On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

11 March 2015

I'm Feeling More Pressure



Keith Hudson – Brand, Pressure Sounds CDPS004, 1995.
decryption code in comments

Tracklist –

Image Dub
National Anthem Dub 2
Felt the Stain Dub
Darkness Dub
Highter Hights Dub 2
Leggo Dub
Musicology Dub
My Eyes are Red Dub
Barrabas Dub
Rub Dub
Words Dub
Bad Things Dub
My Eyes are Red (alternate version)
Felt the Stain (alternate version)

This sucka boasts a cast of All Star characters:  Keith Hudson - keyboards & rhythm guitar ;  Earl "Chinna" Smith - lead & rhythm guitar;  Bertram "Ranchie" Mc Clean, Gitsie, & Tony Chin - rhythm guitar;  Willy Barrett - Hawaiian guitar; Errol "Tarzan" Nelson, Keith Sterling, Ossie Hibbert, & Theophilus "Easy Snappin" Beckford - keyboards;  Ken Elliott - synthesizer;  Aston "Family Man" Barrett, Bertram "Ranchie" Mc Clean, George "Fully" Fullwood, Robbie Shakespeare - bass;  Tony Brothers – percussion; &  Carlton "Carly" Barrett, Eric "Fish" Clarke, & Lowell "Sly" Dunbar – drum.

Enjoy,

08 March 2015

Pink Trance from Outer Space

Re-uploaded by request 09/03/2024




Here are a couple RoIO Pink Floyd nuggets. The first is a selection of early outtakes & rare(ish) versions of classic Floyd. The second is Trance remixes of Wish You Were Here, probably the best of numerous Floyd Trance remix releases (I'd guess it's not for the rabid...er...avid Floyd fan, however...).


Pink Floyd – Outtakes from Outer Space, Hippie Shit Label, Israel, 2004.
all decryption codes in comments 

Tracklist –

Lucy Leave
I'm A Kingbee
Interstellar Overdrive
Astronomy Domine
Experiment (Sunshine)
Flaming
The Gnome
Matilda Mother
The Scarecrow
Vegetable Man
Pow R. Toc H.
Scream Thy Last Scream
Jugband Blues
Swan Lee (Silas Lang)
Flaming (US 7" single version)
Reaction In G
Milky Way

*Track 1 "Lucy Leave" & track 2 "King Bee" come from the first Floyd's session. Sound is excellent, in mono.

Track 3 "Interstellar Overdrive" is the "Tonite Let's All Make Love in London" version (almost 17 minutes long). Mono. Superior.

Track 4 "Astronomy Domine" is the Floyd's appearance at the "Look of the Week" TV show from May 14, 1967. The sound quality is excellent, in mono, with some slight tape hiss.

The most interesting tracks are track 5 "Experiment" (aka "Sunshine") & track 14 "Swan Lee (Silas Lang) " (aka "Silas Lane"). They are outtakes from The Piper at the Gates of Dawn sessions. "Silas Lane" only features Syd playing some chords, with sometimes strange distorted piano notes from Rick. It later mutated to "Swan Lee (Silas Lang)" & was recorded by Syd Barrett during his sessions for The Madcap Laughs album. It didn't appear on that album, but on the 1988 compilation Opel. The version here is a very early version, much different from the final Opel version. The sound quality for these two rare outtakes is excellent, in mono.

Tracks 6 – 13 are from the first two BBC sessions (the only BBC sessions with Syd). The first took place at the BBC Playhouse Theatre, September 25, 1967 (broadcast October 1). The second was recorded at Maida Vale Studio 4, December 20, 1967 (broadcast December 31). The sound quality is only VG.

Track 15 "Flaming" is the alternate mix taken from the 3rd U.S. single session (released on August 5, 1967, on Capitol's Tower label). This is a rough mono mix, not very different from the regular one, although some background sounds are mixed louder. It was mastered from vinyl. The sound quality is probably only EX.

Track 16 "Reaction in G" is taken from the 1967 Rotterdam concert at Oude Ahoy Hallen (The Hippy Happy Fair). This concert took place on November 13, 1967. This is a mono audience recording, not too bad for such an early Floyd recording. VG.

The last track "Milky Way" is a Syd Barrett outtake, slightly different from the released version on Opel. The basic track (acoustic guitar & vocals) is the same. This may be the "take 5" mentioned on Opel. This version has some overdubs that don’t appear on the album version: a kind of chorus guitar on the background & a bass playing a short transition. The version here is mono. Ex.




Tracklist –

Shine on You Crazy Diamond (Fluffy Cloud version)
Welcome to the Machine (New Age version)
Have a Cigar (Take a Joint version)
Wish You Were Here (Atmosfear vearsion)
Shine on You Crazy Diamond (Part 2 of a Journey into Your Brain)
bonus track –
Psychedelic Dreams
* (including fragments from "One of These Days", "Fearless", "Another Brick in the Wall Pt. 2 [film version]", "Time", "On the Run", the beats from Underworld’s "Born Slippy" & more).


This remix is by far the best of all the trance remix releases. This album lends itself to ambient interpretation more than any other Floyd release. Both parts of "Shine on You Crazy Diamond" are brilliant excursions into the outer limits with samples from The Orb's "Little Fluffy Clouds" scattered throughout. "Welcome to the Machine" & "Have a Cigar" are powerful interpretations with lots of heavy dance beats. "Wish You Were Here" is beautiful. & this new edition has the added bonus track "Psychedelic Dreams". This remix definitely lends itself for headphones.

Enjoy,

07 March 2015

Every Time this Throws Me for a Loop



Loop – Collision 12" 45rpm EP, Chapter 22 12CHAP27, 1988.

Other Side [A] –

Collision
Crawling Heart
Side A by Robert & Loop.

This Side [B] –

Thief of Fire
Thief (Motherfucker)
Side B by The Pop Group.

Loop are: Robert Wills née Hampson – guitar & vocals; James Endicott – guitar; Glen Ray – bass; & John Wills – drums.

Enjoy,

NØ NØ NØ





I was listening to “You Don’t Love Me (No No No)” by Dawn Penn first released on Studio One JRS-5081 in 1967. There were some problems with the original recoding (missed chord changes, etc.).  Re-released by Coxsone Dodd on his Coxsone Records (CS1008)  label the following year, his version of the song was a hit. It climbed the charts on both RJR & JBC radio stations in Jamaica. Thus began the mutations! As I was listening to that song & enjoying an herbal remedy, something vvvvverrrrrrrrrrrry ssssssstttttttrrrrannnnnnnnggggge bbegannn tooooooo hhhhhhappennnnnnnn…

.

NØ NØ NØ Megamix
decryption code in comments

Tracklist –

1- You Don’t Love Me – Dawn Penn, Coxsone Records CS1008, 1968.
2 - No No No (Dub mix) – Augustus “Gussie” Clarke & King Tubby, Gussie Roots Sounds, 1976.
3 - No No No (Phizzy Purple Dubstep remix)
4 - No No No (Seb I Dub re-edit)
5 -You Don’t Love Me (Kid Queasy Dubbed-up remix) 
6 -You Don’t Love Me (Ed Solo & Deekline’s drum ‘n’ bass remix)
7 - No No No (DJ Spooky remix), Trojan Records 06076-80581-2, 2007.
8 -You Don’t Love Me (No No No) – Dawn Penn, Steely & Clevie Records JA 7”, 1994.
9 - No No No (Dawn Penn vs King Tubby Prince Jammer Scientist mash-up)
10 - You Don’t Love Me (No No No) [Reel II Reel Junglist Lick) - Dawn Penn & Bounty Killer, Greensleeves Records GRED5005, 1994.
11 - You Don’t Love (No No No) [Shivadnb remix]
12 - You Don’t Love Me (Hirshee’s Drumstep mix)
13 - No No No (NPStylz mix)
14 - No No No (Unknown dub remix) Dubbystyle002, 2008.
15 - You Don’t Love Me (No No No) – Dawn Penn – Come Again Trojan Records CDTRL370, 1996.
16 – Yes Yes Yes (Jah Jah Loves Me) – Dawn Penn, Heartical HS059, 2011.

Enjoy,

01 March 2015

I Haven't Deserted the Dub

Reuploaded by request from Sam 03/29/2026 
 
 
Pressure Sounds first release.
 
Pressure Sounds CDPS001, 1995.
decryption code in comments

Tracklist –

Horace Andy – Problems
Big Joe – Jah Guide
Augustus Pablo – Lovers Mood
Jah Woosh – Chalice Blaze
King Tubby & Santic All Stars – One Heavy Duba
Gregory Isaacs – I’ll Be Around
Augustus Pablo – Harder Shade of Black
Santic All Stars – Better Shade of Dub
Horace Andy – Children of Israel
Augustus Pablo – Pablo in Dub
Roman Stewart – Peace in the Valley
Santic All Stars – Palace of Peace
I-Roy – Yamaha Ride
Augustus Pablo – One Thousand Swords
Jah Woosh – Free Jah Jah Children
Augustus Pablo & Paul Blackman – Blackman in Dub

Enjoy,


Separating the Boys from The Girls

Reuploaded 01/08/2026



The Girls (Mark Dagley, George Condo, Daved Hild, & Robin Amos) were a Bizarro World band from Boston that existed from 1976 until early 1980, terrorizing local clubs & loft parties with their strange sound & stage antics. At a Thayer St. party, the entire band was dressed as chefs, complete with cliche poofy chef hats (see above). The Girls were probably the best Boston band of the early punk era. They, along with Human Sexual Response were the house bands of The Punkt Data Gallery (an artist collective of crazy young mostly UMass Art students). The Girls also had connections with The Museum School, the other big Boston Art School. Their shows variously careened from rock holocaust to performance art insanity.

This high strung synth punk/art rock unit only managed to put out one single during their brief life span. Pere Ubu's Hearthan Records imprint actually put out The Girls' 45, "Jeffrey I Hear You b/w The Elephant Man", the only non-Cleveland release the label ever thought worthy of releasing.

The Girls – Jeffrey I Hear You b/w The Elephant Man, Hearthan HR106, 1979.
decryption code in comments
Side 1 –
Jeffrey I Hear You
Side 2 –
The Elephant Man
 
 

The Girls – Reunion album is purported to be the documenting of a reunion gig circa '86. This however is rock mythology. The band never reunited & the tracks on this album are material they had recorded during their short existence that had never seen the light of day. Abaton Books did release 2003s Live At The Rathskeller CD from a May 17, 1979 show The Girls did that features four of the songs from Reunion.

The Girls – Reunion, Brasch Music BR102, 1986.
decryption code in comments

Side One –
Jeffrey I Hear You
Doggie Auto
Vietcong Women
Pedestrian Walk
Keep it Simple
Fresco Lounge

Side Two –
Methodist Church
Now’s Now
Golf
Okey Dokey
Down Syndrome
These Things
Cubist Gold
 
 



By 1980, The Girls guitarist Mark Dagley had moved to New York City & formed Hi-Sheriffs of Blue, a No Wave Blues band (Elliott Sharp was one of a changing cast of players). They recorded two 7''ers & one split 7" with John Miller in the early 80s. Feeding Tube Records released most of their known recorded material on 2013s Hi-Sheriffs of Blue – NYC 1980.

Hi-Sheriffs of Blue – Cold Chills pts. I & II 7", Tweet Records 001, 1981.
decryption code in comments


Face A –
Cold Chills part I
Face B –
Cold Chills part II
 
 
 




Bassist George Condo also moved to New York City. He left the music world & went on to have a high profile career in the visual arts world. He became friends with Jean Michel Basquiat & Keith Haring in the blossoming Street-art scene blossoming in New York in the early 80s. His work can be found in the permanent collections of modern art museums worldwide.






Vocalist Daved Hild (whose vocals rank among the most neurotically wound up ever) would do several collaborative LPs with Akron, Ohio-based Tin Huey's Ralph Carney & notorious crazy man & Shimmy Disc head honcho Kramer. The Carney-Hild-Kramer release Black Power is probably the most well known (?). Kramer & Hild released one called Rubber Hair, but I’m featuring Hild’s first collaboration with the two, Happiness Finally Came to Them, because of the song ''Nothing''. (I am posting the Shimmy Europe CD version as it contains the fantastic 9+ minute ''Blood Drinking Head Choppers'' that is not on the LP.)









Shimmy Disc Europe SDE9027/CD, 1990.
decryption code in comments

Tracklist –
Hands
Telephone
Clown
Nothing
Bank
Slowly
Wanda
Larry
Name
Barometer
Treefrog
Turkeyfaced
Javalena
Disguise
Lotto
End
3-D
Blood Drinking Head Choppers
 
 
 




Vocalist & keyboard/synthesizer wizard Robin Amos co-founded the equally bent synth punked outfit Shut Up. 


Shut Up – Hell in a Handbasket, Brasch Music BR101, 1985.
decryption code in comments

Side A -
Intro    
All Alone
Depressions    
Thalidomide
Stiff Birds    
Every
Pass from View    
Side B -
Hey Joe
Looking at Dogs    
Fear of Sounding Pretty    
Outro



In 1990, Amos formed the band Cul de Sac with fellow Bostonian, guitarist Glenn Jones. The two have been the bands only constant members, with assistance through their storied career by many other great musicians. They have worked extensively with guitarist John Fahey & Can vocalist Damo Suzuki. Most of their recent material is available ofrom the Strange Attractors Audio House label. SAAH re-released the bands 1991 freshman outing in 2006 with several bonus tracks.


Cul de Sac – ECIM CD, Strange Attractors Audio House SAAH043, 2006.
decryption code in comments

Death Kit Train*
The Moon Scolds the Morning Star*
Stranger at Coney Island+
Homunculus*
The Portland Cement Factory at Monolith, California*
Nico’s Dream*
The Invisible Worm*
Song to the Siren+
Electar*
Lauren’s Blues*

bonus tracks –
Cul de Sade
The Bee Who Would not Work
Negligee
* on Capella vinyl PELL0011, UK 1992.
+ on Capella CD PELL0012, UK 1991.
 



Cul de Sac – China Gate CD, Thirsty Ear THI57023.2, 1996.
decryption code in comments

China Gate
Sakhalin
Nepenthe
Doldrums
James Coburn
Virgin Among Cannibals
…his teeth got lost in the mattress…
Hemispheric Events Command
The Fourth Eye
The Colomber
China Gate (reprise)
Utopia Pkwy
 
 
 

Enjoy,


21 February 2015

A Pair of Docs Walk into a Bar...





The Grandfather Paradox: An Imprudent Journey Through 50 Years of Minimalistic Music explores the history of minimalist music in mix CD format.

Although taking the name from the Rene Barjavel's proposed paradox which refutes the possibility of time travel: positing that a time traveler could theoretically go back in time, kill hir grandfather & therefore negate hir own existence, this paradox doesn’t seem to have hampered the Innervisions quartet of Dixon, Âme (Kristian Beyer & Frank Wiedemann), & Henrik Schwarz from attempting their own feat of time-juggling.




What results is a truly time-defying melting pot, where Steve Reich's gradual processes joins Robert Hood's groundbreaking "Minus", Richie Hawtin's mix of La Funk Mob's "Motor Bass Gets Phunked Up", "Bass-Line Generator" by legendary electronic composer Raymond Scott, post-punk from Liquid Liquid, classic Krautrock of Can to the skwonk jazz of Moondog (there's even one specially for yours truly - Ø's "Atomit").

For your aural edification there are both mixed & unmixed discs.


Henrik Schwarz / Âme / Dixon – The Granfather Paradox 2xCD
Barely Breaking Even BBE 120CCD, 2009.
decryption codes in comments

CD1 – Mixed (one single track)–
Steve Reich & Pat Metheny - Electric Counterpoint-Fast (Movement 3)
Etienne Jaumet - Repeat After Me (Âme mix)
Kenneth Bager - Fragment Eleven…The Day After Yesterday Pt.1
Liquid Liquid - Lock Groove (Out)
Cymande - For Baby Oh
Patrick Moraz - Metamorphoses 1st Movement (live)
To Rococo Rot - Testfeld
Mathematics - Blue Water
I:Cube - Acid Tablet
Ø - Atomit
Conrad Schnitzler - Electrocon 11
Green Pickles featuring Billy Lo & M. Pittman - Feedback
La Funk Mob - Motor Bass Gets Phunked Up (Richie Hawtin's Electrophunk mix)
John Carpenter - The President is Gone
Yusef Lateef - The Three Faces of Balal
Robert Hood - Minus
Raymond Scott - Bass-Line Generator
Moondog - Invocation

CD2 – Unmixed (individual tracks)–
Conrad Schnitzler - Elektrocon 11
Steve Reich & Pat Metheny - Electric Counterpoint-Fast (Movement 3)
Liquid Liquid - Lock Groove (Out)
To Rococo Rot - Testfeld
Patrick Moraz - Metamorphoses 1st Movement (live)
Young Marble Giants - N.i.t.a
Kenneth Bager - Fragment Eleven…The Day After Yesterday Pt.1
Arthur Russell - Make 1, 2
John Carpenter - The President is Gone
Robert Hood - Minus
Raymond Scott - Bass-Line Generator
Pyrolator - November Mühlheim
Cymande - For Baby Oh
Can - Sunday Jam

Enjoy,

20 February 2015

You Don't Have to Be a Genius to Be Horny!





I’ve featured many bands from Iowa here at NSS. For some reason, to me the Iowa sound is a most refreshing middle-America noise. I like a lot of middle-America noise, be it the true Noize of Chicago, the rawk of Cleveland, or unique regional tastes from Milwaukee, or Kentucky or Nebraska…all these areas have their scenes & styles, but there’s always somethin' about Iowa.

Horny Genius was a seminal indie band from Iowa City, Iowa. Their rock style is just anarchic & frenetic enough: ringing guitar notes & off-kilter melody lines all supported by a tight rhythm section with an almost pop feel. The thematic content of their tunes veer between ethereal & everyman, between literary & lowbrow.

Version 1.0 started in 1983 in Monticello, Iowa as The Mental Midgets. They moved to Iowa City  & performed as Version 2.0 – That Matters & Version 3.0 – The Repomen. Their first official gig as Horny Genius was at the University of Iowa Student Union in October 1985. That same year they released their first cassette, Dogs Under the Car.

This is their 1989 release Burn Your Sister, recorded at Smart Studios in Madison,WI with Butch Vig (Community 3 Records).

On Burn Your Sister, Horny Genius are: John McNeill – guitar, bass, & vocals; Mike Turnis – guitar, bass, & vocals; Scott Siegling – guitar; & Scott McWilliams – drums & percussion.

Horny Genius - Burn Your Sister, Community 3 C3-1289, 1989.
decryption code in comments

Side 1 –
Cha Cha with Hal
Mother Horta
Needlethreading
Trilobite / Going Down to Mexico
Cancel my Order

Side 2 –
Montanar Stomp
A Long Way to Rewind
Faults
Slap the Wall
A Case of 3
Crossed Wired

Enjoy,

14 February 2015

Beware the Ton-Ton Macoute!





Born in Still Creek, Georgia & raised in the Macon area, Johnny Jenkins was a hard-driving, left-handed guitarist with a bellowing voice. By the time Ton-Ton Macoute! was released, Jenkins had already been instrumental in bringing Otis Redding from obscurity to stardom, playing with the young Otis in the blues group, The Pinetoppers. Jenkins was also on the radar of fellow left-handed guitarist Jimi Hendrix as a model for onstage histrionics.

Jenkins' raw, firebrand vocals & guitar-picking gave his solo debut a wallop that might've made him a star if only slide guitarist Duane Allman & several other members of his backing band hadn't left to form the Allman Brothers. Jenkins was a star in the making but he had no real desire to be in the spotlight. He preferred to remain a regional fixture & work the local circuit in lieu of chasing international acclaim.
Jenkins passed away in 2006, a popular & well-loved legend in his Macon hometown. Ton-Ton Macoute! is the jewel in his crown.

On Ton-Ton Macoute! the musicians are: Johnny Jenkins – vocals, guitar, & harmonica; Duane Allman & Pete Carr – lead & slide guitar; Paul Hornsby – lead guitar, slide guitar, piano, & organ; Berry Oakley- bass; Robert Powell – bass & timbales; Eddie Hinton, Johnny Wyker, & Tippy Armstrong – congas & assorted percussion; Jai Johnny Johanson – timbales; & Butch Trucks & Johnny Sandlin – drums. Backing vocals on “I Walk on Guilded Splinters” – Southern Comfort & vocal accompaniment on “Blind Bats & Swamp Rats” – Ella Brown.

Johnny Jenkins ‎– Ton-Ton Macoute!, ATCO Records ‎SD 33-331, 1970.
decryption code in comments

Side One –
I Walk on Guilded Splinters
Leaving Trunk
Blind Bats & Swamp Rats
Rollin’ Stone

Side Two –
Sick & Tired
Down Along the Cove
Bad News
Dimples
The Voodoo in You

Enjoy,



08 February 2015

Now Give Me More Cheeba





After listening to those audio-erotic Satanic Sanctions, I got all hot & bothered & need a fix of Trip-Hop to chill me out while stroking me off at the same time. There is Nothin' like this classic."Undress Me Now" indeed.

Morcheeba ‎– Parts of the Process 2xLP, China Records ‎2564-60276-1, 2003.
decryption code in comments

Side 1 –

The Sea
Tape Loop
Otherwise
Blindfold

Side 2 –

Be Yourself
Part of the Process
Let Me See
Undress Me Now
What’s Your Name (feat. Big Daddy Kane)

Side 3 –

Trigger Hippie
Rome Wasn’t Built in a Day
Over & Over
What New York Couples Fight About (feat. Kurt Wagner)
World Looking In

Side 4 –

Moog Island
Way Beyond
Never an Easy Way
Can’t Stand It

Parts of the Process is kinda like...the "Best of" Morcheeba. It also includes two never before released songs; tracks B5 & D4. 

Chill Out,

07 February 2015

eee 02





Posted here for your aural pleasures is a re-mastered version of Sleep Chamber – Satanic Sanction originally released by Musica Maxima Magnetica ‎(eee 02) in Italy in 1988. The original release featured a different track order:

Prescription
Presence Ov Thee Magus
Presence (reprise)
Entre Nous
Ov This Flesh
Poison
Consequence or Commitment

Here additional tracks have been added to augment the overall experience. It was re-mastered by John Zewizz & he added other Sleep Chamber material from the original masters that was intended for the original release but never included. This CD is from a promo-only edition of 75 purchased from John Zewizz himself. I got hooked up with this through the dearly missed Thee Brad Miller.

Sleep Chamber ‎– Satanic Sanction, Inner-X-Musick ‎XXX-PROMO-05, 1999.
decryption code in comments

Tracklist –

Reality Revealed
Ov This Flesh
Poison
Entre Nous
Prescription
Idols Twilight
Mandrax & Styrax
Bloodlust
Nightbreed
Consequence or Commitment
Presence ov Thee Magus / Presence (reprise)


Enjoy,

01 February 2015

Let’s Be Frank Here





Just got done watching acclaimed Irish director Lenny Abrahamson’s 2014 film, Frank. So some folks are still making outré movies oddball enough even for me. Just had to post up the soundtrack. A few notes of interest: all of the music performed by the band Soronprfbs in the film was played live by the cast while filming; the band's communal recording session at the cabin in Vetno is based on events surrounding the iconic recording of the album Trout Mask Replica by Captain Beefheart & the Magic Band; & outsider musician Daniel Johnston was one of the influences on the film.




Frank:
Saddle up
Secure the galactic perimeters
Weak & strong, nuclear bombs
Now what's together
Will soon come apart
When it's all over
No back to the start.
     from ''Secure the Galactic Perimeter'' by The Soronprfbs

decryption code in comments

Tracklist –

Jon's Crap Songs (Domhnall Gleeson)
Ginger Crouton (Michael Fassbender, The Soronprfbs, & Stephen Rennicks)
Welcome to Vetno (Stephen Rennicks)
Lay an Egg (The Soronprfbs & Stephen Rennicks)
Frank's Dawn Chorus (Stephen Rennicks)
Jon Shares his Songs (Domhnall Gleeson)
Lone Standing Tuft (Michael Fassbender & Stephen Rennicks)
Work Begins in Earnest (Stephen Rennicks)
Creaky Door (The Soronprfbs)
Be Still (Don's Song) (Scoot McNairy, Darragh O'Kelly, & Stephen Rennicks)
Idiot Shriek (Stephen Rennicks)
The Holidaymakers (Stephen Rennicks & Evanna Lyons)
Again (The Soronprfbs)
Jon's Song Changed by Frank & Clara (Michael Fassbender, Domhnall Gleeson, & Stephen Rennicks)
Secure the Galactic Perimeter (Michael Fassbender, The Soronprfbs & Stephen Rennicks)
Broken (Michael Fassbender, The Soronprfbs, & Stephen Rennicks)
Viking Funeral (Orchestra, Karl Ronan, & Stephen Rennicks)
Just like 'Paris Texas' (Stephen Rennicks)
SXSW (Stephen Rennicks & Hugh Drumm)
I'm Just Me (Jordyn Aurora Aquino & Stephen Rennicks)
Frank's Most Likeable Song... Ever (Michael Fassbender & Stephen Rennicks)
The Music's Shit (Stephen Rennicks)
#findfrank (Stephen Rennicks)
Lighthouse Keeper (Maggie Gyllenhaal, The Soronprfbs, & Stephen Rennicks)
I Love You All (Michael Fassbender, The Soronprfbs, & Stephen Rennicks)
I Love You All (credits) (Michael Fassbender, Carla Azar, & Stephen Rennicks)
All Broken (credits) (Michael Fassbender & Darragh O'Kelly)
Tuft (credits) (Stephen Rennicks & Lenny Abrahamson)
Frank's Cacophony (Michael Fassbender & Stephen Rennicks)
Stop Sign (Michael Fassbender & Stephen Rennicks)
I Love You All (radio mix) (Michael Fassbender, Carla Azar, &Stephen Rennicks)

Enjoy,

17 January 2015

Here's to the Lord of Garbage




Providing more than 50 years of musical trash...

decryption code in comments

Side A
1980 - Run for Your Life
1981 - Black Christmas  
1982 - Stranded in the Future
1983 - Don't Feed the Animals
1984 - The Saga of Hugo X

Side B
1985 - Physical Lies
1986 - Snake Document Masquerade  
1987 - Lost like a Lizard in the Snow
1988 - Searching for the Human in Tight Blue Jeans
1989 - Waiting Around for the Next Ten Years

R.I.P.

04 January 2015

Kevin Rutmanis has Hepa-Titus





Like the previously tasted Mighty Boosh sez, my musickal diggings travel through 'time & space', so I’ve never been one for the Best of…(fill in the year) Lists. I was reading one of trusty73s recent posts over at Wilfully Obscure & I was, like, "I can totally relate". I'm still discovering things I missed from 2013 (or 2003 or 1963 or 1969 or 1987 or 2007…well, you get it). I do try to check out new releases from bands I've heard about from reliable??? sources or bands I've enjoyed on some of their previous outings. But I always try to check out the myriad 'Best of….Lists' that crop up near the end of the year around the interweb to see what I might have missed that might be worth checking out, as well as seeing how I did compared to others also trying to keep a finger on the pulse of modern music.

2014 seems to have been a busy year for many bands & artists, both new & old. I can’t say that I’m very positive about the state of today’s musical creativity, but I bought a few things over the past year that gave me some hope (this is why I supplement my collection by mining the wide world & the infinite past: crate digging; boot shopping; thrift-shop diving). I noticed numerous releases I have been enjoying making many lists, so I thought I’d make up a sampler of some of the tracks I’ve been grooving on. I’ve tried to illuminate the artist’s strengths with the tracks I picked (or presented two tracks to highlight an artist’s diversity (featuring hard blues & deep Tuareg from Tinariwen...pure funk & pure protest from D’Angelo...a strong vocal track & a fiery guitar track from Noura Mint Seymali...like that).


Of all the music I purchased this year that seemed to hit the lists, only four left me going Meh! A Sunday in Glasgow – Sea When Absent, United Waters – Sunburner, Medicine – Home Everywhere, & Brian Eno & Karl Hyde – High Life were all, in my opinion, less than stellar (on a better note, also from 2014 Brian Eno & Karl Hyde – Someday World was almost "Baby's on Fire" quality Eno).



Sweeping 2014, a strong wind across the Sahel…fantastic vocal supremacy from Mauritanian griot Noura Mint Seymali – Tzenni. Seymali’s vocals push an already supreme music to aethereal heights, coupled with the ripping electric guitar from Seymali’s husband Jeiche Ould Chighaly (the two pictured above).


& my beloved Sahel blues from Tinariwen – Emmaar. Tinariwen’s Radio Tisdas Sessions are near legend, but this new material might just be their best work to date.



Following closely on the winds of Africa are two strong Dub outings. Heir-apparent to the Kingship of Dub Prince Fatty meets Nostalgia 77 – In the Kingdom of Dub to claim his domain. The current reigning king (following King Tubby & Prince Jammy) Scientist releases The Dub Album They Didn’t Want You To Hear. Hear it now.

Others in this mix include:


Ava Luna – Electric Balloon challenges us with spastic cool until "PRPL" creeps into the mind through the earholes without our noticing & seduces in the most enjoyable way.


Brian Eno teamed up with Karl Hyde on Someday World to create some of the least ambient, most visceral tuneage he’s made in years.


Karl Hector & the Malcouns play some Afro-centric stylee that is Unstraight Ahead, which is always where I aim.



FKA Twig have issued two previous EPs (EP1 & EP2) & now give us an LP (LP1…what else?). If you don’t get the power of these vocals, roll over…then feel the spot-on musicianship takes hold. Oh yeah.



Fat White Family play so many variations on the thing they do that it was hard to pick a track, but being from Cali, I have to hope the Champagne Holocaust will "Bomb Disneyland".



The Heliocentrics have previously teamed up with Mulatu Astatke, Lloyd Miller, & Orlando Julius to great success. Now they have hooked up with Melvin Van Peebles of Sweet Sweetback’s Baadasssss Song & Watermelon Man fame to present The Last Transmission. I hope it’s not the last. Van Peebles lays down some street poetry/philosophy over Heliocentric’s groove. Galileo was right. All Hail Heliocentics.



Midge Ure, he of the ultra voice (vox), has presented a Fragile offering. Don’t break it.



Being a fan of the Black Mountain crew (Stephen McBean, Brad Truax,  Amber Webber, Joshua Wells, & Jeremy Schmidt), I was excited that Jeremy, the synth-scape/space rock one & Josh Wells, the pounding one, had recorded another release as Sinoia Caves (their last was 2006s The Enchanted Persuaded). Beyond the Black Rainbow is an official movie soundtrack that is strong enough to rule as a perfect stand-alone.



From the funkster behind Voodoo, many years in the making, comes the vital & immediate Black Messiah – D'Angelo & the Vanguard. Funk yeah meet Ferguson.



Right on, Rhyton! Some music that actually made me hopeful about the state of moderne musique. Sonic voyages originating from the great port city of Brooklyn, NY. Kykeon was a drink created by the ancient Greeks that had psychoactive properties. Good name for the radical concoctions they’re serving up here.



I find myself more familiar with night sweats or night wood, usually not The Night Terrors. But this one is, if not the greatest, at least an honest & perplexing attempt. This Spiral Vortex seems to grow on me the more revolutions I give it. I know I’ll be going back to it to further delve into its dark depths.



They said This would (Will) Destroy me (You) but it actually made me feel much better. Although it is Another Language, it seem less Destroyer, more Bardo Pond.



Benedic Lamdin or Nostalgia 77, an eclectic producer who switches between samples & live instrumentation with equal skill meets up with Prince Fatty In the Kingdom of Dub. Here the worlds of Dub & electric jazz collide in the Dubness of Dubhead.




Both Prince Fatty & Scientist have been featured prominently here in the past. I don't really need say more than this is The Dub Album They Didn't Want You To Hear


I've added a bonus track, a single release I bought on bandcamp from Hepa-Titus, an old Cows (hey, Kevin Rutmanis has Hepa-Titus…pass it on) cover Chow featuring King Buzzo of Melvins fame as guest vocalist (did you hear the one about Kevin Rutmanis?).

Various - Nothin’s 2014 Sampler
decryption code in comments

Tracklist –
Hebebeb (Zrag) – Noura Mint Seymali
Toumast Tincha – Tinariwen
PRPL – Ava Luna
Strip it Down – Brian Eno & Karl Hyde
Girmas Lament – Karl Hector & the Malcouns
Weak Spot – FKA Twig
Bomb Disneyland – Fat White Family
Big Bang Reincarnation – Heliocentrics & Melvin Van Peebles
Let it Rise – Midge Ure
1983-Main Theme – Sinoia Caves
Another Life – D'Angelo & the Vanguards
California Black Box Vapors – Rhyton
Witness – Brian Eno & Karl Hyde
Force Field – The Night Terrors
Memory Loss – This Will Destroy You
Koud Edhaz Emin – Tinariwen
El Gusto – Karl Hector & the Malcouns
Lights On – FKA Twig
Special Ape – Fat White Family
El Mougelmen – Noura Mint Seymali
Skeletons Dub – Prince Fatty meets Nostalgia 77
Don’t Give Up Your Culture Dub – Scientist
Ain’t That Easy – D'angelo & the Vanguards
Chow (Cows cover) – Hepa-Titus

Enjoy,

ps. - As I was checking for errors, one glaring omission came to light. I somehow completely overlooked Shellac - Dude Incredible. Have it. Dig it. Have to get back to it later.