Before I plunge into June's madness, I'm going to take this day for Playing my Bills. I Played my Nelson Bill a few days ago so the only one due right now is my Laswell Bill. & perfectly, this ties right in with another request from the ole Bill collector hisself, Richie M.
On the Rachid Taha share Mister Muster sez:
"Nicely, thank you Nate. Looking forward to giving this a listen. Um, just out of curiosity, and only mentioned because Algeria's next door to Morocco, but do you have anything by Aisha Kandisha's Jarring Effects and if so, would you consider posting some at some point? I used to have a tape of El Buya but it vanished some time ago."
Pretty clever how he segued the geographic proximity of Algeria / Morocco into a sly request.
Aisha Kandisha's Jarring Effects are indeed from Morocco, formed in Marrakech in 1987 by Abdou El Shaheed, Habib El Malak, & Pat Jabbar, to develop a Shabee (a popular Moroccan music) / Dance crossover, influenced by diverse elements such as Gnawa, Reggae, Ragga, HipHop, Ambient, Trance, House, & experimental noises.
The group was named after a spirit from the Moroccan mythology. Aisha Kandisha appears in the form of a woman. Legion. Manifold. A Mass Psychosis. 25 years ago Paul Bowles calculated that she was married to some 35,000 men in Morocco. A lot of the people in Ber Rechid, a Moroccan psychiatric Hospital, are married to her.
In 1988 Cheb My Ahmed, S’Mohamed Kbirr, & Cheb Qchatar joined the band. Their first recordings were made for the debut album, El Buya. The label Barraka el Farnatshi Productions was started in 1990 to release & distribute the album, which got a surprising positive reaction from all around the globe. During this time all band members were still students & so promoting the album with a live tour was not possible.
decryption codes in comments
Before Jedba -
Aisha
Majiti Mataliti
El Mouka
Sankara
Jedba -
Moulsinnia
El Farrah
Laroussa
Roof Fish Suck 2
In the meantime, an American journalist, whom the band met at Paul Bowles' home in Tangiers, made contact with Bill Laswell in 1992. Laswell became producer & bassist for Shabeesation, released in 1993. The New York experience, which included jams with Omar Ben Hassan from the Last Poets & Bernie Worrell from Funkadelic/Parliament, helped the band a lot to get a worldwide response as well as to find booking agencies for their first Europe tour in 1994.
Shabeesation is how I'm Playing the Laswell Bill.
When Jarring Effects teamed up with Laswell, the mind-bendingly prolific bassist/producer added his well known eclectic mosaic of traditional & contemporary Arabic/Indian elements, ambient electronica & acid jazz, meticulously layered atop narcotic, dub-infused beats with thick, throbbing bass riffs, mantra-like in their disciplined minimalism.
A Shabeesation Tour 94/95 followed the release & was a big success, with audiences varying from small Jazz Clubs to Open Airs with over 40,000 attendees. Everyone seemed to be deeply enthralled by the Marrakshi Jedba Beat.
A Muey A Muey
Dunya
Fin Roh
Nbrik
Nbrik Dub
Lahbab
Nenzak
Zin
El Harb
Thanks Richie,
NØ
