Composer, artist, & music critic Iancu Dumitrescu was born in 1944 in Sibiu, Romania. He studied composition with Alfred Mendelsohn, Aurel Stroe, Stefan Niculescu, & Sergiu Celibidache.
His compositions are intuitive & his magical musick making are inspired by the ancient sages that revolve around the idea of the Socratic term "acousmatique". In his compositions the most distant harmonies of the sound spectrum are used & explored. It is noteworthy that the resulting sound is created with simple complexity, "natural" means, without application of extensive technical resources. Dumitrescu was deeply inspired by the direction of spectral music of Giacinto Scelsi.
In 1976 Iancu Dumitrescu founded the "Hyperion Ensemble" in which a series of extraordinary interpreters display works of the Romanian avant-garde.
The 1980s young generation of Romanian composers headed by Iancu Dumitrescu had a unique position through their development of the "spectral sound" music, using almost only acoustical instruments. Dumitrescu & his colleague Horatio Radulescu have awakened new attention to this until now almost unknown Romanian music.
The music of Iancu Dumitrescu explores the ultimate sense of sound, guiding the listener through new spheres of sonic adventure, a kind of cryptic music. Based on the idea of "acousmatique", a Socratic term meaning exploration of sonic phenomenon, his music takes it's formal models from the very structure of sound with a perfect relationship between micro / macro structure, this phenomenological approach to the act of composing implies at the same time a very good confidence in the intuitive dimension of discovery.
"Medium II" is the mysterious reverse of "Cogito". The two sides of the record can be heard consecutively or simultaneously on two turntables. The ideal listening situation is to hear the two structures in sync. The simultaneous experience is free to anyone, anytime & can be repeated as it challenges the creativity of the listener.
Enjoy this unique experience & thank Richard...
"Medium II" composed 1978-1979 for double-bass solo (Hyperion Publishing House, Bucharest);
"Cogito (Trompe-L'œil)" composed 1981 for two double basses, prepared piano, Javanese gong, crystals & metal objects (Éditions Salabert, Paris).
Side 1 -
Side 2 -
Cogito (Trompe-L'œil)
Look what the spice dragged in,
NØ
Medium II
ReplyDelete3qIE6vYuQYeO9os7v9HwOFTxDPJmtFtM5TgWaMhp2Y8
A name that was always around but never could really check 'till now.
ReplyDeleteTime to give it a listen.
Thanks dear N
Diego
"A name that was always around". Man, you live in a way classier hood than I do. Never heard Dumitrescu until I shared up that Bananafish issue & enjoyed his track "Ouranos I (San Francisco version)". Frenz of NSS Richard then commented, which brought my attention clearly into focus on Iancu. My first introduction to this musickal genius.
ReplyDelete"Classier hood" were my older friends, they mentioned this guy along with Ilhan Mimaroglu and other such composers.
DeleteIt's not that farmers around here have Dumitrescu karaoke contests while drinking pisco on saturdays...
But I kinda like the "classy neighborhood" concept if it relates to a wide taste.
Cheers
Diego
The classy neighborhood I was r4ferring to was indeed your extensive taste in music of all kinds. Thanks brother.
DeleteExcellent - This was the other artist on the Bananafish compilation (next to the wonderful Climax Golden Twins!) that really caught my ear. Thanks a lot, Nate!
ReplyDeleteYour welcome, but thanks goes to Richard for the request.
DeleteThanks goes to you Nathan. The illusion that there are genres of music. When I was quite young, and unexperienced, proud and stupid, a friend took me to a hobo (hautbois/oboe) concert, and I was not impressed. He was (as later became clear to me) rather cross with me, and gave me a stack of tapes to listen. To educate me, to understand that other music can be impressive. Be it Mozart, Moussorgski, Mamas & Papas or Roscoe Mitchell
DeleteThanks also goes to you for the fine suggestion. I'm always glad to find new music to broaden my horizons, no matter what "genre". If I like it, I like it, If I don't, I don't listen to it. It's all that simple. But it takes friends like you (or your friend you reference) to broaden those vistas.
DeleteThanks Richard & NØ
ReplyDeleteHi NØ, apologies for hijacking this post, but I just did a search on your fine blog and came up with: "No posts matching the query: Ndagga". May this count as another suggestion? Regards, Anon.
ReplyDeleteI think the only thing I have is about ten years old, Yermande. I know they are still very active but I haven't kept up. My bad. Thanks for the reminder.
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