices & insanities of the modern world. His lyrics tackled issues such as the state of politics, privatization, & the plight of the under-classes. His raw vocal delivery perfectly & powerfully complimented the issues he addressed.
During the 1989-1993 period his voice was a familiar feature of Sherwood productions: Gary Clail; Dub Syndicate; & Keith LeBlanc among others. When not reciting his own verse in full, he was often sampled for use in-the-mix, often regaling the sonic qualities of the recording or giving a MC-like shout to the artist, On-U Sound, or Sherwood personally.

Here are a few that anyone familiar with the On-U catalogue have probably heard:
"This sound system comes to you with fuel injection!"
"Your head will become a crazy bulbous punch bag of sound!"
"Targeting your brain with sonic thrust!"
"This is the precinct of system. This is the precinct of sound!"

System Vertigo is a collection of his writings set to solid rhythms built by Adrian Sherwood & the Little Axe alums Skip McDonald & Doug Wimbish with a cast of others.

Fairley left On-U in the mid 1990s & vanished back into the Bristolian aether from which he had emerged. Sadly little else was heard from or about him until news of his death in 1999.

Andy Fairley – System Vertigo, On-U Sound ON-U LP61, 1992.

Side 1 –
I Stopped the Clock
System Vertigo
Ghost
The Election Pt. 1

Side 2 –

You Look at Life
Audio Visual Attack
The Election Pt. 2
A Nation Responds
Fun & Games
The Song of the Phoenix
False Start

Finally, a compilation of various On-U Sound celebrities on On-U Sound Celebration.

Various – On-U Sound Celebration, Trance Records TCCD 9 00662 O, 1988.

Tracklist –

The Deal (intro)
Stopping & Starting – Voice of Authority
Quante Jubila – Prince Far I & Creation Rebel
Dreams are Better – London Underground
Silent Mover – Playgroup
Last Sane Dream – Creation Rebel / New Age Steppers
Make a Joyful Noise – Singers & Players
AllaLa Dreadlocks Soldier – Singers & Players
Love I Can Feel – Creation Rebel
Creative Involvements – Creation Rebel
Deep & Mintyful - Playgroup
The Dice – Judy Nylon
Woodpecker Sound – Jah Woosh
Final Frontier – Creation Rebel / New Age Steppers
Independent Man pts. 1 & 2 – Creation Rebel
Epic Sound Battles – Playgroup
Feeling Wild – Voice of Authority
Knock the House Down – Voice of Authority

Thanks, Jonder, for the nudge,


21 February 2013

It's a Miracle



Miracle is some mighty fine example of On-U Sound. Bim Sherman was a bright star in the Jamaican Dub/Reggae world by the mid-70s. Adrian Sherwood heard Bim & dug his style. He invited Bim over to London to do some work with On-U Sound. Bim went & stayed.

Miracle was released in 1996 on On-U & Mantra with: Bim Sherman – vocals; Skip McDonald – acoustic guitar & backing vocals; Doug Wimbish – bass; Talvin Singh – tablas & percussion; & Carlton Oglivie – backing vocals. With additional strings by Studio Beats Orchestra Bombay.

What I’m offering up today is the Miracle Demo Sessions from 1995. These are unreleased acoustic versions that later were developed into the Miracles official release.



Side A –
Life (called “Simple Life” on Miracle)
Golden Locks
Over the Rainbow

Side B –
Missing You
Just Can’t Stand It
Bewildered
My Woman

Enjoy,
On-U (I mean NØ)