Intro
Thimble Cups of Urdu I
Maroon of Gaza
Harem of Dogs I
Harem of Dogs II
Thimble Cups of Urdu II
Blood of Salah Jadallah I
Stars of Golan Heights
Blood of Salah Jadallah II
Enjoy,
NØ
I thought I was done with this month. As I sez on the MAYDAY MAYDAY share:
"I'm just going to throw together what I'm listening to at the moment & see what forms of it all. That's what I say right now. We'll see what is transpiring come Memorial Day."
Well, today is Memorial Day (I know the USA celebrated it last Monday but that's just Memorial Day [observed] because of that governmental Monday Holiday Bill bull...true Memorial Day is May 30th...that's when we here at Casa de Nada 12.0 celebrate it 'cuz it's my daughter Lao's birthday).
She ses to me today:
"Dad, you know it's a mad, mad, mad, mad world."
That prompted me to post this one, my favorite Mad Professor compilation of all time. Recorded in Dubarama, so play it loud.
Ultimate Experience
Beyond the Realms of Dub
The Heart of the Jungle
Rebel
Rat Race
The Doppler Effect
Aztec Warrior
Ariwa-The Dub Sampler
Invasion Dub
People of Yoruba
Kunte Kinte
Fast Forward into Dub
Medusa's Head
Pirates of the Airwaves
See you all in June,
NØ
Jumping back into film soundtracks for a final time this month after the Dark Origins shares earlier. (Thanks Hawksmort & all for your terrific contributions).
A Soundtrack for a Film reveals itself to be none other than a new soundtrack for Fritz Lang's 1927 silent film classic Metropolis. Factory Floor was commissioned by the London Science Museum to write & perform the score. The band performed the 150 minute score at the Science Museum’s IMAX theater on April 28, 2017 marking the 90th anniversary of the film's release. The band played & recorded this in the studio for your listening pleasure. You can play it along with the 153 minute long movie for a real treat...just figure when the beginning theme Metropolis should start (use your better judgement)...it should sync up well enough to make a rewarding viewing.
Something from Deadbeat is a weekly thing with me. Recently I picked up this one, another one from Deadbeat Scott Monteith with vocals here by Athésia. A dive deep down into Deadbeat's rich, tactile, organic, & fluid music, a slow, trippy path through rhythm & reverb.
Grab the chillum & chill...
Yeah Ghost is the final release from Zero 7, coming three years after their previous. Many fans of the band shied away from it as their sound has evolved away from their usual more Trip-hoppy style into a more poppy style. For me it is one of my favorite Zero 7 albums. The various vocal stylings seem more of a preferred challenge than a detriment. To me it sounds fresh, new, experimental while also somehow more Ambient (especially the instrumentals)...
Count Me Out
Mr McGee
Swing
Everything Up (Zizou)
Pop Art Blue
Medicine Man
Ghost sYMbOL
Sleeper
Solastalgia
The Road
All of Us
Enjoy,
NØ
This has been a winding twisted trail. It began back in September 2022 with Flykkiller - Experiments in Violent Light here.
Then in May 2025 I did May: I Come Again where I was revisiting artists I had shared in the past. I returned with a Flykkiller related post here that featured Pati Yang. Pati & her husband Steven Hilton were Flykkiller. At that time I mentioned that the twosome had often worked on OSTs with David Holmes (Buffalo Soldiers, Ocean's Eleven & Twelve).
That led to The Free Association, a group started by David Holmes & Steven Hilton.with Pati Yang & songwtiter / vocalist Sean Reveron. This version contains a bonus track, the Free Association version of “Sugarman” by Sixto Rodriguez.
The trail ends here (for now)...
Of course, on a daily basis I get my dose of Dub.
Here are a couple that didn't make February’s Dub & Dub Adjacent shares due to time/space constraints.
Pop one of these if you want a great high.
First off some psyDub...
The other night I was getting my monthly dose of Hell & brimstone Good Ole Religun from St. Paul (Janeway) & his Birmingham Broken Bones. One of the songs, "The Last Dance" put me in mind of Electric Six. I used to binge on their music back in the early Aughts but haven't listened to them in years. I guess none of their later releases grabbed me like their first two & I just drifted away. I dug out Danger! High Voltage & Fire & indulged in some rock nostalgia.
Electric Six are essential American hard rock. They are definitely the Hell & brimstone to St. Paul's salvation, but Dick Valentine (Tyler Spencer)'s vocals grab me like Paul Janeway's & the Electric Six create music on par with the Broken Bones (a sadly much under-rated outfit). For any of you who haven't visited the E6 in a while, here's two to you.
Danger! High Voltage (Soulchild radio mix)
I Lost Control (of My Rock & Roll)
Remote Control (Me)
Danger! High Voltage (Thin White Duke mix by Jacques le Cont)
Before leaving these Dark(jazz) Obsessions, I feel the need to share the music of three of the great Film Noir/Crime Noir soundtracks that are often cited as the progenitors of Darkjazz.
The Man with the Golden Arm was the work of Elmer Bernstein for the Otto Preminger film starring Frank Sinatra. It is one of the finest jazz soundtracks to come out of the 50s. Bernstein's blustery horns & deep percussion are only the facade for the gorgeous orchestration that hides in the hazy, smoky underlayers almost unnoticed beneath the surface. With much of the Hollywood soundtrack elements intact, it only hints at the Darkjazz to come.
Continuing on with Darkjazz music, here are several more divergent offerings to showcase some variety in the genre.
Gamardah Fungus is a Dark Ambient drone outfit from Dnipro, Ukraine. They play slowed drone Ambient featuring Darkjazz stylings with electroacoustic instrumentation incorporating field recordings. This is one of their finest moments...
Last month when I was doing Musick that Needed Work: T I shared The Thing with Five Eyes. That was an experimental Darkjazz project of Jason Köhnen, formerly of the Kilimanjaro Darkjazz Ensemble & The Mount Fuji Doomjazz Corporation.
In the mid-Aughts I listened to a lot of Darkjazz but with the passage of time, other sounds came along & soon we forget. Sharing TTwFE got me to listening to the Darkjazz mountains again & realizing how much I still really enjoyed the musick.
Darkjazz is a slow, somber contemporary style combining jazz instrumentation to create a doom-laden, cinematic atmosphere. It emerged in the 1990s, then gained most prominence in the 2000s, primarily in Europe with acts such as Bohren & der Club of Gore or The Kilimanjaro Darkjazz Ensemble.
An early proponent of the genre is Angelo Badalamenti's work on the Twin Peaks soundtracks starting in 1990. Darkjazz uses Ambient & lounge elements alongside its surreal jazz sound. Heavily inspired by the dark, brooding themes & moody, shadowy visuals of Film Noir movies, the soundscapes of Darkjazz seek to conjure up images of smoky, dimly-lit jazz clubs or eerie, rain-soaked city streets.
Drawing on the Crime Jazz scores of 1950s - 70s Noir (such as The Man with the Golden Arm or Taxi Driver), Darkjazz is performed at a considerably slow tempo, showcasing an exaggerated form of the gloomy, dread-inducing moods & sounds heightened by the use of mournful trumpets / saxophones, brushed drums, electric piano / mellotron, vibraphones, double bass, all with a noticeable lack of upbeat big band stylings.
Decided I'd share some with you all & see how you like it (or like it again or still like it, whichever). I'll start with this compilation of Darkjazz, called simply...
When I was fixing up Musick that Needed Work: T last month I came across two Tuxedomoon releases that I had not realized were missing from my other Tuxedomoon albums. Half-Mute was one of those. It was the first Tuxedomoon that I ever bought, one of my all-time favorites, & one that I played often until I nearly wore it out. At some point I acquired the digital version but it needed work. It ended up forgotten in the Needed Work folder. What a joy it was to relisten to it after I fixed all the flaws. I was amazed at how well I remembered all the great tunes. I have listened to it regularly since then.
While I was working on Half-Mute (removing clicks, fixing ID3 tags, touching up cover artwork, etc.) I discoved this gem with contributions from Foetus, Aksak Maboul, Simon Turner Fisher, & many others. It contained a bonus 7“ & download code for an additional track...
The Baby Namboos was a loosely-defined Trip-hop group founded by Trick's cousin Mark Porter, with vocalists Aurora Borealis (Zoe Bedeaux), Leo Coleing, Claude Williams (of The Wild Bunch), with bassist Julian Brooke & drummer Mad-Dog.
They only released three shorts & one full-length. Although they sound much like Tricky's earliest two, even with the Martina sounding doppleganger of Zoe Cedeaux & the guest help from Tricky himself, I can never get enough of the initial Tricky (or Massive Attack) sound so I listen to this often, right in the Tricky mix but a great slab of music unto itself. Plus the two bonus remixes make it more than worth the listen.
During the March Madness League Play-offs I received a great deal of helpful insight from many Frienz of NSS who gagged along with the go. One of the most insightful is dear Frienz FlaccusMUC.
In one comment he sez:
"If you've got any of the ones that I haven't got (The End of Nothing, the Beginning of Everything, Russian Heterodoxical Songs, A Long Walk, The Tables Are Turning, Further Collusion, A Third Collusion, Ω ℧), I'd be very happy, if you find the time ..."
I picked the Play-off choices from what I have, mostly 80s / 90s releases. I do have a few newer Zoviet France though, four of which were on F-MUC's list which I'm sharing now. Try these out, my friend...