On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

09 May 2015

Louisville Sluggers





Released on Homestead in 1985, Squirrel Bait’s self-titled 12” EP was  re-released by Dexter’s Cigar & Drag City in 1997. Used to have the Homestead vinyl, but for now this is the DC re-release.



Squirrel Bait – Squirrel Bait, Dexter’s Cigar, 1997.

Tracklist –
Hammering so Hard
Thursday
Sun God
When I Fall
The Final Chapter
Mixed Blessing
Disguise
Perfect

Punk rulez,

Flabba & Bingy Bunny



How have I gone this long without dub’n the Roots Radics? They are probably the premier session band in all of Jamaica.



The seeds of Roots Radics sprang from Morris 'Blacka' Wellington's band, the Morwells in the form of Errol 'Flabba' Holt - bass & Eric 'Bingy Bunny' Lamont - guitar. They had grown up in the Ghost Town area of Trenchtown & had been friends since schooldays. The two teamed up with members of Channel One session group the Revolutionaries. The Revolutionaries featured the rhythm section of bassist Sly Dunbar & drummer Robbie Shakespeare. When Sly & Robbie left to launch their own label...Taxi Records...the Revolutionaries became the Roots Radics.

Roots Radics' first hit "Bounty Hunter" was produced by Henry 'Junjo' Lawes, released in 1979. They soon became spearheads of the dancehall style that dominated reggae music in the early 80s. Although dancehall was their forte, they produced a large volume of Dub output, working with various producers & artists.

For your enjoyment, some Roots most Radics. First off, in memory of Henry 'Junjo' Lawes…

Here Roots Radics are: Bingy Bunny & Dwight Pinkney – guitar; Wycliffe 'Steelie' Johnson – keyboards; Flabba Holt – bass; & Lincoln 'Style' Scott – drums with (Gaylord) Bravo at the controls.

Roots Radics & Bravo – Dub Fi Junjo, Tabou 1, 2000.
all decryption codes in comments

Tracklist –
Blind Rodent Attack
Leggo de Dub
Drifting Dub
Rocking Miss Dub
Crying
Taxi Dub
Blame Them Dub
Mash Dub
Dubba Dub
Changing Dub
Love Dub
English Cow Dub
The Dark Zone
Honey Dub
Life
Jah Dub
Disillusioned

Here’s one from Style & Flabba… remixed at On-U Sound.


Tracklist –
Night Nurse Dub
Stranger in Your Town Dub
Objection Overruled Dub
Cool Down the Pace Dub
Material Man Dub
Sad to Know Dub
Thiefa Man Dub
Tune In Dub
Private Secretary Dub


& this final one for now, to really shake that Dub stylee up…

Artists here are: Bingy Bunny & Dwight Pickney – guitars; Gladstone Anderson – keyboards; Flabba Holt – bass; & Style Scott – drums with Dean Frazer & Ronald 'Nambo' Robinson – horns, Christopher 'Sky Juice' Blake & Uziah 'Sticky' Thompson – percussion. King Tubby & Scientist at the controls.  


Tracklist –
Roots Radics' World Dub
Scientist's Earth Dub
King Tubby's Moon Dub
Roots Radics' Star Dub
Scientist's Rain Dub
King Tubby's Snow Dub
Roots Radics' Summer Dub
Scientist's Winter Dub
King Tubby's Cloud Dub
Roots Radics' Storm Dub
Scientist's Hurricane Dub
King Tubby's Earthquake Dub
Scientist's Thunder Dub

Hopin’ everyt’ing cook & curry,




08 May 2015

Endless Reverie



It was my birth anniversary last week-end & I attempted to over indulge in every way possible. I have a philosophy: "I never say I've had enough until I've had too much". It has well seen me through so far. My birthday was no exception. I’ve just started to level off now. At some point, I commented to a friend that I was in endless reverie. That instantly reminded me of the heavenly velvet sounds of Azam Ali, sounds that now I'm passing on to you.



Azam Ali was born in Tehran, Iran in 1970. She spent most of her childhood with her mother in Panchgani, India. They moved to Los Angeles, California in 1985. After moving to L.A., Azam became interested in playing the santour or hammered dulcimer. She studied the santour under Persian master Manoochehr Sadeghi. As she progressed with her musical training, she gained confidence in her vocal abilities. She became a master of both santour & voice.




In 1996, Ali formed the alternative/world group VAS (frequently compared to the Australian band Dead Can Dance) with percussionist Greg Ellis, whom she had met the previous year at a concert at UCLA. Ellis was born & raised in Los Gatos, California where he first learned to play drums at age twelve. Ellis moved to Los Angeles in 1984 & began working as a percussionist. He has recorded & performed with Indian tabla masters Ustad Zakir Hussain, Pandit Shankar Ghosh & Bikram Ghosh, nagara master Nathu Lal Solinkey, Japanese taiko drummers KODO, Grateful Dead drummer Mickey Hart, percussion master Airto Moriera, as well as master musicians from Iran, Africa, Morocco, & Turkey. He has been a member of world/psytrance/tribal band Juno Reactor & the ambient group Biomusique.

VAS released four full-length albums. After the group's last album, 2004s Feast of Silence, Ali & Ellis went on to other projects.

Ellis has done extensive film & television soundtrack work.


Vas – In the Garden of Souls, Narada World, 2000.
all decryption codes in comments

Tracklist –
In the Garden of Souls
Inamorata
Samaya
Prayer for Soheil
Ceremony of Passage
Beyond Despair
The Inward Coil
Éphémère (Upon the Faded)
Lila
Unbecome
Sevdama

Vas is: Azam Ali - voice, dulcimer (hammered), tambura, frame drum, & tambourine; Greg Ellis - udu, tabla, dumbek, nagara, cymbal, bells, frame drum, tom-toms, gong, keyboards, voice, & lap dulcimer.



Azam then co-founded Niyaz (Niyaz means yearning in Persian, Urdu, & Turkish) with her husband, multi-instrumentalist Loga Ramin Torkian (of the Iranian crossover group Axiom of Choice) & DJ, programmer/producer & remixer Carmen Rizzo in 2004. Niyaz combines Iranian, Indian, & Mediterranean folk songs & sounds with Western electronic instrumentation & programming, but Niyaz's music is primarily a blend of Sufi mysticism & trance electronica. Niyaz adapts the poetry of Sufi mystic Rumi into 21st Century trance. Their self-titled debut album, released in 2005, combined 13th century Sufi & Urdu poetry with modern swirling, hypnotic beats.


Niyaz – Niyaz, Six Degrees Records, 2005.

Tracklist –
Ghazal
Nahan (The Hidden)
Allahi Allah
The Hunt
Dunya
In the Shadow of Life
Arezou
Golzar
Dilruba
Minara

Azam Ali – voice, cimbalom, daf & frame drums, chan chan, Chinese cymbals, & tambourine;   Loga Ramin Torkian – electric guitar, strings, lute, & baglama with Carmen Rizzo programming, producing, & mixing.

In 2006, Azam released her second solo album, Elysium for the Brave. The album reached #10 on Billboard's World Albums chart in September 2006.


Azam Ali – Elysium for the Brave, Six Degrees Records, 2006.

Tracklist –
Endless Reverie
Spring Arrives
In Other Worlds
Abode
Forty One Ways
The Tryst
From Heaven to Dust
I am a Stranger in This World
In This Divide

Azam Ali – voice, hammered dulcimer, daf & frame drums, chan chan & zils; Loga Ramin Torkian – guitarviol, lute, electric guitar, & baglama; Tyler Bates – electric & acoustic guitar, keyboards, & bass; Trey Gunn – guitar;  Andre Harutounyan – darbuka, nagaras, dhol, & shaker; & Satnam Ramgotra – tabla.




In 2007 Azam released the album Roseland. Roseland was a musical partnership between Azam & film composer Tyler Bates. It features Azam singing entirely in English against a rock/ambient soundscape that, on several tracks, includes the drumming & percussion of ex-VAS band-mate Greg Ellis.

Azam & Tyler first met in 2000 when Azam performed on the score for the film Night at the Golden Eagle. The duo again worked together on the soundtracks of 300 & Dawn of the Dead. Eventually the two began working on a collaboration (2003) which would lead to Roseland. After almost four years Roseland released the self-titled album. The album featured: Tyler Bates on electric, acoustic, & bass guitars, keyboards, arrangements & programming; Azam Ali on vocals & Persian santour (hammered dulcimer) with Greg Ellis on drum kit & percussions for the tracks "Other Side of Me", "Keep it Coming", "Bitter Days" & "Light the Stars". The album was originally available on CDBaby.net, but six months later it went out of print (reasons remain unknown).


Roseland – Roseland, Tyzami Records 2007.

Tracklist –
Other Side of Me
The Spill
Mothwings
Hollow Feel
Keep it Moving
Forty One Ways
Bitter Days
The Reaper’s Crown
Believer
Light the Stars



Azam Ali – Elysium Remixes, Six Degrees Records, 2007.

Tracklist –
Endless Reverie (Bently & Smitty mix)
Forty One Ways (David J & DJ K Bass Bomber remix)
Spring Arrives (Transglobal Underground remix)
Endless Reverie (ZAMAN 8 remix)
Adobe (Bombay Dub Orchestra’s Continental Drift remix)
Endless Reverie (Banco de Gaia remix)
I am a Stranger in This World (Luxurious’ A Stranger No More mix)
Endless Reverie (Holmes Ives remix)
Adobe (310 remix)
Endless Reverie (Jef Stott remix)

Bonus - In 2005, Azam Ali was featured in "Enter The Chicken", a Buckethead album, singing the song "Coma" with Serj Tankian.

Buckethead & Various – "Enter the Chicken", Serjical Strike Records, 2005.

Track 6 – Coma (co-written & featuring Azam Ali & Serj Tankian)

Enjoy,



30 April 2015

The Meek Shall Inherit the Earth



Bad Brains – I & I Survived (Dub), Reggae Lounge OTCD905, 2002.
decryption code in comments

Tracklist –
Jah Love
Overdub
How Low Can a Punk Get
I & I Survive
Cowboy
Gene Machine
Ghetto
Rally
September
Ragga Dub
Gene Machine (remix)
I & I Survive (Shiner massive mix)

I & I survive,

29 April 2015

This Transmission is Coming to You...

from Approximately Halfway between the Moon & the Earth


Apollo (Live On Your TV) radio version
Apollo (Live On Your TV) Rotersand rework

Enjoy,

26 April 2015

Now Wakes the Sea





Back in prehistoric times (it seems), when I was doing my musickal journey around this marble, I sailed at one point into the Enewetak Atoll. It is the second-westernmost atoll of the Ralik Chain of the Marshall Islands. I spoke of JG Ballard & The Terminal Beach on Eniwetok (referred to as "Eniwetok" until 1974, when the U.S. changed its official spelling to "Enewetak" along with many other Marshall Islands place names to more properly reflect their pronunciation by the Marshall Islanders). Between 1977 & 1980, a concrete dome was built on Runit Island to deposit radioactive soil & debris.



Now I present for your aural edification the soundtrack to the JG Ballard short story.

The release includes an 18 page A5 PDF booklet with detailed notes & photographs by Paul Wady (included here).

 Paul Wady – The Terminal Beach, Linear Obsessional Recordings, 2012.

Tracklist –
Arrival on Eniwetok
The Nuclear Bunker
Fission Alarms
The Blocks, Part One – Patter
The Blocks, Part Two – Rain Man
Homo Hydrogenesis
The Dark Undersea Organ (Alone at Last)
Undulating
Soaring & Roaring
Goodbye Los Alamos
The Dead Japanese Man
Just Us & the Dead (Three at Once)
39 Seconds of Silence / Falling Burning Bombers / The End

This is the End,

Scotch Dub from Spider Man



Today "Cobra Rock" by The Revolutionaries grabbed my ears & made me realize I needed to post up some Lloyd 'Spider Man' Campbell Dub. Though not a true godhead, he is nonetheless a super Hero.



Lloyd moved from JA to England in the early 60s where he worked with Rico Rodriguez, Joe Mansano & the Rudies, Winston Groovy, & others. In 1972 he returned to Jamaica & began putting out a continuous string of reggae & dub hits. By 1975  he was working with a group of musicians that came to form the core of the group Skin Flesh & Bones

Skin Flesh & Bones was formed by bass player Lloyd Parks. The band featured many of the players who would go on to form The Revolutionaries.

The band was: Lloyd Parks – bass; with Sly Dunbar - drums before he started working with Robbie Shakespeare; Radcliffe 'Dougie' Bryan – guitar; & Ansel Collins - keyboards. Producer Lloyd Campbell worked primarily out of Randy's & North Parade at this time. Fighting Dub was released on the Love label, an English subsidiary of Jama Records.

Skin Flesh & Bones – Fighting Dub, Love LVO2, 1975.
decryption code in comments

Side 1 –
Boxer Dub
Slavery Dub
Third Cut Dub
Jack Ruby Special
Scotch Dub

Side 2 –
In Tone Rock
Spider Man Web
Run Run Dub
Baby Face Dub
Harbour View Rock

As a bonus, I have added "Freedom" & "Dub Version" by rocksteady harmony trio The Inturns (another name for The Viceroys aka The Voiceroys – Wesley Tinglin, Lineal Williams, & Daniel Bernard), a Campbell collaboration with Lee 'Scratch' Perry, recorded at Black Ark in late 75.

The Inturns - Freedom b/w Dub Version, Dixiland, 1975.

Side  - Freedom

Side – Dub Version

Enjoy,

25 April 2015

How Do I Decide?



Sometimes it goes kinda like this…

Yesterday I fell into a genre rabbit hole & for a while I was flashing on that one falling nightmare where I’m floundering arms & legs, posterior toward the…¿bottom?, accelerating at ever increasing speeds beyond maximum velocity (it is a dream).



I was contemplating (well, I had just smoked a fattie & my friend asked about) the depth of 21st Century Dub. I started investigating the French & Italian mid-aughts Dub scene, soon I was listening to electrodub & psydub & dubstep. From there I got sucked into some Burning Man civil war between junglists & the psytrance crowd. Next was all out bloodshed over the difference between dubstep (junglist candidate) & psydub (ditto…psytrancers). Now the most edge artists walk the fine line between the two.

Neither are really Dub, in my opinion. But during this crazy trip, I discovered Panda Dub. The Panda Dub project began in 2007 in Lyon, France. Though inspired by the French & UK dub scene, Panda Dub created his own style as a dub maker by combining reggae roots, UK stepper, & French electro dub into his music.

Panda Dub’s first release was Born 2 Dub in 2007. You can get more from ODGProd.  (check out Archives, it’s simply…Dub).


Tracklist –
Ataraxie
Pandakalmie
Refraction
Nuisance
Dubsozic
Myopie
Sans Titre
Jungle Call
Adrenaline

But is it Dub???

What the FLAC?

Re-uploaded by request 09/27/2024
 
 

After replying to a commenter about the whole FLAC versus MP3 thing, I thought…
I'd rip this bad boy to FLAC & give it a go. I love vinyl, but in the here & now, we're all out in interweb cyberspace. Face it, spudboys & tomatoes. This is ALL digital, so we're squabbling over ones & zeros here.




My take is, depending on myriad factors: from computer or mobile device to speakers, headphones, earbuds; geographical location to personal preference; from software to hardware to wetware, it’s all relative to the individual. To the majority who are just happy to be able to listen to perchance some unique musick, 320Kbps 44,100 to 48,000 is fine.




Definitely lossless is ideal...if it is recorded & handled properly from the analog to the digital (I live for the depth of the Analog Sound), but is it worth…the difference to me in storage between 227MB FLAC or 96MB MP3 is crucial if the majority are fine with 320 MP3.

That being said, here's my first & perhaps only (those blue-finned fish are driving me crazy) venture into FLACland. Ripped from a nearly 40yr old slab of vinyl to 16bit 48,000 FLAC. It does sound great, but I can just listen to the record.

Here's a concept, kiddies. I do this because this is what I want to do.

Recorded March - October 1976 at Ralph Lundsten's Andromeda Studio, Saltsjö-Boo, Sweden & at EMI Studios, Stockholm.
 


Ralph Lundsten's Universe featuring the Andromeda All Stars – Universe,
Harvest 7C062-35340, 1977.
decryption code in comments

Side A –
Universe Calling
The Space Sneaker
In the Shade of the Purple Moon
The Hot Andromedary
The Blue Planet
Harvest in Heaven
In the Erotosphere
The Celestial Pilgrim

Side B –
Rhapzodiac
The Planet of Winds
Lunatic Safari
In the Cosmic Garden
Space Funeral
Cosmic Song
 


See you on the Dark Side,

22 April 2015

Dedicated to Masami Shinoda & Farley Fly



Usta do a ‘zine called EAT POOP! with a buncha fuckin’ punks in San JoHaze, Cali. Our mascot was the master POOP sniffer Farley the Fly. At some point Farley was M.I.A. & we feared the worst, but for years readers would send us pictures, possible Farley sightings, you know.



The other day I was looking through the vinyl & CDs at one of the more aromatic thrift stores that dot the area when I came across King Fly hisself, looking bad-ass & healthier than ever. Then I realized that he had ascended to the Motherhead & was living the high life in Zambodia. Way Kool!

Motherhead Bug – Zambodia, Pow Wow Records PWD7443, 1993.
decryption code in comments

Tracklist –
My Sweet Milstar
Tiny Bones
Demon Erection
Piñola
Bleating Heart Incident
Zambodia
Shabooda
The Saucer Carousel
Blister
Off with Their Little Heads!

Fly High, Never Die

The Conquering Lion

Reuploaded by request 01/09/2026
 

Terp Records AS11, 2006. 
decryption code in comments

Tracklist –
Ethiopia Hagere
Sethed Seketelat
Eywat Setenafegagn
Che Bclew Shellela
Aynamaye Nesh
Aymotche Terabu / Shemonmwanaye
Musicawi Siltr
Tezeta
Almaz Yeharerwa
Tezalegn Yetentu
Aha Begena
 
 

K'wank'wa bəcha bäk'i aydäläm,

19 April 2015

Good Night

Re-uploaded by request 08/08/2024


The Space Negros – Dig Archaeology 1980 – 1990, Arf! Arf! AA-035, 1992.
decryption code in comments

Tracklist –
Nazz IV
I Wanna Be Your Dog (Stooges cover)
The Best Things in Life are Free
Little League
Go Dorothy Go (Do the Bible)
Sweep
Heart Full of Soul
Batwa Pygmy Chorus
Crossfire / Tea for Two / Cha Cha Cha
I Don’t Care
'Go Commercial'
Happenings Ten Years Time Ago (Yardbirds revisited)
Back in the U.S.S.R. (Beatles cover)
Go to Hell
& Many, Many More
In-a-Gadda-da-Vida (Iron Butterfly cover)
Too Much Talk
Double-talking Heads
Sex Bomb (Flipper cover)
Robot
The Eighth Sea
The End of Tradition
Fireman / Spaceman

Enjoy,

for life to the death




Side One –
Beat Box (Diversion One)

Side Two –
Beat Box (Diversion Two)

Zang tuum tumb,

Well, What are You Waitin' For?

Re-uploaded by request 1/18/2024
 

Stargard - What You Waitin' For, MCA Records MCA-3064, 1978.
decryption code in comments

Side One –
Sensuous Woman
Blue Rain
Disco People
What You Waitin' For

Side Two –
Never Take You Back
Starbob
Love Me Back
How Come I Can't See You
Chameleon Lady

Rock, Doc

From Cleopatra Came the Asp


Reuploaded by request 12/23/2025

 

 



Dub grew out of reggae music in the 60s. It is usually considered a subgenre of reggae, but not by this Dub fanatic. Dub is reggae stripped to its essentials, usually by removing most of the vocals & pumping up the drum & bass 'riddim' tracks. Musick should be essential…so for me, I have always preferred Dub.

That being said, I have been thinking for quite some time about Dub & the Lion King of Reggae, Bob Marley. Many of the various Wailers have been presented here in all their Dubness & it has been good. But Bob & the Ws are so iconic to reggae that I have been apprehensive.

Here's what I've come up with…

First is an offering from NSS fave Bill Laswell remixing Bob Marley & the Wailers for your pleasure.
 


Bob Marley ‎– Dreams of Freedom (Ambient Translations of Bob Marley in Dub),
Axiom 314-524 419-2, 1997.
all decryption codes in comments

Rebel Music (3 O'clock Roadblock)
No Woman No Cry
The Heathen
Them Belly Full (but We Hungry)
Waiting in Vain
So Much Trouble in the World
Exodus
Burnin' & Lootin'
Is This Love
One Love (People get Ready)
Midnight Ravers
 
 
 
 

Next is a questionable entry, Bob Marley – The Secret Blackwell Dubs. Apparently it came straight out of the Island vaults some time around the turn of the century. To the best of my knowledge it is not commercially available. These are believed to be true Marley Dubs (all of the tracks contain snippets of his lead vocal plus the Wailers & the I Threes background vocals). However, some are Dubs to remixes of the 'official' releases, most notably "She's Gone" & "Exodus". Some of these may have been released on Island 7"ers as the b-side of the more well-known vocal versions (1972s "Rock it Babe" b/w "Rock it Version"??? for example).
 



Forever Loving Jah
Waiting in Vain
Roots Rock Dub
Jamming
Exodus (remix)
Is This Dub?
Rock it Babe
Crazy Baldhead
She's Gone
Satisfy My Soul
Iron Lion Zion
Three Little Birds
One Love
Keep on Moving
 
 
 

Next, directly from the horse’s mouth, so to neigh, is the Island/Tuff Gong official In Dub, Vol, 1. The versions vary widely in style & with virtually no production information or mixing credits, it is hard to place when they may have been recorded. The digital delay flutter of "One Love/People Get Ready Dub" or "Three Little Birds Dub" suggests post-80s studio trickery while "Waiting in Vain Dub" has a more subdued grit of classic 70s Dub style. Although there's nothing as raw, saturated, or genius as the pioneering 70s productions of King Tubby or Lee Perry, Dub champion Scientist contributes a new mix of "Lively Up Yourself" (known here as "Lively Up Your Dub"), heavy with stereo-panned delay, triggered drums, & fragmented horns.
 


Bob Marley & the Wailers – In Dub, Vol. 1, Island Records B0015161-02, 2012.

Roots, Rock Dub
Is This Love Dub
Forever Loving Jah Dub
Lively up Your Dub
Three Little Birds Dub
Crazy Baldhead Dub
Waiting in Vain Dub
Jamming Dub
One Love / People Get Ready Dub
She's Gone Dub
Smile Jamaica Version
 
 
 

But I'm just not completely satisfied with the Nesta Dub so far. Decided for one last mega-dose of Marley Dub, I'd go back to the earlier days of B&tWs. The singles that Bob Marley & the Wailers cut for Lee 'Scratch' Perry's Upsetter label in the late 60s & early 70s are among some of the most historically significant in reggae. On The Complete Upsetters box set is some true Dub from one of the Triumvirate working with the soon-to-be King of Reggae. I tried to gather together all the Dub Versions that L'S'P & the Upsetters did with Robert Nesta Marley & the other boys & girls. It ended up being a lot, so I've made Volumes Here & Now.
 


Bob Marley & The Wailers ‎– The Complete Upsetter Collection 6xCD
Trojan Records TBOXCD013, 2000. 


Soul Rebel Dub
Try Me Dub
It’s Alright Dub
No Sympathy Dub
Rebel’s Hop Dub
Corner Stone Dub
Four Hundred Years Dub
No Water Dub
Reaction Dub
Soul almighty Dub
Shocks of Mighty Dub
Mr. Brown Dub
Dreamland (instrumental)
Copasetic Medley Dub (Bend Down Low/Nice Time/One Love/Simmer Down/Lonesome Feeling)
Downpresser Dub
Long Long Winter Dub
Love Light Dub
Man to Man Dub
 



Keep on Moving Dub
Don’t Rock My Boat Dub
Put it On Dub
Fussing & Fighting Dub
Memphis Dub
Riding High Dub
Kaya Dub
African Herbsman Dub
Stand Alone Dub
Sun is Shining Dub
Brain Washing Dub
Brand New Second Hand Dub
Concrete Jungle Dub
Rainbow Country Dub
Satisfy My Soul Dub
Natural Mystic Dub
I Know a Place Dub
Who Colt the Game Dub
 
 

Before I go, I have a request from any visitor who's made it this far. My Marley in Dub search as led me to a missing volume. If anyone has a copy of Ijahman Levi - Ijahman & Bob Marley In Dub on Tree Roots from 1995 that they would share with me, please let me know. Thanks to an anonymous visitor, missing no more...& in less than one day. Phenomenal.
 
 

Bad like yaz,