On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

11 August 2024

Manifesting Demons on a Sun City Sunday

 

Zero_ii sez:
     Someone requested this album a while back, but I wasn't able to find it until recently. It was a limited edition release, with only 1,000 copies being distributed. I hope that you all enjoy this rare album from a very unique experimental band. 

 

Sun City Girls - Cameo Demons & their Manifestations, Abduction ABDT, 2000
decryption code in comments

Where Dead People Live
Garlic & Mirrors
OKAPI
Cameo Demons & their Manifestations
Legendary Fingerprint Recognition
Lunar Gun-Point Recollections

I'm having a meltd0wn, a Digital Meltd0wn,

10 August 2024

Not the Red One, but the Black One

 

Zero_ii sez:
     Disco Club was a one-off collaboration between French producers Bernard Fevre & Jackie Giordano, who credited themselves respectively as Joachim Sherylee & Junior Claristidge. Originally released on Italy's Out label in 1978, Disco Club became slightly infamous in the disco underground despite its extreme scarcity. Don't let the Disco tag fool you though, this isn't your typical by-the-books, happy-go-lucky type of disco, but rather its dark atmospheric electronic doppleganger.

It was made manually in a recording studio in the suburbs of Paris using synths, occasional tape loops, & a drummer. No midi or computers. According to an interview given by Bernard Fevre in January 2007, Jacky Giordano only financed the recording sessions. His being credited as co-composer was just a deal for recouping his financial investment. 

 

Black Devil - Disco Club, RCA PL37164, 1978.
decryption code in comments

Face 1 -
H Friend
Timing, Forget the Timing
One to Choose

Face 2 -
We Never Fly Away Again
Follow Me
No Regrets

I'm having a meltd0wn, a Digital Meltd0wn,

09 August 2024

Klaatu Barada Nikto

 

Zero_ii sez:
     The Day the Earth Stood Still is a 1951 black/white science fiction film that tells the story of a humanoid alien who comes to Earth to warn its leaders not to take their conflicts into space, or they will face devastating consequences. Produced in the aftermath of World War II, the start of the Cold War, the development & use of the first atomic bombs. The film strongly & iconically addresses issues of violence, politics, & the fear of global annihilation.

The score was composed by Bernard Herrmann. It is notable for its use of two theremins. The soundtrack was composed in August of 1951. It was Herrmann's first soundtrack after he moved to Hollywood. Herrmann chose unusual instrumentation for the film including electric violin, electric bass, two fully electronic theremin played by Dr Samuel Hoffman & Paul Shure), test oscillators, vibraphone, four pianos, four harps, & approximately 30 brass instruments. Unusual overdubbing & tape-reversal techniques were used, as well. 

 

Bernard Herrmann - The Day the Earth Stood Still, 20th Century Fox Film Scores, 1993.
decryption code in comments

20th Century Fox Fanfare (composed by Alfred Newman)
Prelude / Outer Space / Radar
Danger
Klaatu
Gort / The Visor / The Telescope
Escape
Solar Diamonds
Arlington
Lincoln Memorial
Nocturne / The Flashlight / The Robot / Space Control
The Elevator / Magnetic Pull / The Study / The Conference / The Jewelry Store
Panic
The Glowing / Alone / Gort's Rage / Nikto / The Captive / Terror
The Prison
Rebirth
Departure
Farewell
Finale

I'm having a meltd0wn, a Digital Meltd0wn,

08 August 2024

You Suck

 

Zero_ii sez:
     Here's the official release of a rare South African hard rock album from 1971 that contains wild heavy guitars & screaming vocals on par with any UK underground rock act from that period. Excellent cover versions of "21st Century Schizoid Man" by King Crimson, "War Pigs" by Black Sabbath, & an extended 10 minute version of Donovan's "Season of the Witch" which is mind frying along with many others. "The Whip" is the only original title here. This is heavy 70s rock with real attitude. It deserves your attention. CD reissue taken from the original master tapes. An album note says, "This album has to be played at MAXIMUM VOLUME to be appreciated” Suck's rapacious musical rampage through a conservative South Africa in 1970 is stuff from which legends are made! 

 

Suck - Time to Suck, Fresh Music FRESHCD118, 2001.
decryption code in comments

Aimless Lady
21st Century Schizoid Man
Season of the Witch
Sin's a Good Man's Brother
I'll Be Creeping
Elegy
The Whip
Into the Fire
War Pigs

I'm having a meltd0wn, a Digital Meltd0wn,

07 August 2024

I’m Gonna Wait ‘til the Witching Hour, When There’s No One Else Around

 

Zero_ii sez:
     Much darker & less overtly synth pop than any of their earlier work, Witching Hour is almost unrelentingly gloomy, covering topics like the fleeting nature of relationships, destruction, & war. However, the album wears it well, conjuring a glamorous dystopia. It's not often that bleakness sounds this pretty. It also helps that Witching Hour boasts some of Ladytron's finest songwriting to date. By stripping away some of the synth pop veneer of 604 or Light & Magic, the shoegaze/dream pop influences that bubbled underneath the surface of Ladytron's music come to the fore on this album. Helena Marnie's ghostly vocals are as lovely & effective as ever but Mira Aroyo's limited presence on Witching Hour is one of the album's few disappointments. Witching Hour is the album that Ladytron always seemed capable of making, its dark, dreamy-yet-catchy spell makes it the band's most sophisticated, best work to date. 

 

Ladytron - Witching Hour, Rykodisc RCD10828, 2005.
decryption code in comments

High Rise
Destroy Everything You Touch
International Dateline
Soft Power
CMYK
amTV
Sugar
Fighting in Built up Areas
The Last One Standing
Weekend
Beauty*2
White Light Generator
All the Way...

I'm having a meltd0wn, a Digital Meltd0wn,

06 August 2024

I Have Always Been Here Before

 

Zero_ii sez:
     Roky Erickson often seems to be better known for his well publicized psychological maladies & his less-than-gentle treatment at the hands of Texas' judicial system than for his music. That's a shame. While Roky's habit of informing anyone who asks that he's a Martian or is in contact with Satan makes for good 'zine copy, the best reason to be interested in Erickson is his songwriting. There's a graceful, vivid surrealism to his lyrical style that's endured far better than most of the noodlers who came out of the psychedelic rock movement & his later bursts of horror film fancy conjure up a troubling tension that's laughed at only by the shallow or ignorant. Roky first gained fame as the lead singer of the 13th Floor Elevators, ushering in an age of psychedelic rock with their debut album The Psychedelic Sounds of the 13th Floor Elevators. When Erickson's legal problems came to a head in the late 1980s, longtime fan, Sire Records executive Bill Bentley assembled Where the Pyramid Meets the Eye: A Tribute to Roky Erickson to raise money for Erickson, as well as drawing attention to the unique beauty of his music. Like most multi-artist tribute albums, the results are a bit uneven; some of these artists seem to have appeared out of convenience rather than any great love of Roky's music. A few of the interpretations are simple miscalculations. But there are a several moments of very real beauty & power here, especially from the artists who share Erickson's Texas heritage (Doug Sahm / ZZ Top) who rock out on their contributions, the Butthole Surfers' version of "Earthquake" is one of their finest moments on wax, & T-Bone Burnett's take on "Nothing in Return" is a heart-tugging gem. Where the Pyramid Meets the Eye is a sincere if inconsistent tribute to his work. It shows how well his songs can translate to the styles of other artists. 

 


Reverberation (Doubt) - ZZ Top
If You Have Ghosts - John Wesley Harding & The Good Liars
I Had to Tell You - Poi Dog Pondering
She Lives (in a Time of Her Own) - Judybats
Slip lnside This House - Primal Scream
You Don't Love Me Yet - Bongwater
I Have Always Been Here Before - Julian Cope
You're Gonna Miss Me - Doug Sahm & Sons
It's a Cold Night for Alligators - Southern Pacific
Fire Engine - Richard Lloyd
Bermuda - Vibrating Egg
I Walked with a Zombie - R.E.M.
Earthquake - Butthole Surfers
Don't Slander Me - Lou Ann Barton
Red Temple Prayer (Two Headed Dog) - Sister Double Happiness
Burn the Flames - Thin White Rope
Postures (Leave Your Body Behind) - Chris Thomas
Nothing in Return - T Bone Burnett
Reverberation (Doubt) - The Jesus & Mary Chain

I'm having a meltd0wn, a Digital Meltd0wn,

05 August 2024

This Meltd0wn is Making Me Def & Dum

 

Zero_ii sez:
     Stinky Finger was the biggest band to come out of the East Tennessee area, which I call home. This was passed on to me from a friend of a friend. After hearing the album I was amazed that this was recorded in 1988. Their sound is original, but if I were forced to draw comparisons, I would describe it as a mix between the Beastie Boys & the Angry Samoans (huh?...NØ). I didn't have the pleasure of seeing them live, or listening to them when they were around. This album was uploaded by my friend Brian. The following is an excerpt from his write-up.

Now Brian sez:
     The Tri-Cities, (Bristol, Johnson City, Kingsport) was never known for it's music scene like Athens, Los Angeles, or Seattle. When I was a high school kid into punk rock, starting my first 'zines or bands my friends & I felt a bit outnumbered. The Sex Pistols / Ramones never really hit around here so, as far as the locals were concerned, we were the first wave of that. We took the shit that came with it & kept on going. A first glance at the music scene here didn't reveal much besides cover bands or music store prog rockers but there was something else happening. I'm gonna go ahead & go on record as saying that before two particular bands there was no real "alternative" music scene here. One of the bands was Brian & the Nightmares. The other was Stinky Finger. We all followed their lead. If I had to narrow it down even further, we followed Stinky Finger's lead. Not musically but in attitude. They were bigger, more influential in our scene than anyfuckingthing on MTV.

Def & Dum by Stinky Finger was put out on cassette only. It was recorded in Bristol at Classic Studios in 1988. I haven't owned a copy since I don't know when. A friend of mine ripped this from an original cassette. I am sharing it for it's historical value to the music scene of East Tennessee in addition to the fact that it fucking rocks! Stinky Finger were probably best described as a punk/rap band. At the time they were doing it the Beastie Boys were probably the only other comparable band but Stinky may have been even stinkier. Their lyrics were foul yet funny at the same time & the band was tight as a preacher's ass. 

 

Stinky Finger - Def & Dum cassette, Classic Records, 1988.
decryption code in comments

Side A -
1. Stinky Drinkin'
2. Sodomy
3. Cocaine Whore
4. Def Bird
5. Pollution
6. My Girlfriend

Side B -
7. Don't Waste My Time
8. We Be Trippin'
9. Fag Basher
10. You're Fat
11. My Penis
12. Fleas

I'm having a meltd0wn, a Digital Meltd0wn,

04 August 2024

I Want My Mummy

 

Zer0_ii sez:
     Someone requested that I post another Mummies album a while back. So here's Never Been Caught, which should fill that Mummies craving for the time being.

At a time when a lot of garage rock bands sounded like they were drowning in a sea of paisley & Nehru affectation, the Mummies flipped the whole scene the bird with one of the most gloriously ugly garage albums ever, 1992s Never Been Caught. Sounding like it was recorded in an acoustically untreated basement on equipment that might have been state of the art in 1947, Never Been Caught is one long blast of monophonic skwank, with the needles almost perpetually in the red as four guys in mummy outfits bash out crude '60s-style rock about beer, babes, & open hostility on battered gear which was doubtless discarded by tone-deaf teenagers who got over their 15-minute delusion of possible future rock stardom in 1966.

In case you haven't figured it out by now, this album is, quite simply, a work of genius; Billy Childish was once quoted as saying the Mummies were nearly as good as the Damned. While the two bands don't have much in common musically, the Mummies certainly share the enthusiastic carelessness & "Smash It Up" energy with the Damned Damned Damned-era punks, as they set out to blow up amps & knock over drum kits just cause it seemed like a fun thing to do.

After listening to it, damned if you don't want to join in...Never Been Caught is a perfect reminder that once upon a time rock & roll was considered dangerous just for being fast, loud, & snotty. If the Mummies never quite became the new leaders of America's juvenile delinquents, it's sure not because they didn't try.

The Mummies - Never Been Caught, Telstar Records TR005, 1992.
decryption code in comments

Side 1 -
Your Ass (is Next in Line)
Stronger Than Dirt
Little Miss Tee-N-T
Come on Up
Sooprize Package for Mr. Mineo
Rosie
Shot Down
The Ballad of Iron Eyes Cody

Side 2 -
Skinny Minnie
She Lied
The Red Cobra #9
The Frisko Freeze
Justine
Mariconda's a Friend of Mine
The Thing from Venus
Shut Yer Mouth
Jezebel

I’m having a meltd0wn, a Digital Meltd0wn,

03 August 2024

Avengering Angels

 

Zero_ii sez:
     Avengers probably need no introduction to fans of the punk rock genre. From the first wave of 70s punk in Northern California (San Francisco to be exact), they were around for a very short time, but left their mark & influenced generations of punk to follow. They were one of the first female-fronted punk bands in the USA. Fronted by the electrifying Penelope Houston, & powered by Greg Ingraham's amazing guitar playing, they were far ahead of their time.

The story of this record is one wrapped up in confusion & turmoil. It seems that the CD Presents, Ltd label somehow strong armed the band into signing their life away & also included the Dangerhouse recordings on this when in actuality they had no legal right to do so. This album also came out a couple years after the band broke up. Rumor has it that the band tried to reclaim the recordings & the label actually sued the band over it! When Frontier Records reissued some of the Dangerhouse Records catalog, David Fergusson, owner of CD Presents sued Frontier claiming rights to the Avengers Dangerhouse recordings which was proven not to be true. He lost the lawsuit. He promptly filed for bankruptcy upon losing the lawsuit, in an effort to get out of having to pay the enormous legal fees.

All controversy aside, this stands as one of the all time greatest punk albums. It deserves a spot in every person’s collection. 

 

Avengers - Avengers, CD Presents, Ltd. CD007, 1983.
decryption code in comments

Side One -
We Are the One
Car Crash
I Believe in Me
Open Your Eyes
No Martyr
Desperation
Thin White Line

Side Two -
Paint it Black
The Amerikan in Me
White Nigger
Uh-oh
Second to None
Corpus Christie
Fuck You (live)

I'm having a meltd0wn, a Digital Meltd0wn,

02 August 2024

Set for Automatic Midnight

Zero_ii sez:    

    "Few albums provide an immediate jolt like Hot Snakes' debut. For a rocking good time, this band is pretty tough to beat. Risen from the still-smoldering ashes of San Diego punk-rock-luminaries Drive Like Jehu, the Hot Snakes reunite the incomparably tight guitar/vocal duo of John Reis (also of Rocket from the Crypt) & Rick Froberg. The lineup is rounded out by bassist Gar Wood & drummer Jason Kourkounis (from Delta 72). While Hot Snakes' sound is loosely classifiable as punk or hardcore, the band transcends easy genre labels with tight, focused songwriting, razor-sharp musicianship, & a stunning level of rhythmic heft. Rick Froberg screams with such urgency his vocal cords sound like they could snap at any moment. The band behind him is a marvel of intensity & efficiency."

 

Hot Snakes - Automatic Midnight, Sympathy for the Record Industry SFTRI602, 2000.
decryption codes in comments

If Credit's What Matters I'll Take Credit
Automatic Midnight
No Hands
Salton City
10th Planet
Light Up the Stars
Our Work Fills the Pews
Past Lives
Mystery Boy
Apartment 0
Let It Come
(hidden track)
 
 
 
 

"This is the Hot Snakes' second album. The sound is searing, gritty, penetrating.

If there is a signature sound to be found within the churning stomp of a Hot Snakes song, it would have to be the driving, pulsing intensity that fires the twin guitar assault directly from the speakers into the bullseye-painted ears of the listener. Suicide Invoice is a modern essential. For those about to rock, it should be to this."

 
Hot Snakes - Suicide Invoice, Swami Records SWA111, 2002.

I Hate the Kids
Gar Forgets His Insulin
XOX
Who Died
Suicide Invoice
Paid in Cigarettes
LAX
By Nancy Boy
Paperwork
Why Does it Hurt
Unlisted
Ben Gurion

I’m having a meltd0wn, a Digital Meltd0wn,

01 August 2024

My Meltd0wn Has Led to Pure Mania

I'm having a meltd0wn, a Digital Meltd0wn. Time to change streams in the middle of the horse.

Started off last month with a bombastic explanation that got shut d0wn before it even got off the ground. Then I spent the rest of the month with my tail between my legs. All the hard work ended up being Judy in Disguise minus the diamonds.

Thinking I better just slide into things quietly this time around. So, let's bust out the Vibrators... 

 



Zero_ii sez:
     The Vibrators were a little older & wiser than their Brit-punk brethren in the late 70s. They were already veterans of the pub rock scene in Britain when they recorded this. None of that prevents Pure Mania from taking it's rightful place alongside landmark British punk albums like: Never Mind the Bullocks; Damned, Damned, Damned; The Clash; the Buzzcocks Singles Going Steady; the Adverts Crossing the Red Sea; or  Wire's Pink Flag.

In fact, this album is superior to many of those albums in some respects. It's as melodic & consistent as the Buzzcocks, as terse & minimal as Wire, (almost) as demented as the Sex Pistols. It also has an element of fun you might find in the Damned or Adverts. They didn't try to communicate a message like the Clash did but they were connected to Roots music in a similar way. 

 

The Vibrators - Pure Mania, Epic EPC 82097, 1977.
decryption code in comments

Side 1 -
Into the Future...
Yeah Yeah Yeah
Sweet Sweet Heart
Keep it Clean
Baby Baby
No Heart
She's Bringing You Down

Side 2 -
Petrol
London Girls
You Broke My Heart
Whips & Furs
Stiff Little Fingers
Wrecked on You
I Need a Slave
Bad Time

I'm having a meltd0wn, a Digital Meltd0wn,

I’m Having a Meltd0wn

 

I'm having a meltd0wn, a Digital Meltd0wn. Time to change streams in the middle of the horse.

Started off last month with a bombastic explanation that got shut d0wn before it even got off the ground. Then I spent the rest of the month with my tail between my legs. All the hard work ended up being Judy in Disguise minus the diamonds.

Thinking I better just slide into things quietly this time around.

I used to contribute regularly to a blog called Digital Meltd0wn. It's remnants can be found in the bone-pile of dead blogs. Zero_ii & I used to have SOME FUN!!! Just a couple of Nada Bois up to zilch. Try some of these on for size, if you're so inclined. 

I'll be back to my (un)usual self by September???


31 July 2024

Toasting All Siblings Everywhere

The Final Installment: The Brotherhood of Dub - Dub Transmission 
 



So there he sits
the dunce, the dullard
the toerag
the eternal glowing optimist
cigarette drooling
on unscored paper,

what kind of fool is that?

This white man deserving
of nothing
but contempt
waiting on a line or two
to drop into his lap
as ash
without the sense of timing even
to call it quits.

what kind of truant is that?

His poems, should he promise any
ought to go unanswered
breakfast for the institutionalized
the terminally sedated
God help us
they replace pistons, rods
with processors
so he may perch steeped in wanking
a bona fide effrontery.

what kind of damned idiot is that?

anyway
where are his credentials?

who encouraged him in the first
instance
to sit all day hatching piles
while leftovers
stink up the place unattended to
and people come knocking
just to ensure
that he has not done us all a favour.

what kind of a waste is that?

Ib Sibling

30 July 2024

Deflated. Burst. Anointed.

He possessed a hacking cough. The kind of cough which cuts one off at the middle. Empties one's chest through the mouth and nose in gales which starve one's brain of oxygen until the head lights up like an open refrigerator.

Strings of phlegm hanging in ropes like green nets off the side of a boat.

A barking cough, on the other hand, while by no means less startling to those in the pink, lends something of an imposing character to the invalid. A suggestion of stately decrepitude which elevates the offender above the pitiful. A booming sovereignty to cow disapproving stares, or worse, wanton sneers of disgust.

This, sadly, was not the case.

His particular condition, then, reduced him to the level of the untouchable. The sneaking pariah stopped in its tracks by bout after bout of cacophonous disability. A ringing of ears. A wringing of hands.

Mouths falling open. Aghast. Enraged.

Hither and thither he slunk, mortified, waiting to be casually beaten to death. Or arrested, at the very least. And beaten to a pulp he no doubt would have been, were it not for the very real potential for contagion. Infection leaping from host to host as a leprous spore.

And at his toilet he simply cowered, smote with the stench of latrines. Pricked like a balloon on the precipice.

29 July 2024

He Spent Some Time in Dharma

Me and the grape appear to have come to a parting of the ways.

Whether we are finished, or whether he is merely on holiday, is cause for some debate. A sobering thought. Either way, our rules of engagement - the gushing over that till death do us part - are on ice.

I was turning the bacon. Musing on the convoluted paths we've trod. We used to get on together so famously, stopping some way short of setting the house on fire, but lately things have turned a little sour. Routinely I might wake in the morning, sharing the outline of a long-running joke into the pillow, only to find he'd fled.

Closing the door mid conversation with a whisper.

Bedroom. Kitchen. The parlour with its shades of the morning after partly drawn.

Of course. Many sip their share of one-night-stands. Illicit slumberings between the decades. The grape slowly maturing. We took comfort in each other's arms, certainly, neither one of us giving the advantage. Shook hands quite amicably in a gentleman's agreement; while the hands simply shook in the morning.

The times we had.

I remember when we both fell out with cousin jack - sometimes 'Jack', more often 'Mr. Walker'; what's in a name? - his humour ran a little dry. Shallow as a snorting drain.

"What's that all about?" me and the grape exclaimed, in unison, when Jack fell heavy on a curse. And did not make it up off the floor again.

Well. We gave that bum his marching orders. Sent him to Coventry before the quarter broke out in flames. Again. Let's not split hairs; we met up occasionally from time to time, Mr. Walker turning up unannounced in that awful raincoat peppered with holes - bowed over with heartburn and remorse - but things seldom flowed quite the same. Too dark and unsavoury by far, for my liking. Blood in the urine. Staining the bowl.

Me and the grape frequently argued about it. The easy option, to forgive, forget.

This was something which was spoken about at length. Never resolved. And, too, there was that small matter of Walker's continuing peccadillos behind our backs. Nothing wholly outrageous, true, but a source of irritation nonetheless. Extramarital affairs. Innuendo. It did not sit well. Untidy as the wrong bottle cap screwed down at sixes and sevens, a dribbling tap which could not be turned off. No matter how determinedly one went at it.

He never could exert one ounce of self-control.

That is not to say we did not miss him. I did not miss him. We exchanged letters all through that winter he was in stir, but I refused to visit in person.

And let's not forget to consider how we were always moving in opposing directions. All the way back to god knows where. In the rain. The snow. Throughout it all, me and the grape remained tight. Thick as thieves. If Jack fell asleep at the wheel of the getaway car, we two were never at fault. Of that I am more than certain.

He ought never to have fallen in with us in the first instance. We ought to have been more careful.

Of course, it's easier to read the bluff when the cards are finally laid out for all to see. Palms up, hands raised. Hindsight is a peculiar thing. Like taking aim through the back end of a telescopic sight, tracking a bead straight along the barrel to where the eye yawns huge; unblinking.

I think on this as I ladle the bacon over on itself, the pools of crackling fat.

It has been some time now, but I cannot say I miss the grape. Not really.

Sometimes - fixing breakfast, for example - I wonder if the grape and Jack might not have been in cahoots all along. Conspiring against me. Enjoying a laugh at my expense. That is the problem with people like that. One might spend all one's years in and out their company, for better and worse, but one never knows for sure.

Oh, we were tight alright. You can't take that away.

But how well does one ever know what makes another person tick? Especially in a bind. For all I know, the grape and Jack are living it up with ginnie, mary - the hired help - while I am alone here in the kitchen. Pouring over a mess of scorched flesh. Eggs breaking wind.

When all's said and done, people like that are no end of trouble. Jack shit. The grape included. And you know how much I loved him.

Come here a moment. Listen. Did I ever tell you all about that one time me and the grape and mean Jack black got ourselves in the most ridiculous scrape?

28 July 2024

Underpinning a Cicada Chorus

 

I woke up fairly early this morning and plugged straight into the mainframe. I did not light a cigarette. I did not plumb in the kettle or fill my little china cup to the brim.

I checked my mail. The sort which does not drop through the letterbox in a brown envelope stamped 'this is not a circular'. I huffed and puffed and hummed along to the white collar noise of the fans starting up. I startled the mouse and stroked some keys.

Then I made some coffee.

I have not visited my bus-driver pal for a while. Released at last from the routine of rolling on and off the Golden Gate Bridge. He has not been posting lately.

His account of shore leave back in New Jersey - a reminiscence of the now defunct Palace Amusements - stirred my own memories of the funfair. A photograph from Coney Island of beehived women eating a hole in candyfloss without a safety net; a Glasgow Fair weekend on the Isle of Cumbrae circa 1970.

Millport is a tiny little island anchored in the southwest coast. A grassy knoll the approximate size of Alkatraz.

I typed:

"You can cycle right round the place in a couple of hours or less, I am told. They had a little fairground with bumpers cars; the dodgems, we call them here. I went on them one bleak Saturday night. Not only was I the only kid there, I believe I was their sole customer. I drove around in circles for the duration of my ticket, vaguely humiliated at persisting with the routine of negotiating nothing but empty space."

The New York photograph and my memory of the string of lights reflecting in the spectacles worn by my grandfather, my gandmother too, have merged in those intervening years. I seem to recall Engelbert Humperdink crooning over the tannoy, but the recollection may be unsound.

My grandparents silently watching me as I went round and round unsettled me. Their faces pinched, bent sinister.

"Are you enjoying yourself, ib ?" they wordlessly enquired. "We hope you are having a good time".

A kind of anxious telepathy.

Of course, every second out there on the hardboard polished deck was excruciating. The evening was not so warm that my grandfather forwent his cardigan. The roaring houndstooth sports jacket.

Later, we returned to the guest house. My grandparents sat drinking whisky. Toasted by what may or may not have been an open fire. I do not remember if there was a working television in the visitors lounge; nor if it was tuned to snow.

I remember my grandfather's face beginning to redden. His voice turning louder. Slurring. Lingering near the ceiling before drifting onto the hearth rug like ash.

Ib Sibling

27 July 2024

By Lassitude or Intrusion

The weightlessness of surfing,

the unmonitored pursuit that is
catching a wave
into dead space populated
by figments,

brings me crashing to the beach.
Buried. Inside out;
retching around a glassy pebble.

A gallstone.

An avalanche of unanswered mail,
virtual splintered bone.
Orbit and muscle, unblinking eye.

The sin of omission. A harbinger.

26 July 2024

A Stench of Torment Rose Beguiling

i.
You might recall sly stooping, a little
frozen rancour on the turnstile.
A ladybird caught in the corner
of my mouth, pubic hairs
between my teeth. Snowballs.

Slipping in front of a House of Cards.

ii.
And then there was the barker
belching, tempting good grace.
The taint of cockles and
whelks, snails on the puckered lip
of a lurid painted precipice.

A wall of sudden death.

iii.
Of course, that is the wicked thing
about detours. Shortcomings.
Often there is just dereliction in
addressing the germ of things.

iv.
And again. The old lady in the sideshow
booth was only so much of a charlatan
as demand allows. Fair game for change.
A pastry in a blonde wig on a Saturday.

Black and Tan. Ill.

Stiff as a motherfucking board.

v.
Rusting zippers and jammy fortune,
fair to middling. The running soft to firm.
Long gone now, I expect.
A faltered scam laid out flat on the slab.
Or spirited away in a puff of smoke;
There is magic in a gypsy funeral.

vi.
A halogen lamp on a stairwell. A bike
of wasps travelling in circus formation.
The unstung heckler at the back of the tent.
A collapsed lung. A handkerchief waiving.

Hammer and tong on a bed of nails.

Ib Sibling

25 July 2024

Interstellar Courtships and Couplings

A couple of decades ago, I took up residence in a basement flat in the west end of Glasgow. At some juncture long before my tenancy the factor had seen fit to remove the iron railings which would have ordinarily protected my bedsit from prying eyes and housebreakers.

Sawed off a quarter of an inch above street level, rusty and pockmarked like bleeding stumps left to fester in a yokel's mouth.

The excision was probably as a result of the war effort sometime in the early '40s. All remedial surgery abandoned.

This once grand tenement was overrun with rats and death watch beetles. At least the Jehovah's Witnesses kept away. I slept on a decrepit double mattress dumped in one corner on the floor. The roaches marched past at night on a food patrol just inches from my face.

I located the tv cable slung from the roof and drilled an entry point in the timber sill. I hooked it up to a portable black and white set which gave me a pretty decent reception. Late at night the cable would whip and slap off the front of the building in the wind. Even in the depths of summer. One evening I was working my way through a couple of bottles of red when the little screen burst with snow. I stumbled to my window. Some f@cker had severed the cable a couple of floors above and dragged it into their hovel.

I never watched any television after that. Instead I banged away on an electric typewriter I purloined on a visit to my mother's house.

With junkie logic I reasoned it might better serve me than her.

The Spaniard next door had overstayed on his visa. He was on the run from doing National Service. I didn't blame him much. His sister lived on the ground floor. Between them, their cooking smelled worse than shit. I have no idea what they served up, but the kitchen sink was perpetually choked with their leftovers. They never seemed once to clean up their plates.

One night I got more drunk than usual and when the Spaniard passed me in the hallway I pounced on him. No doubt he was as inebriated as me. I grabbed him by the neck and banged his head off the wall until his eyes rolled in their sockets. He started laughing and kept on until I finally let him slide to the floor.

F@cking draft dodger.

Of course. National Service in the UK was by then a thing of antiquity.

Living in that basement I found my perspective wholly skewed and altered. Anybody who has endured similar accommodation will know instantly what I mean. The world outside is framed from the ankles down.

Even passersby clear across the street lose their heads entirely.

Occasionally, a gaggle of youths would rumble into war without provocation. Disembodied screams and machetes dangling inches from my window in the aftermath. The glass was so thin it might have cracked under a wad of phlegm. As it was, not even the most antisocial element bothered to put it in.

There really wasn't much to steal in any case. I left my bedsit unattended once for the better part of a fortnight and when I returned it was if I'd never been gone. I didn't bother to fit curtains. It was dark enough down there as it was.

The entire time I lived there I did not take even one photograph. I worked a regular day-shift and visitors were usually too appalled to come back a second time. Of course, the fault may have lain with my social skills. It was my habit to hit the bars until closing time and attack the typewriter as soon as I got home.

I became quite skilled at banging out one fairly lucid page after another while otherwise hopelessly intoxicated.

24 July 2024

Let Sleeping Dogs Lie

I remember reading somewhere, vaguely, that Bob Dylan once attempted to make a go of it peddling bespoke wooden legs.

Handcrafted prostheses, to be more precise.

Is there even a splinter of truth in it, does anybody know ? Or is the tale entirely apocryphal ?

I admire the idea of it, the screwball absurdity of the very thought; the monocular attention to detail.

Had Dylan not gone stellar on the back of a purloined, well-timed lyric or two, I can envision our sage hobbling into such a entepreneurial cul-de-sac. Squirreled away; ornately skulking in the sawdust of his folly.

Had Zimmerman not come over all electric, we might have had prosthetic:

A rabid mob on pogo sticks on the fringe of a motorcycle accident. Baying for blood as the carpenter hops in the wings, knock-knock-knockin' and chalking on his board.