Lost links & Re-ups

On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

01 October 2014

Two Steaming Heaps of Free Porn (Musick)

Even if you have never seen a porn movie in your lifetime (loser…no, just joking…loser…no, just joking again…lo---), this CD is like watching a porn video without the video. Aural sex. So turn the lights down low, light a few candles, put this on the stereo & let the magic Porn Groove take you wherever you want to go.

Produced by Mr_Melvis. Illustration & layout by Jay Beckman.

Various – Wakka Chikka Wakka Chikka (Porn Music for the Masses Vol. 1),
Comfort Stand Recordings csr049, 2004.
both decryption codes in comments

Tracklist –

Take Me Now - Nick Chapman
The Love God - Martinibomb
Vuluke Khall (instrumental version) - DJ Bootsie
Ici la Femme (XXX Lounge King mix feat. Louise Vertigo) -The Lounge King
It Was a Dream - Ton Rückert
Hatesex - Mr. Juno
Suck My Disc - Sonny Jim
Gloria - Pearls of Joy
Baise et Rebaise Moi - Lubna Lux
Half an Hour is for Free - The Devil in Miss Jones (feat. Fats Bob Trumpet)
Give Me Anal Pleasure Please - Maquina de Atender Telefone
Wooden Shoes in Tirol - De Zwervende Keien
Silk & Sweat - Thybbuk
Brainwank (Psycho Food edit) - Colektro
The Porn King - The Funky Filter
Lophophora Williamssii - Eldad Tsabary
Whose Fantasy is this, Anyway? - Mr. Melvis (feat. Ms. Deameanor & R. Stevie Moore)

& from the insert notes:

“It’s a hot evening – the air hardly moves – you feel as if you are having trouble breathing … A thin sheen of sweat covers your body, but an even heavier weight presses down on you – a heavy urge that seems to come from the deepest recesses of your brain. A small, white hot light inside of you that grows brighter and brighter until it seems to take over your every thought. You slowly walk over the cabinet/drawer/closet/box and reach inside, grasping for that object which drives you. Removing an item, you slowly walk over to the ‘machine’ and insert the item into it. Flicking a small switch, images slowly flicker to life on the machine’s screen and you are transfixed – the object of your desires springs to life and you are drawn in to the depths of your fantasies. A pulsing, driving sort of music orchestrates the intense acrobatics on screen. You are drawn in not only by the images, but also by the drive of the music, it’s siren song luring you closer and closer to the completion of your journey. You have just entered ‘The Porn Zone’.”

“20 tunes of porn groovieness with a bonus track featuring a ‘Behind the Scenes’ look at the porn industry that will be sure to titillate even the most repressed listeners. It’s time to turn those lights down low again, & get it on.”

Artwork by Eric Kilkenny.

Tracklist –

Pink Fizz – The Protagonist!
You? Porn! You? Porn! You? Porn! You? Porn! – Cleft
Paul – Happy Elf
Lose Control – Dyabolical
Love Her to Death – Ereritjaritjaka
The Making of ‘RoXanne’ (The FliX miX) – JR Claiborn
Sweet Somethings – Jeffery Letterly
Does that Turn You On? – Lemon
Strange Wedding 60908 – Marcel
Very Deep Pleasure (with John Cage) – Mikrosopht
Muff Diver – Narcotic Syntax
The Phenylethylamine Affair – Savages
autoero Tik – 8m2Stereo
In Memory of a One Night Stand – The Drifting Boulders
Soul Thing – Principle Fetterman
Liquid – Soulfool
Love Lickin’ – V-Trap (feat. F Master F)
Miss Skeleton – Sean Ryan Woodward
The Making of ‘RoXanne’ (re-prize) – JR Claiborn
Strong Women – Hydropods
Reel Fantasies: Billy’s First Day on the Job – Mr. Melvis & R. Stevie Moore

Love ta Love ya Baby,

27 September 2014

Más Márs

Even in death, the Mars Volta still manages to entertain us.
Unreleased The Mars Volta material
published on Aug 17, 2013
decryption code in comments


1 - Clouds/Orchestrina
2 - Molochwalker (early demo)
3 - Sea Is Rising (demo)
4 - possible Omar Rodriguez-Lopez solo demo
5 - possible ‘Casate Colmillo’ demo
6 - Postulate
7 - elements later used in the live version of “Trinkets Pale of Moon”
8 - another possible ‘Casate Colmillo’ demo
9 - Whisper To Your Flinch/Peeling Off
10 - Happiness (demo)
11 - needs a name
12 - Clouds/Orchestrina (demo)
13 - Asco Que Conmueve Los Puntos Erogenos/New York City (demo)
14 - Vicarious Atonement (demo)
15 - Clouds (Early Omar demo)

Available elsewhere, but also here.

25 September 2014

Holy Grail

It’s been quite a while that I’ve gone without anything from musical genius Bill Nelson. The posts for his music are the most visited & most enjoyed of all my posts.

For a long time, Northern Dream was the Holy Grail I was questing for from Señor Nelson. Released the year before he helmed the mighty Be Bop Deluxe, ND is quintessential Bill Nelson. 1971…this is still rock, you understand, but I’m in no way apologizing for its excellent quality. This ranks with Syd Barrett & Marc Bolan. In 2012 Cocteau Discs reissued this treasure on 180 gram vinyl. I was lucky enough to get one of the 250 limited edition records with a repro/original Smile Records cover, a 12" booklet, lyric sheet, & signed postcard. If you want this, you can find it.

The other day I was wasting some ill-gotten gain feeding my vinyl addiction & came across a copy of the Butt UK 1980 release in near-mint for less than an arm & a leg. I am going to feature one track from that mono-only release, "House of Sand" as a taste/teaser.

Fast forward ten years. Bebop had been replaced by Red noise & now red Noise was silent. Bill was on his own again. Here is another of his earliest solo ventures that I have let slip but will quickly rectify.  Quit Dreaming & Get on the Beam was released in 1981. This one is not so easy to come by here in the States. It was re-issued in Europe & the U.K. on Mercury in 2005 with seven additional bonus tracks, so if you want more than the original, search it out.

Bill Nelson – Quit Dreaming & Get on the Beam, Mercury 6359 055, 1981.
decryption codes in comments

Side 1 –
Living in My Limousine
Vertical Games
False Alarms
Decline & Fall

Side 2 –
Life Runs Out like Sand
A Kind of Loving
Do You Dream in Colour
Youth of Nation on Fire
Quit Dreaming & Get on the Beam

bonus track –
White Sounds (from the Living in My Limousine (remix) / White Sounds 12” EP – included as a bonus track on the 1986 Cocteau Records CD re-issue (as “White Sound”).

But the earliest Bill Nelson I have is on 1970s A►Austr – Musics from Holy Ground. Try that out, completists.

The photograph shows Cass Yard & the archway leading out to the main street, Kirkgate. It was taken by Mike's brother, Kevin, one Saturday in 1970. The final cover of Musics used a black screen print on a bronze card, only showing the four women in the photo above: Yvonne Carrodus, her sister Gail, Gail's friend Denise, & Shirley Levon, Mike's partner. The picture also featured Mike (on the left) & Chris Coombs (right). Bill Nelson turned up on spec. He can be seen at the rear brandishing his Gibson guitar.

 Bill playing with a couple A►Austr dudes.

A►Austr – Musics from Holy Ground, Acme 010101LP re-issue, 1995.

Side 1 –
Prelude to Change for Arthur
Thumbquake & Earthscrew
Change for Arthur
Between the Road
Hawaiian War Chant
It’s Alright

Side 2 –
Essex Queen
D Minor Minuet
A Curse on You
What Did You Go?
Grail Search

Aw, the Grail search. Circles within circles. On the wall through the archway behind Bill entering Cass Yard is a mysteriously appearing Grail image. You decide…

Yield to the Full Nelson,

20 September 2014

Phoning It in from the Bleachers

 Flying Canyon In Another World

decryption codes in comments

Track list –
Summer, Silver Lake
The Trouble behind Mr. Peterseon’s Eyes
All My Girls are Singing
Danny, Let’s Rest Here
Mr. Brandon’s Halo
Everything Dying Sings
Franklin’s There Are

Golden Hotel was: Cayce & Sidney Linder.

Flying Canyon – Flying Canyon, Soft Abuse SAB017, 2006.

Track list –
In the Reflection
Down to Summer (thanks Ib)
Crossing by Your Star
The Bull who Knew the Ring
The Dawn Curtain
This Can’t be My Home
At Night When the World Goes Quiet
Black April (hidden track)

Flying Canyon was: Cayce Linder (RIP) – vocals & guitar; Shayde Sartin – bass; & Glenn Donaldson – drums.


19 September 2014

No Class...NØ Sez, "Real Class"

Bronze Records 104 782, 1982.

Side A –
Stand by Your Man
Side B –
No Class


& Now for Somethin’…Completely Different

Tändstickorshocks – Allan Vogelan Hebban Nestas 7" (45rpm side & 33 1/3rpm side)
King Kong Records (6)-5, 1979

Kant 1 – Allan Vogalan Hebban Nestas (45rpm)
To Hell with Shell
Religion pt. 1
Kill for Peace
Religion pt. 2
School Army Working Dying

Kant 2 – Tænkar Anderledes (33 1/3rpm)
VI Tænkar Anderledes
T Rights
Song for a Guy
It Stinks
The Wall


14 September 2014

Like Noise only much more Quiet

Art of Silence – artofsilence.co.uk 2xLP, Axiomattic Records PERM LP32, 1996.
decryption code in comments

Disc A –
West 4

Disc B –
Who Are You?
Giant Below

Disc C –
Giant Above
Giant Within

Disc D –
Messenger of Heaven
Fear No Malice
Some Other Dream


10 September 2014

A Strange Chain of Events

It always starts with Funk.
Jonder knows I love it.
So he hits me with a tunebomb.
In the shadow of Motown.
Dennis Coffey.
The Funk Brothers.
Then the Mick Collins connection.
"I Bet Ya."
The self-titled also includes "All Your Goodies are Gone".
featuring Mayer Hawthorne & the only thing I think is,
Too short. 3:41…
Then I find a live version on YouTube.
Live in Detroit. 4:46…
Well, then there’s this.
1971. Funkadelic. Eddie Hazel. Live. 15:07
Now who's in the loser's seat???
Yes indeed.

Funkadelic – Live at Meadowbrook (Rochester Michigan September 12, 1971),
Westbound Records CDSLEWD108, 1996.
decryption code in comments

Tracklist –
Alice in My Fantasies
Maggot Brain
I Call My Baby Pussycat (fast version)
I Call My Baby Pussycat
Good Old Music
I Got a Thing, You Got a Thing, Everybody Got a Thing
All Your Goodies are Gone (The Loser’s Seat)
I’ll Bet You
You & Your Folks, Me & My Folks
Free Your Mind & Your Ass Will Follow

Here come tha Muthaship,

07 September 2014

What is the Lowest Note on the Organ?

this A Side –
Thusly Routed We Gambol

Be Side –
Trial by Silhouette

Features Tim Hodgkinson & Bill Gilonis who run Woof Records (they both play most of the instruments) assisted by a large cast of characters: Mick Hobbs – guitar, bass, & various; Rick Wilson – keyboards, samplers, drums, & various(the above listed four would go on to form the group The Work); as well as Anna Piva, Ted barrow, Trevor Goronwy, Veronique Vincent, & others.

Enjoy…they did,

06 September 2014

Julian & 'Bubblers' have a Mexicali Stand-On

Sorry I haven't posted much recently. 
I'll try to pop on a few things as I can, but folks, it's harvest time. 
So I'll be scarce for a while, but I'll be around.

Prince Fatty meets The Mutant Hifi – Return of Gringo!, Mr. Bongo MRBLP086, 2011.
decryption code in comments

Side A –
Transistor Cowboy
Black Powder
Plague of Locust
Wear the Black Hat (if the Black Hat Fits)
Way Back to Town
Across the Border

Side B –
Up the Creek
Moscow Mule
Son of a Thousand Fathers
 The Good, the Vlad, & the Ugly
Blondes Have More Guns
Hava Nagila


31 August 2014

Even Voodoos Get the Blues

The Mutants were formed in 1998 by Veijo Keppo & Jussi Sipilä from the ashes of their previous band Isebel’s Pain. They wanted to form an instrumental band after getting tired of more than their fair share of difficult singers. They play a unique blend of 60s garage rock, surf, porn funk, & manic psychedelia. Their instrumental madness would be the perfect soundtrack for a lost Russ Meyer or Quentin Tarantino film.

After the first chaotic gigs with the usual rock instrumentation augmented by Farfisa organ, these Mutants decided they needed a bigger sound. They added saxophone & more percussion while the original punk/surf/garage style got shoved through a new funkier Parliament/Funkadelic filter. On the strength of several EPs, singles, & compilation tracks, dozens of gigs, the support of local music magazines, & the active garage rock scene of southern Finland, the band made a three-record deal with the label Spinefarm in 2003. On Spinefarm´s Ranch label, the band released the full-length albums Voodoo Blues (2003), Death Cult (2004), & Grave Groove (2007). This is their initial Ranch release.

On Voodoo Blues, The Mutants are: Veijo “Abnormal” Keppo - Farfisa organ & guitar; El Toro – guitar; Jack Europa – guitar & saxophone; Don Hesus – percussions; Kartsu “Dr Drunkenstein” a.k.a Orb Sirius – bass; & Victor Stereo – drums. Cover by Mexican master Tiki-artist Dr. Jorge Alderete.

The Mutants – Voodoo Blues, Ranch Records RANCH 11, 2003.
decryption code in comments

Tracklist –

High Ride
Voodoo Blues
Sin Hipster
Stampede Caravan
Southern Far Out
Papa Simba
Move Along!


28 August 2014

Who's Afraid?

 Here are two more closely aligned yet very different creatures, while I'm still at it.

Side aaah! –
Closely Closely (Enough’s Enough)

Side baaah! –
Moment in Love / The Time to Hear (You’re Listening)

Art of Noise – Close-Up 12” 45, Island Records 880 681-1, 1984.

Side aaah! –

Side baaah! –
Close-Up (Hop)


Freak Of Nature

I threatened a visitor here at NSS that’d I’d post up some Art of Noise. Well, when AON started out, a lot of folks were like, “WTF” but soon they were being sampled by a whole new bevy of bands on what seemed like a daily basis.

Now with this great remixes release, it has all come full circle. The bands & artists that were sampling AON are now paying tribute with their own unique versions. I hope you all enjoy.

Art of Noise – The FON Mixes 2x12” 45s, China Records WOL1023, 1991.
decryption code in comments

Record One _

Side One –
Instruments of Darkness (Prodigy mix)
Shades of Paranoimia (Carl Cox mix)
Roller 10 (Rhythmatic mix)
Side Two –
Yebo (Mark Gamble mix)
Back to Backbeat (Robert Gordon mix)
Dragnet & Peter Gunn Have a Day at the Races (Mark Gamble mix)
I of the Needled (Sweet Exorcist [Richard H. Kirk] mix)

Record Two –

Side Three –
L.E.F. (Mark Brydon mix)
Legs (Graham Massey mix)
Catwalk (Ground mix)
Side Four –
Ode to a O.J. (Mark Gamble mix)
Crusoe (LFO mix)
The Art of Slow Love (Youth mix)
No Sun (Mark Gamble mix)

Dance like you mean it...what's the matter???Afraid of the Art of Noise???

24 August 2014

Twenty-two Zombies Later

Well, I haven’t spent much time staring at this screen this weekend. A buncha my friends dropped by & magically it turned into a Tiki Weekend. We’ve been keeping the Mai Tais & Zombies flowing. For a while I was DJ’ing with some style, but as the hours & drinks added up, I stuck these two CDs on random play & got to relax with everyone else. & I didn’t get any complaints, so I’m posting these here for you. Mix up some drinks & enjoy.

Comfort Stand Recordings csr001, 2003.
decryption code in comments

CD One –

Br. Cleve & His Lush Orchestra - Shaken Not Stirred
Eric & Ryan Kilkenny - Bongo Avenger
Marble - Wah Factor 3
Philip Jackson - Nature Boy
Jeff Chenault & Andrew Izold - Exotica Revisited
Tipsy - Kitty's Daydream (Longhair mix)
Scotch & Soda (Max McMillan) - The Lonely Bull
Don Tiki - The Natives are Restless
Jack Fetterman & the In Hi-Fi Music Direction - Acapulco 2000
The Weird Lovemakers - Quiet Spillage
Skip Heller's Hot Seven - Spy Perfume
Otis Fodder - Brilliant Pillows (Many Moons)
Astroslut - Love Theme from Astroslut
Der Plan - Jungle Village
Misty Roses - Up in Flames
Künstler Treu - If Jesus Came
Sem Sinatra - Toryansay

CD Two –

Mr. Melvis - A Walk Through the Powerhouse
Weirdomusic - Fiber, Ruler of Pinakel
djfreshmoney - Whammo
Dana Countryman - Cocktails in Space
Jan Fornell - Drift
Bruce Lenkei - Moonlight Zombie Dance
Bumpenstein - Fuad Motel
Narcotic Syntax - Pingpong Voodoo
Hybe - Venom
Impro – Farid, Astronauts from Maghreb
Black Sash - You People
Mental Anguish/NOMUZIC - Blissful in Enchantro
Songs to Drink & Drive By - Walk on By
Magnus Sandberg - Island Knockin'

Bottoms Up,

23 August 2014

It's just a Cosmic Joke

This really is a cosmic joke, but not all the musicians involved were laughing. Rolf-Ulrich Kaiser & Gille Lettman of the Kosmische Musik label arranged several acid parties in early 1973 to be held at Dieter Dierks studio in Stommein, Germany. Since 1969 Dierks Studios had  been the home of the most important Krautrock artists, first generation German rock bands, & electronic pioneers, among them Ihre Kinder, Ash Ra Tempel, Tangerine Dream, Witthüser & Westrupp, Hoelderlin, Wallenstein, Birth Control, Guru Guru, Embryo, Popol Vuh, Bröselmaschine, the politically orientated rock bands Amon Düül, & Floh de Colgne.

The musicians attending Kaiser’s acid parties were offered drugs in exchange for recording tracks. Participants included Manuel Göttsching & Klaus Schulze of Ash Ra Tempel, also Jürgen Dollase & Harald Großkopf of Wallenstein. Prior to this, all of the musicians involved had been in the Cosmic Couriers, which had played on experimental recordings by Sergius Golowin, Walter Wegmüller, & Timothy Leary.

Kaiser took the tapes from these sessions. He edited & mixed them with the help of Dierks. He then released them on his label, Kosmische Musik, complete with the musicians' pictures on the LP sleeve, without asking for their permission. Göttsching did not find out about the record release until he heard one of the records playing in a record store in Berlin & asked the record clerk what was playing.

Kaiser released five records accredited to the Cosmic Jokers in 1974. While none of the musicians were happy with the recordings, Schulze was so angry after the release of Gilles Zeitschiff that he sued Kaiser. In 1975, Kaiser was forced to discontinue & withdraw the recordings. He fled the country over the affair, abandoning his record label over the threat of impending legal problems.

Here are two of the better examples…

Cosmic Jokers – Cosmic Jokers, Kosmische Musik KM 58.008, 1974.
decryption codes in comments

Seite 1 –
Galactic Joke
Seite 2 –
Cosmic Joy

Galactic Supermarket – Galactic Supermarket, Kosmische Musik KM 58.010, 1974.

Seite 1 –
Kinder des Alls
Seite 2 –
Galactic Supermarket

with Rosi Müller,& Gille Lettmann

Enjoy this tripping Krautrock,

21 August 2014

More Brainiacs

Back in February 2009 I posted up The BrainiacsDrunk with Funk. I have had feelers out to all my musick scouts searching for the bands debut self-titled 7". The other day my searching paid off & I now have a copy of said 7". I’m sharing it with you here. If you enjoyed Drunk with Funk, than you’re sure to enjoy this.

The Brainiacs – Self-titled 7" EP, Mental Health Records, 1979.

Side A –
Don’t Tell Me Why
Take Me to Paris
Side B –
Suzie’s so Unsure

Goodbye BizarroWorld,

17 August 2014

Flash from the Past

Those of you who may have followed the Musick Around the World project might remember a slight side trip I took when I got to Italy. I was given an assignment to procure some secret documents from under Vatican City.

While the documents were briefly in my possession, I had the opportunity to photograph some of them. Most were written in code or some Latin variation, but there were some that were obviously in German. Knowing the alleged connection between the Roman Catholic Church & the Third Reich, I copied many of those in particular.

Here is one that I managed to partially translate. Check it out…

"... Vladimir T., eine Bulgarische immigrée, hatte in seinem Besitz einige deutsche Dokumente, welche die Nazi-V-7 spezielle Waffen-Programme. Die geheimen V-7-Projekte waren in der Tat eine Reihe von kreisförmigen Flugzeugs Forschungsdesigns entwickelt radikal neue Waffen-Plattformen, könnte steigen und steigen senkrecht, fliegen bei hohen Geschwindigkeiten und sehr großen Höhen mit einem neuen 'Implosion' Motor-Design zusammen mit anderen Elektrogravitationsenergieumwandlung Prinzipien Herstellung eines selbst ausreichend elektrostatisch erzeugte Kraft um die Macht. Solche Motoren wurden von AEC hergestellt (Allgemeine Elektricitäts-Gesellschaft), der große Riese von elektrischen Industrie Deutschland, für dieses Programm so früh wie 1944 Diese Stromgeräte erzeugt ihre eigene elektroSchwereFeld, die natürliche Schwerkraft der Erde neutralisiert Ergebnis, dass sie schwerelos. Another neue Motorprinzip für Helium verwendet Kraftstoff.


Es gab mindestens drei große Entwicklungen innerhalb der V-7-Programm. Es waren die Hanebu Modelle 1 bis 9, zumindest, Vril-Modelle 1 bis 7 als auch, & Beyond, dass die meisten wahrscheinlich. Dann gab es die zylindrischen Mutterschiff Trägerprojekt , das die Hanebu & Vril Handwerk im Flug transportieren. Forschung in dieser Richtung hatte sich seit Anfang 1941 durchgeführt.

Die Modelle waren Hanebu größeren Scheiben im Bereich von 25 bis 40 m im Durchmesser. Sie wurden von mehreren zwangsrekrutiert Energieeinheiten zusammenarbeiten, wie der AEG-System angetrieben. Diese Einheiten auch ihre eigenen Elektrogravitationsfeld , das die natürliche Schwerkraft um sie herum neutralisiert erzeugt, wodurch das Handwerk & alles was man im Wesentlichen durchgeführt schwerelos. Experimentelle Versionen dieses kreisscheibenförmigen Handwerk durchgeführt 02.59 7,5 Zentimeter Panzerabwehrkanone auf ihrer Unterseite. Fotografien von solchen Fahrzeugen wurden von Vladimir gesammelt. T., von denen einige auch im Film Dokumentarfilm erschienen


Ein Bild zeigt eine 2 1/2 Tonne Militär-LKW neben einem Hanebu 2, einem Hebekran auf der anderen Seite, und 2 Männer unter der großen Scheibe an etwas geparkt. Andere Bilder zeigten die Hanebu Modelle im Flug.



Die Vril-Modelle waren kleiner tiefer Scheiben von fast glockenförmige Konfiguration im Aussehen mit 3 halbkugelförmigen Erhebungen darunter. Sie wurden im Jahr 1943 & 1944 in Nazi-Deutschland getestet. Die Vril 3 Modelle & beyond waren weit mehr gestrafft. Sie sah eher wie gewölbte Scheiben. Diese kleinen Schiffe waren 10,5 bis 15 Meter (30 'bis 45') im Durchmesser. Sie trugen Besatzungen von 1 bis 5 Männer.

Der zylindrische Trägerhandwerk waren mehr als 100 'im Durchmesser. Sie konnten eine oder mehrere der Hanebu Modelle & 3 oder mehr der kleineren Vril Modelle tragen, alle intern. Sie konnten starten und diese wiederherstellen, während Handwerk im Flug.

Wenn das Oberkommando in Deutschland festgestellt, dass sie nicht mehr den Krieg zu gewinnen, einige der wichtigsten Führer begann das Land zu verlassen, um für ein Wiedererstarken 4. Reich vorzubereiten. Diese geheimen UFO-Programme wurden offenbar demontiert und auf neue Basen in der Antarktis an Bord deutscher U-Boote durchgeführt. Die meisten ihrer wichtigsten Wissenschaftler ging mit ihnen, was, warum wir so wenig von diesen Programmen bis jetzt gehört, kann. Die wenigen Wissenschaftler, die zurückgeblieben waren von der US-oder russischen Regierungen und setzen sich auf den Inlands Programme arbeiten abgeholt, obwohl diese US & Russisch-Programme fehlte die Organisation der deutschen Mutter Programme, die evakuiert wurden."

Zusammen mit den Dokumentarfilm, gab es mehrere Audio-Kassetten von einem angeblichen Nazi-UFO-Kommandant. Die folgende ist eine der Audio-Kassetten ... "

Here is the translation…
"...Vladimir T., a Bulgarian immigree had in his possession some German documents describing the Nazi V-7 special weapons programs. The secret V-7 projects were in fact a series of circular aircraft research designs developing radical new weapons platforms that could rise & descend vertically, fly at high speeds & very high altitudes using a new 'implosion' motor design along with other electro-gravitic energy conversion principles producing a self-sufficient electrostatically generated force for power. Such engines were manufactured by AEC (Allgemeine Elektricitäts Gesellschaft), the great electrical giant of industrial Germany, for this program as early as 1944. These power devices generated their own electro-gravity field which neutralized the Earth's natural gravity, in effect making them weightless. Another new engine principle used helium for fuel.
There were at least three major developments within the V-7 program. There were the Hanebu models 1 through 9, at least; Vril models 1 through 7 as well; & most likely beyond that. Then there was the cylindrical mother-ship carrier project designed to transport the Hanebu & Vril craft in flight. Research along these lines had been carried out since early in 1941.
The Hanebu models were larger discs ranging from 25 through 40 meters in diameter. They were powered by multiple-ganged energy units working together, like the AEG System. These units also generated their own electro-gravitic field which neutralized the natural gravity around them, thus making the craft & all it carried essentially weightless. Experimental versions of this circular disc-shaped craft carried one to three 7.5 centimeter anti-tank cannon on their underside. Photographs of such craft have been collected by Vladimir. T., some of which also appeared in the some documentary films he found.
One picture shows a 2 1/2 ton military truck parked beside a Hanebu 2, a lifting crane on the far side, & 2 men under the big disc working on something. Other pictures showed the Hanebu models in flight.
The Vril models were smaller deeper discs of nearly bell-shaped configuration in appearance with 3 hemispherical protuberances underneath. They were being tested in 1943 & 1944 in Nazi Germany. The Vril 3 models & beyond were far more streamlined. They looked more like domed discs. These little ships were 10.5 to 15 meters (30' to 45') in diameter. They carried crews of 1 to 5 men.
The cylindrical carrier craft were over 100' in diameter. They could carry one or more of the Hanebu models & 3 or more of the smaller Vril models, all internally. They could launch & recover these craft while in flight.
When the High Command in Germany concluded that they could no longer win the war, some of the key leaders began leaving the country to prepare for a resurgent 4th Reich. These secret UFO programs were apparently dismantled & carried to new bases in the Antarctic aboard German U-boats. Most of their key scientists went with them, which may be why we have heard so little of these programs up to now. The few scientists who remained behind were picked up by the U.S. or Russian governments & put to work on domestic programs, though these U.S. & Russian programs lacked the organization of the parent German programs that were evacuated. 

Along with the documentary films, there were several audio tapes from a supposed Nazi UFO Commander. The following is one of the audio tapes..."

Nazi UFO Commander – Strange Monastaries, Old Europa Café OECDR011, 2006.
decryption code in comments

Tracklist –
The Coming Race (Vril Chant)
Sacrificial War
Mercer is My Name

Can you say CONSPIRACY?