On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

15 December 2021

Nuff Said, NØ Sez - A Naterock Sampler Part 7...the Conclusion

 

About this time, the music scene in San Jose was changing. No more shows of touring bands at the Scottish Rite hall, the first wave of S.J. punk band like Los Olvidados (who broke up before releasing anything but a few compilation tracks) & Ribzy (with only one split w/Grim Reality & one EP on Rob Farmer's Vinehell Records) were on the decline, the St. Francis Hotel stopped locals night, & then the Laundry Works closed. 

 



 

The music scene moved into the clubs along South First Street like Marsugis & the Cactus Club. The Dinuba Embassy (upstairs from L'Amour porn shop) started having parties on the roof with bands like the FuckBoys, The ByProducts & other up-&-coming locals & S.F. acts. South First Street became the SOFA district. The music scene just exploded for a few joyous years. I spent a great deal of time there, got to know a tight-knit cadre of punkers, was made Ambassador-at-large for the Dinuba Embassy. Soon the local scene & local music was my life. 

 



'Zines were becoming prevalent in the underground music world & by late 87 I had decided to start EAT POOP! Our mascot was Farley Fly & he sniffed out the best POOP! (slang for information) coming out & we wrote about it. We did group music reviews with all the Ambassadors; bands were sending us their demos, tapes & CDs to get the word out; Food King, Mark Ritch, Frank Bella & Doc Anderson were the staff artists, & so it grew. 

 



 

We were in contact with other 'zines around the country, we got written up regularly in Factsheet Five, we started putting on shows at the local venues, & finally doing our own shebangs. The 14-band POOPapalooza show at the Works Gallery & the Clover Hall show are still legendary in the San Jose music footnote.



My life became filled with Black Dahlia & Lao as my anchor & the POOPsters as the wind in my sails, so this is as good a place to end as any. We worked the 'zine into the 90s & beyond. By then the internet was growing exponentially & music became a different animal than it had been in my formative music years. I hope you've found some music to enjoy on this protracted journey, & if not, you can just blame Jonder...this was his crazy idea (thank you, brother). 

 

K-Tel Records presents...Naterock Sampler, NØ Comps, 2021.
Vol. 7 - 1984 'til EAT POOP!/Nuff said 1984-1987
decryption codes in comments

Part One -
1984
Hüsker Dü - Turn on the News
Black Flag - No Deposit, No Return
The Minutemen - Corona (with a whole new meaning now)
Lee Perry - Mr Music
1985
Subhumans - Fade Away
The Nils - Freedom
The Pogues - Wild Cats of Kilkenny
The Fuzztones - Cinderella
Sonic Youth - Society is a Hole
Clan of Xymox - A Day
Public Image Limited - Rise

Part Two -
1986
Bad Brains - House of Suffering
Billy Idol - World's Forgotten Boy
African Head Charge - Release the Doctor
Skinny Puppy - Dig It
Concrete Blonde - Dance Along the Edge
Test Dept. - Fuckhead
Spacemen 3 - Rollercoaster
Throwing Muses - America (She Can't Say No)
That Petrol Emotion - Lifeblood
1987
The Tear Garden - The Center Bullet
Terence Trent D'Arby - Seven More Days
Renaldo & the Loaf - Dance for Somnambulists
Sly & Robbie - Fire (Ohio Players cover)
Opal - Soul Giver

Enjoy,


13 December 2021

Black Dahlia Time - A Naterock Sampler Part 6

 

I was well into the New Year's celebration. I was having a great time. I was definitely feeling no pain. Just as everyone at the party counted down to midnight, out of the revelry appeared the most beautiful woman I had seen in my life. Olive-skinned with deep dark smiling eyes & hair past her waist, she sidled up to me & three...two...one...Happy New Year! She planted the sweetest of kisses on my lips & laughed. Happy New Year. 



That was how the Black Dahlia walked into my life. We've been together ever since. We married in October 1981. Our only daughter, Lao Elanya was born May 30, 1983. To say that everything changed in my life is the greatest of understatements. But the change was purely positive. & the greatest thing about our relationship is that Black Dahlia was perfect as she was & she has never tried in any way to change me. So the changes that occurred in our lives were mutual discovery & inspirational learning.

She has her own likes in music & introduced me to many artists that I was unaware of. She never stopped me from listening to the more extreme music that I enjoyed. She never limited my searching for that 'perfect' song. In fact she helped me in my search. 

 



During this period I got a job at Oak Tree Leather, a small hand-crafting leather shop run by a Scientology couple. I put the skills I had learned at my fiend Lucas' shop in Scott's Bluff to good use & gained new skills on the job. After Lao was a few months old, Dahlia decided she wanted to go back to work. She had a great job as a restaurant manager at a local health food restaurant. She made more money than I did at my job, so I became house husband & took over the daily household duties & the general care of our daughter. This arrangement gave me even more time for music.

MMR magazine had sprung from Tim Yohannon's Maximunrocknroll radio show on KPFA in Berkeley in 1982. So now there was somewhere I could turn to read about or even order new music. It was the beginning  of the era of  'zines. Factsheet Five was just around the corner. Alternative music & print were heading for a collision. I was getting ready. 

 

K-Tel Records presents...Naterock Sampler, NØ Comps, 2021.
Vol 6 - Black Dahlia Time 1980-1983
decryption codes in comments

Part One -

1980
Dead Kennedys - California Über Alles
The Comsat Angels - Missing in Action
X - Johnny Hit & Run Paulene
The Clash - Police on My Back
The Cramps - Tear it Up
Stiff Little Fingers - No Change
The Nuns - Media Control
Vapors - Bunkers
1981
T.S.O.L. - Abolish Government / Silent Majority
The Birthday Party - King Ink
Black Flag - TV Party
The Exploited - I Believe in Anarchy
Gang of Four - What We All Want

Part Two -

1982
Bad Brains - Banned in DC
Siouxsie & the Banshees - Slowdive
Descendents - Suburban Home
The Dream Syndicate - Some Kinda Itch (live)
The Clash - Ghetto Defendant
Flipper - Way of the World
The Gun Club - Run Through the Jungle
Sparks - Tarzan & Jane
Mission of Burma - That's How I Escaped My Certain Fate
Bad Brains - Leaving Babylon
1983
Cleaners from Venus - Sandstorm in Paradise
D.O.A. - Burn it Down
Dicks - Rich Daddy
Minor Threat - Think Again
Sad Lovers & Giants - In Flux

Last in this series: Vol. 7 - 1984 'til EAT POOP!/Nuff said 1984-1987

Enjoy,

11 December 2021

Just in Time for PUNK! - A Naterock Sampler Part 5

 

Last outing I was not inclined to go into the details of my criminal undertakings during that time. I had been a narco-anarchist for years. I never really did anything outside that ethos, but I chose not to expound on details of my adventures. However, looking back over the songs from those years I realized I had omitted some details that shine a light on a few of my selections.

In the 72 I had the pleasure of seeing the movie The Harder They Come. Not only was it a cool as hell flick, but it introduced me to Jamaica & Jamaican music. I had a hard time finding much & so it kinda slipped my mind until 76, when I started finding Jamaican music once again. 

 


 Also, in the early part of 76 I was repeatedly traveling between Chicago & Buffalo for several months taking care of a reciprocal trade arrangement. I was often flush with moolah during those trips so I tried to hit as many live shows as I could work into my schedule. Over a two week period in April I saw Patti Smith in Cleveland, OH & Buffalo, NY...in June I saw the Ramones in Youngstown, OH...& in July I saw The Runaways at the Agora in Cleveland. 

 



I fell for punk liked I fallen for San Francisco, but it wasn't a place this time. It was a Sound. A Sound that I could relate to, that took all my feelings of angst about everything that had gone down so far in my life & poured it out in song.

The fuckin' Sex Pistols, brothers & sisters. Steve Jones & Paul fuckin' Cook, man. Johnny Rotten Lydon. This shit hit me in the face. It was rock 'n' fucking roll, people. But some of early punk was just so much wank. I was having a hard time getting that slam in the face of that first dose of the Pistols. They say one never gets as clean a rush as the first time, as (s)he pulls the needle from hir arm. 

 



On January 24, 1977, President Jimmy Carter issued Proclamation 4483 which granted amnesty for all Vietnam War draft evaders. Suddenly I was free again...free to go where I chose, not just where the winds of fate blew me...I was free to be myself again.

This first thing I did was go visit my parents. My father was in declining health & it had been years since I was able see him. The prodigal son returned. I was able to spend a while with him before he passed from this plane of existence. I am eternally thankful for that. I had one more business transaction I had committed to, so I headed to Florida, then back north to Ohio. 



What to do now that all my family & financial obligations were met. Well, I joined the circus. The Clyde Beatty/Cole Brothers traveling circus. They came through Cleveland. I went over to the Big Top after their show & signed on. I traveled with the show, doing set-up & tear-down & running lights during the performances. They covered most of the central US. In the fall, when the circus season was over & the CB crews were heading to Florida to winter over, I said my good-byes & headed first to Denver for  short vacation, then I headed to California once more before winter stranded me in the Rockies.

This time I headed to San Jose. There was a cadre of PA ex-pats that I'd been wanting to touch base with & it was a perfect place to ring in New Year 1980. 

 

K-Tel Records presents...Naterock Sampler Vol. 5, NØ Comps, 2021.
decryption code in comments

Vol. 5 - Proclamation 4483/Just in time for PUNK 1977-1979
1977
The Sex Pistols - Pretty Vacant
Television - Friction
Elvis Costello - Waiting for the End of the World
Eddie Hazel - California Dreamin'
Talking Heads - Psycho Killer
Wire - Three Girl Rhumba
The Clash - I'm So Bored with the U.S.A.
1978
Devo - Uncontrollable Urge
Pere Ubu - On the Surface
Public Image Ltd. - Public Image
Johnny Thunders - London Boys
1979
Buzzcocks - You Know You Can't Help It
Gang of Four - Damaged Goods
The Clash - Rudie Can't Fail

Next in this series: Vol 6 - Black Dahlia Time 1980-1983
Enjoy,

09 December 2021

We Interrupt This Broadcast...Parting is Such Sweet Sorrow - Shakespeare

 

Robert Warren Dale Shakespeare, bassist extraordinaire, Black Uhuru / Sly & Robbie alum, passed away at age 68 due to complications following kidney and liver transplants a year ago.
Around these parts he will be sorely missed. But let the music do my talking, I can sez nothin’ kinder. 

 

Sly & Robbie - Dub Sessions 1978-1985, Jamaican Recordings JRCD062, 2016.
decryption code in comments

Sly & Robbie The Kings Of Dub
Buffalo Soldier Dub
African Roots Dub
Crazy Baldhead Dub
Burial Dub
Good Ranking Dub
Top Ranking Style Dub
Liquidation Dub
Conference Dub
Jah Jah Dub
Jah Live Dub
Peace Dub
Stone Age Dub
Africa Dub
Rasta Man Chant Dub

R.I.P.,

08 December 2021

Draft Dodging Days - A Naterock Sampler Part 4

 

The less said about these years the better, I think. 

 



 

As I stuck out my thumb on the berm of I90 heading west one more time, I knew that I wasn't yet a fugitive. It was several days before I was scheduled to report for military duty & then when I was a no-show, it would take the Selective Service just a few weeks to issue a Federal warrant. I had maybe three weeks tops before this whole standing out on the edge of the roadway in plain sight for any Johnny Law, hitch-hiking, which was quasi-legal to down-right illegal depending in which particular bailiwick I might find myself would no longer be safe.

So I set my sight for Scott's Bluff, Nebraska. I knew two ex-high school buddies that were going to Hiram Scott College there (Whalebait & Lucas). Whalebait's place was a cool crash pad, but the sheer volume of people & dope passing through there seemed less than low profile. Lucas, on the other hand, was the anti-social type. He had a leather shop in town. It seemed perfect. I hooked up with him & he gave me a place to crash in his shop. Spare room with bathroom & shower, a hot plate in his work area. It was perfect. 

 



I hung around Scott's Bluff for a few months, I helped Lucas around his shop, cleaning up mostly, but also learning a little about leather work. It never hurts to have a trade. I gradually made acquaintance with some of Whalebait's more level-headed associates & started earning some decent dinero moving some of their organics. In February 72, a friend of Bait's approached me with an offer I couldn't refuse. He had a quantity of magic mushrooms he needed deliver to some folks in California. Wanted to know if I was the guy for gig.

I flew in to San Francisco two weeks later & for the next few years I just traveled from San Francisco to Flagstaff to Boston to Scott's Bluff to Taos to San Francisco...well, you get the picture. I had some fake ID that was pretty thin if it had to undergo heavy scrutiny but I kept under the radar, so no problems. I was David Williams until the first days of 1977. 

 

 

K-Tel Records presents... A Naterock Sampler, NØ Comps, 2021.
Vol. 4 - End of College Safety/Draft Dodging Days 1972-1976
decryption codes in comments

Part One -
1972
Curtis Mayfield - Superfly
Alice Cooper - Luney Tune
Jimmy Cliff - The Harder They Come
Mott the Hoople - All the Young Dudes
Tim Buckley - Sweet Surrender
David Bowie - Rock 'n' Roll Suicide
War - The World is a Ghetto
1973
New York Dolls -  Looking for a Kiss
Brian Eno - Baby's on Fire
Iggy & the Stooges - Gimme Danger
Blue Oyster Cult - Od'd on Life Itself
1974
Hawkwind - Lost Johnny
Funkadelic - Alice in My Fantasies/I'll Stay
Frank Zappa - Cosmik Debris
David Bowie - We are the Dead/1984
New York Dolls - Chatterbox
Parliament - All Your Goodies are Gone

Part Two -
1975
U-Roy - Trench Town Rock
Burning Spear - Slavery Days
Nazareth - Beggar's Day
David Bowie - Win
Lee Perry & the Upsetters - Doctor on the Go
Patti Smith - Birdland/Free Money
1976
David Bowie - Wild is the Wind
Patti Smith Group - Pissing in a River
Parliament - Children of Production
Peter Tosh - Legalize It
Ramones - Now I Wanna Sniff Some Glue
The Runaways - Dead End Justice
Ramones - Beat on the Brat
Bunny Wailer - Armigideon (Armagedon)
Max Romeo - War ina Babylon
Patti Smith Group - Ask the Angels

Next in the series: Vol. 5 - Proclamation 4483/Just in time for PUNK 1977-1979
Enjoy,

06 December 2021

Vietnam Draft Fears - A Naterock Sampler Part 3

 

Although I fell in love with the idea that was San Francisco, I never really transmorphed into the reality of San Francisco. I never really dug the Grateful Dead. They lived just around the block from my Oak Street flop across from Panhandle Park. Of course I heard their music daily or probably hourly if I was hanging on Haight or lounging on Hippie Hill. Their music was flowing on a regular basis from every storefront or coffee shop, from the Print Mint to the Garuda. I saw them often enough on many lazy weekends in Golden Gate Park. But I like bands with a bit more punch. My favorite local band was Blue Cheer. Also, being an east coast lad I still listened to a lot of middle American music.

One song that I heard that really wasn't my thing but stuck in my head was "For What It's Worth" by the Buffalo Springfield. The message said a lot to me. I was involved with some people associated with Students for a Democratic Society over in Berkeley. In January 68 a bunch of us had been arrested across from the Fairmont Hotel in the tony Knob Hill District while then Secretary of State Dean Rusk was wining & dining rich backers, while over in Vietnam people were dying needlessly. In July 69, "Something in the Air" by Thunderclap Newman was playing everywhere I went. I realized the evil darkness of the Vietnam War was looming larger & larger over my head, Things were rapidly coming to a boil.

By December 69 the fantasy of San Francisco was over...Meredith Hunter was stabbed to death at The Altamont Speedway Free Festival as the Stones played; Charles Manson & much of his "Family" had been arrested for the Tate-LaBianca murders. Also that month, December 1st, 1969, the Vietnam War draft lottery took place. It would determine the order of call to military service in Vietnam for the year 1970 for any male born between January 1, 1944 & December 31, 1950. It was the first time a lottery system had been used to select men for military service since WWII. My number was 40. They eventually reached 195. My number was up, as they say.



Hanging around in New York in late 69, there were pleanty of anti-war activities going on. The Yippies (Youth International Party – started by Jerry Rubin & Abbie Hoffman) were always doing protest street theater actions around the Village. The Moratorium to End the War in Vietnam went down on October 15, 1969 as Tom Seaver's Mets won Game four of that year's world series. Business as usual for the ruling class. In early November 69, two news stories kinda kicked the anti-war movement into high gear. U.S. Army Special Forces Colonel Rheault was charged with ordering the murder of a South Vietnamese official (suspected of being a Viet Cong spy..."termination with extreme prejudice" is what they called it). But on November 12, 1969  journalist Seymour Hersh broke the story of Lieutenant William Calley & the My Lai massacre. The massacre was a beacon highlighting the brutality of the Vietnam war. So three days later, on November 15, 1969, we moved the protests to Nixonland, Washington, D.C. 

 



But the tremendous high of that march came crashing down with the draft lottery. I had to think about my future for the first time in a long while. So I came to the conclusion that I'd head back to my home town in north-western Pennsylvania & try out the college thing. They were giving draft deferments to college boys & I still hadn't run out the legs on my scholarship, so off I went. Back into the heart of darkness.

For the next two years I was in & out of colleges. I went for a semester to the University of Pittsburgh, as had been my original plan after graduation. Then I took off a semester. Before the Selective Service pulled my draft pass, I enrolled in the local community college for a semester, then dropped out again. I figured I could play this game as long as the war lasted. More & more people across more & more strata of society were understanding that we had no business in Vietnam, that people on both sides were dying in an unjust invasion.  It couldn't last too long. But yet the war still dragged on. I enrolled at Edinboro State Teachers College, liked the atmosphere & the people & decided to stay for a while. But in September 71, Congress put an end to all college deferments. I started hitch-hiking to Buffalo, New York for confab with the Buffalo War Resisters League folks. I had first rubbed elbows with some of their brothers & sister while in NYC in 69. That's where I learned that WRL members & staffers were key agents for the new "Underground Railroad" that, when necessary, helped draft resisters find refuge outside the United States. The Buffalo branch arranged extended "visits" to Canada. 

 



In the middle of October I was ordered to report to the induction center for the United States Army in Eire, Pennsylvania. I packed anything I valued (not much) into my backpack, & talked a friend into driving me up to nearby Interstate 90. I hopped out & trying to keep a game face on, waved a "cheery" good-bye. I walked out to the interchange & as I neared that concrete ribbon, I heard a voice in my mind say, "East...or West?"

Everything was set with the Buffalo WRL to slip me across the waters into neighboring Canada. But as I walked toward the on-ramp, a thought was gnawing at my brain. Whose game was I playing. Deserting my country no matter how unjustified Vietnam was seemed like a move the government was pushing on me. I wanted freedom but I wanted it on my own terms. So I went up the ramp a way & stuck out my thumb. I was headed west once more. Out of the frying pan into the fire. Now I was a fugitive in my own country. I'd have to keep a sharp look over my shoulder, but...I was on the road again.

Here's what music moved me during... 


Vol. 3 - Vietnam Draft Fears/ In & Out of College 1970-1971

1970
Deep Purple - Child in Time
The Stooges - TV Eye
Spirit - Natures Way
MC5 - Human Being Lawnmower
The Guess Who - No Sugar Tonight / New Mother Nature
Captain Beefheart & his Magic Band - The Clouds Are Full of Wine (Not Whiskey or Rye)
Spirit - Animal Zoo
David Bowie - She Shook Me Cold
MC5 - The American Ruse
James Gang - Ashes, the Rain, & I
1971
Sly & the Family Stone - Brave & Strong
T. Rex - Jeepster
Alice Cooper - Ballad of Dwight Fry
Funkadelic - Maggot Brain

Next in this series: Vol. 4 - End of College Safety/Draft Dodging Days 1972-1976
Enjoy,

04 December 2021

San Francisco - A Naterock Sampler Part 2

 

I graduated high school in June 1967. I was all set to start at the University of Pennsylvania on a full academic scholarship when my life took several quick hard turns. If you checked out Vol. 1 of this series, you may have noticed that my musical interests had changed toward the end of 66 & throughout 67. Although I still got a lot of music education from the radio, most of it was East coast info. Only a smattering of West coast music got any kind of airplay around me. Even when the DJs would play something from the left coast, it seemed it was bands whose music I just couldn't relate to...one in particular that I heard more than any other, it seemed, was the Beach Boys. When Pet Sounds came out in 66 it got some moderate coverage in my burg. I thought it was shit. I thumbed my nose at that whole beach lifestyle prissy sounding pablum. But then I became aware of San Francisco & I fell under the spell of her siren call. 

I dreamed of Baghdad by the Bay.

One night about two weeks after we had graduated, I was hanging out with my best friend Myke Hash at one of the dive bars we frequented in Jamestown, New York (eighteen drinking age in New York as opposed to twenty-one in Pennsylvania). After a couple drinks or five I was expounding on the virtues of San Francisco. Myke listened for awhile & then said, "Well, Nathan, if you think you love that damn town as much as you let on, let's go. We can blow off school for a while. It's not going anywhere."

Myke was set to start college at Penn State in the fall on a double athletic scholarship (football & wrestling). He always had more nerve than I did & was always getting us into one sticky situation after another, but we were best friends, so I always went along with his crazy plans. But this idea was the most outrageous he'd ever come up with, so I told him, "Man, that's a lot to think about. I'm not really thinking too straight right now anyhow, so I guess I'm gonna head out, sleep on it & I'll let you know tomorrow. I gotta work in the morning (summer job at my dad's hardware store...yawn) so let's hit the road."

"I think I'll stay for awhile. There are some guys from the football team here. I'm gonna hang out with them & grab a ride home later. I'll see you tomorrow. We can talk some more about...SAN FRANCISCO" (making some strange high-pitched voice for the last two words). 

 



"I'll see you tomorrow", I called back as I headed out the door to my beater 53 Dodge pick-up. I headed home, crawled into bed, & fell asleep with thoughts of fantasy San Francisco on my mind. But I didn't see Myke the next day, or ever again. My mom woke me the next morning about 5:30. I didn't have to work until 9:00 so I was less than cordial. "What's up?", I groaned.

"You have a phone call."

When I got to the phone, I barely recognized friend Lowell's voice on the other end. He sounded, well, very un-Lowell. He could barely get the words out but I was able to piece it together. "Mike's dead, Nathan."

Later the story unfolded that Mike had indeed hooked a ride with a trio of his football teammates. Rick, the second-string QB was driving his 67 Mustang convertible (graduation gift from his folks) at approximately 110 mph deeply under the influence of alcohol, went out of control & off the road. The car flipped at least once. Rick walked away with a few scratches & bruises, the two other teammates ended up in the hospital with broken bones, cracked ribs, a punctured lung, & the full spectrum of auto accident injuries. Myke had been thrown from the back seat (they had the top down & 67 'stang , no seat belts in rear). His brain had been ground to hamburg. The coroner determined that Myke had broken his neck on impact & died instantly, so he hadn't had to endure the grind.

Morality isn't supposed to hit you in the face like that, at that time of unfolding future possiblities. I fell into a deep funk. But it didn't last long. Before the week was out, I had gathered up my meager belongings, left a note saying "Gone to California", slipped out of my parent's house under the cover of darkness, driven north west to Erie, Pennsylvania & hopped on I90 West. I ditched my beloved pick-up (I actually kissed the hood good-bye...she never would have made the trek) at the first truck stop along the Interstate & stuck out my thumb. I was hitch-hiking to Baghdad. It was the only thing I could think to do to save myself from complete dissolution. I had to distance myself from Myke's death & I had to do it to commemorate his last crazy plan. Whether we would really have done it, blown off college & gone West, I would never have the chance to know, so the only thing I could think of that made the pain subside was this.

I'd hitch-hiked before, from one town to another locally, & once to Pittsburgh & back (some 280 miles round trip) but never anything like what I was doing. San Francisco was 2500+ miles, further than I'd probably traveled in my entire life so far. But I was to find out through repeated future trips that I was made for hitch-hiking. It took me exactly four days until I was dropped off at the foot of Haight Street, San Francisco. The first two days had been the usual hodge-podge of short to medium rides, but somewhere in the midst of Iowa, a long haul trucker picked me up. He had seen my sign "S.F." That's where he was heading & offered me a ride all the way. All I had to do was take bennies with him & stay awake to keep him company & keep him from zoning out or falling asleep. My friends & I had all stolen diet pills from our moms for weekend binges or cramming for finals, so I was familiar with "speed". I was in for the ride.

You can't possibly imagine my state of mind as he dropped me off. I had my back-pack & bed-roll, twenty-six dollars in my pocket, a handful of bennies from the trucker as a so-long, & little sleep in many days, no sleep at all in over two days. I had fallen into my dream. 

 



I drowned myself in the whole ambiance of the place & time. San Francisco...the Summer of Love. As many as 100,000 people, mostly young people similar to myself converged on San Francisco that summer, most of them ending up in the Haight-Ashbury district. Most of us hanging out in Golden Gate Park.  Hippie Hill.  Free music, food, clothes, & love.  Myke's death became a rock that I built a new life on. I have dedicated all the good deeds I have ever accomplished to his memory. 

 



I stayed in San Francisco until late July, 1969. The scene had deteriorated around the Haight as the number of burn artists, burn-outs, street hustlers, & bad drugs rapidly grew. We'd already officially buried HIPPIE. I was feeling that itch of the road without really putting a finger on it at first. Then I saw an ad for the Woodstock Music & Art Fair in Bethel, New York. Billed as an Aquarian Exposition: 3 Days of Peace & Music. Soon the rumors were buzzing among my friends & in the coffee shops along Haight. I was in the Garuda Tea House when I ran into an acquaintance who was also from Pennsylvania, Joe D. He told me he was planning on driving his 1963 Hilman Imp back in time to make it to "Woodstock". Well, once again, I was in for the ride.

We made it across the country with only a few minor hiccoughs, we made it to Woodstock (you all know that story), & when it was over, we made our way to New York City. I knew a chick, Judith, who would put us up. She lived on 22nd Street between 7th & 8th Avenue, right around the block from the Hotel Chelsea on 23rd, within easy walking distance of Greenwich Village, Eighth St. Bookstore, Washington Square Park, Max's Kansas City, everything essential. We wiled away the waning days of 69 in the Big Apple. & then the Vietnam War stuck in its ugly face. 

 


Vol. 2 – San Francisco, with flowers in my hair 1968-1969


1968
Scott McKenzie - San Francisco (Be Sure to Wear Flowers in Your Hair)
Big Brother & the Holding Company - Ball & Chain
Dr. John, the Night Tripper - I Walk on Gilded Splinters
Blue Cheer - Doctor Please
The Crazy World of Arthur Brown - Fire
Procol Harum - Quite Rightly So
The Amboy Dukes - Journey to the Center of the Mind
1969
Led Zeppelin - Dazed & Confused
MC5 - Kick Out the Jams
The Stooges - 1969
Captain Beefheart & his Magic Band - Sugar ‘N’ Spikes
Ten Years After - I Woke Up This Morning
Grand Funk - Heartbreaker
Thunderclap Newman - Something in the Air
Silver Apples - A Pox on You

Next up...Vol. 3 - Vietnam Draft Fears/ In & Out of College 1970-1971
Enjoy,

02 December 2021

High School - A Naterock Sampler Part 1

When fellow blogger Jonder from jonderblog‭ ‬suggested doing this series,‭ ‬I was kinda skeptical
about the whole things.‭ ‬I first really got into music in‭ ‬1965.‭ ‬That's‭ ‬56+‭ ‬years ago.‭ ‬For the last half of that time I've delved deeply into all aspects of music,‭ ‬first doing a music‭ 'zine‭ EAT POOP & promoting local‭ (‬San Jose,‭ ‬CA‭) ‬shows‭ & ‬then doing this blog.‭ ‬I've used the ever-evolving Internet to gather information,‭ ‬learning about the in-depth realities of‭ ‬genres,‭ ‬artists,‭ ‬& bands.‭ ‬So thinking back on my first forays into music,‭ ‬I realized that while nowadays I can listen to whatever music I want,‭ ‬with my entire being,‭ ‬back in those early learning days I actually had to live the music. 



The first half of my time with music was back in the prehistoric past before there was Internet. I had to learn music on my own. As I related in the United States post ending the Music Around the World series,‭ ‬my earliest source of music was my transistor radio.‭ ‬I listened to music from places are far-flung as Chicago,‭ ‬Detroit,‭ ‬Cleveland,‭ ‬New York,‭ & ‬Boston. 

 



The first album that I ever purchased was The Fugs – The Fugs. I had heard the 11+ minute song "Virgin Forest" on the Radio Unnameable late night show out of New York on WBAI hosted by Bob Fass. On the strength of that song, I sent away through the mail & bought the album. I had no idea that "Virgin Forest" was not the typical Fugs tune. My ears & mind were opened to a whole new world as I repeatedly listened to that disc. 

 



The first live show I ever attended had the same effect on me as that first record, but in an even more visceral way. It was in the summer of 1965. I was enjoying my summer vacation from my sophomore year of high school. I heard about a show relatively close to my podunk village in north-western Pennsylvania when I was listening to WABX Detroit. The Four Tops (whom I was familiar with from their abundance of radio airplay at that time) were playing at nearby St. Bonaventure University in Alleghany, New York. I drove up to the show, finagled my way in (underage non-collegiate) & stepped into a new world. The music was like I had heard on the radio raised to the tenth power. The way I could feel the rhythm section in my gut & in my nads, the superiority of the sound soothing my ears beyond anything my radio was able to deliver. 



I was hooked & now all these years later I still can't kick the beast that is musical addiction. So I've decided to try my hand at this daunting task. In no way are the songs I'm sharing throughout this journey the only things I listened to. I listened to much fantastic music, I listened to much shit that I'd never want to hear again, let alone make you listen to, & I've forgotten much...well, forgotten music. The songs I've chosen for these compilations are songs that mean something to me, that represent events that happened to me that helped shape my life. Some of these songs or artists I never listen to now, but some of them I play regularly to this day. What I'm trying to do is give you an idea of a time many of you might not know, of a life none of you can know. 



I've broken it up into chronological chunks that somehow coincide with events in my life in the world around me at those times. I hope you all enjoy at least some of it & I hope certain songs will hit one or another of you in some special personal way, like, "Hey, remember that song?". So to get on with the music, Vol. 1 is my high school years, my beginning of my journey through music. Of course I'm gonna start with The Four Tops... 

 


Vol. 1 - High School 1965-1967

1965 -
The Four Tops - I Can't Help Myself (Sugar Pie, Honey Bunch)
The Pretty Things - Don't Bring Me Down
The Zombies - She's Not There
Wilson Pickett - In the Midnight Hour
1966 -
? & the Mysterions - 96 Tears
Love - My Little Red Book
Count Five - Psychotic Reaction
The Seeds - Pushin' Too Hard
The Troggs - With a Girl like You
The Standells - Dirty Water
The Jefferson Airplane - It's No Secret
13th Floor Elevator - You're Gonna Miss Me
The Fugs - Group Grope
The Mothers of Invention - Who are the Brain Police
1967 -
Captain Beefheart & his Magic Band - Abba Zaba
The Chambers Brothers - Time Has Come Today
Ten Years After - I Can't Keep from Crying, Sometimes
Jimi Hendrix - Castles Made of Sand
The Velvet Underground & Nico - European Son

Next up... Vol. 2 – San Francisco, with flowers in my hair 1968-1969
Enjoy,

30 November 2021

Soon to Be Appearing at a Location Near You...the Naterock Samplers.

Coming in December:


A seven-part series --- K-Tel Records presents the Naterock Samplers.(the most mega of Megaposts here since Musick Around the World...this time it's Musick through Time).

In order to complete this Sisyphean task, the engineer on board has had to delve into that deep dark hole that is the past, looking back through the lens of time on many things best forgotten. But to clarify a point made in the write-up to the first volume, said chronicler...all right...you've guessed it...it is me... start that sentence over... I want to explore the difference between how I now listen to music whereas in those dark by-gone days I truly lived the music. To make my point as to what I mean about that past, let me tell you a story…

---------------------------------------------------------------------------------------------------------

The Skipper & Gilligan's 


     ...I got busted in November 1970 for holding about fifty caps of mescaline. The fuzz didn’t find my weed, which was a good thing. In Pennsylvania circa 1970 weed was hard time, but mescaline was still a misdemeanor, classified as a violation of the Controlled Substances Act. I was offered the choice between two years probation or three months county jail to pay my debt to the State. I didn't like the idea of reporting to a probation officer for the next two years, so I opted for the three months. They let me roam free through the holidaze. Then I dutifully turned myself in on January 3, 1971. 
 


County jail is a breeze & to make things easier, because I was not really a "hard-core criminal", I was made trustee. My duties were cleaning the three-story Court House that adjoined the jail. I buffed the floors, swept the carpets, dusted the court rooms, emptied the trashes, whatever needed done from day to day, six days a week, Sundays I spent reading or playing cards in lock-down. Six days a week I basically was free to roam the Court House, as long as I completed all my daily task & was on call to the Head Custodian of the building...a lazy sod that did as little as possible & bothered me even less. My friends Mole & Neat Pickles would show up every day, track me down, we’d go into the freight elevator, shut it off between floors & smoke weed until someone’s annoying use of the buzzer drove us crazy. Then I'd spray some deodorizing spray I had on hand (work issued to hide any vomit or piss smell in the Court rooms) & surrender the elevator.

So my three months passed easily & quite quick-seeming.

The worst thing was the FEAR OF THE BARBER. Some old codger would come around on random Sundays to cut the inmates' hair. The last time I had my hair cut was the spring of 1967, so it was long-ass or ass-long by this time. The Warden (just a desk-duty town cop) loved to tease me each Saturday afternoon when I returned to lock-down. "Barber might be comin' tomorrow", he'd always say & laugh his greasy laugh. Well the barber never came & March 28th was the last Sunday before my release date (Saturday, April 3rd). I was working over at the Court House on Friday, only one day 'til freedom, when my lazy-ass Supe came to find me. "They're rolling you up early today", was all he said. When I walked into the jail, there was the barber. They had him come in special, just for me.

I didn't have a Samson complex & I wasn't really vain about my mane, but this was just small-town anti-hippie bullshit they were handing me. The barber was really more like a butcher, he had two cuts: the little Lord Fauntleroy look & the kinda half-assed mullet thing. Seeing as I was a long-hair, he said sneeringly, "Number Two fer ya, boy?”"
 
"No thanks", I said. "Just buzz it all off."

That's not what he was expecting or wanting to hear, but it was just twisted enough that he could get off on it & so he obliged. In a few minute I went from hippie to skinhead, appearance-wise. When I went back to my cell & listened to the whistles & hoots, some existential dread came over me. I hadn't told any of my friends exactly when I was being released & I was glad. I wasn't sure I wanted to see them right then. After three months, no matter how easy the time had been, I was feeling mighty anti-social. I rolled out at about 10am Saturday morning, but it was after 3pm before all the bull-shit paperwork was completed & I was finally cut loose. I tied a bandanna around my shorn pate & headed down Market Street toward the center of town. I had no destination & my mood was lower than the early April temperature. I was trudging along the sidewalk, a million miles away in my mind, when I heard the squeal of tires screeching to a halt at the curb next to me. I looked up & came eye to eye with my good friend Whalebait. The last time I had seen him was over the Xmas holidaze just before I went inside. He was home on Xmas break from school at the Hiram Scott College in Scott's Bluff, Nebraska. Even as close as we were, as many experiences as we'd shared together, I wasn't really sure if I wanted to see him at this juncture in time, but I was wondering what he was doing back in town. 
 
 


He reached across the seat (of a 1970 Land Rover 88 Series II2, one of his pride & joys), swung open the door & screamed, "Hop in, Doc. We've got places to be & people to do."

Without really thinking, I hopped in. He shoved a brown paper sack into my lap as he whipped a U & headed north on Market, heading out of town. I looked in the bag, only to see what looked like at least a quarter pound of some fine weed. I took a smell of its pungent aroma & asked, "What's this?"
 

"Matanuska Thunder Fuck", he chortled as he threw a pack of papers at me. "Roll it up."

After we'd gone through the formalities of conversation a bit, about how I had just moments ago got released from jail, about his expulsion from college over "some minor incident" with self-same weed, I had the clarity to query, "Roll it up, you mean roll one up here & now?" 

"Not one, Doc, all of it. We're off on a road trip."

One thing I'd learned in my years of friendship with Whalebait is that he has never been know to take no for an answer to any order he's given. I realized I was in for some strange adventure, but the gray cloud that had been looming over me had now become a swirling tornado. I began to roll. Once I had rolled one & we had taken a few hits, the strength of this legendary potent bud made itself known. By the time we finished & I started in on rolling some more, I thought to ask, "Ah, where we going?' 

"Gilligan’s...MC5." was his reply. 
 
 


Gilligan's (2525 Walden Avenue, Cheektowaga, New York) was one of my favorite clubs. Buffalo was only about 90 miles north of our burg, an easy jaunt. I'd seen the Amboy Dukes & Alice Cooper there before. The club had a great ambiance & a lenient policy on weed smoking once the bands started playing (you could still smoke cigs at venues in those days so they never patrolled the floor once the music started wailing & the bodies started shaking). I'd heard the MC5 many times before & had always wanted to see them. Back in the USA had just come out the previous year & it was one of the albums I had in heavy rotation. Then the thought hit me, crossing state lines & a QP of bud. Shit.

I'd managed to roll about half the bag so far & we'd smoked three dubes, so I was somewhat out of my funk (& out of my mind & out of my body) when Bait chimed up, "What's with the hair? Or lack there-of?"  Nothing like a reminder of my situation to bring me right down.

By this point we were cruising I90 North nearing our destination. We came up beside a car with a freak & his women, obviously bopping to some tunes on the car stereo. Whalebait matched their speed in the adjacent lane, rolled down his window, & signaled the sweet young thing to roll down hers. He yelled over the noise of the wind, the vehicles, & the music exiting their car, "Wanna get high?"

This beautiful flower child smiled back & said, "We'd like to, but we're in a hurry. We don't have time to stop." 

"No problem," said Bait to the girl. "Hop in the back, Doc."

It turns out that the Whale's plan was for me to get a joint burning, pass it out the window to the sweet young thing, let the two of them take a few tokes, & pass it back, which we did (at about 70mph) cruising down the highway. Outta the frying pan & into the fire, it seemed, was my lot. But what the fuck. It was hella good fun no matter how foolish. We only live once after all. It turns out the couple was also going to see the Motor City 5.

I crawled back in the front & by the time we arrived at Gilligan's, I had successfully rolled up the weed. I stuffed the joints, save a few for the (hopefully) return trip, back into the bag & handed it to Whalebait. 

"You hang on to it, I'll distract them at the door."

Now I was adding smuggling a Federally offensive amount of weed into the club to my growing list of infractions. But true to his word, Bait did cause an immense distraction at the door, using Nebraska ID & proffering a C-note for the $5 admission fee. I easily slipped inside unnoticed (except for a few weird looks at my lack of locks [paranoia???]). 
 
 


There was no opening act. After a short wait, the MC5 took the stage. Some older dude (John Sinclair, head of the White Panther Party, I believe) made a short anti-establishment introduction that was well received by the rowdy mob, & then the fireworks began. The lights went dark, then came up slowly on Rob Tyner leering from the front of the stage, microphone in hand & we all heard those familiar word, "& right now..right now...right now, it's time to Kick out the Jams, motherfuckers!" The roar from the crowd was deafening but the music cut through it like a knife. The Motor City mayhem had begun.

From our strategic spot in the middle of the mob, Whalebait & I started lighting joints, taking a couple hits, & then passing them on. When the person on the receiving end tried to pass them back, we'd just wave them on & light another one. We saw the couple from the Interstate & gave then a handful of joints & told them to pass them around. Soon things were abuzz with music & weed. People at the front were passing joints up to the band at regular intervals ("rock 'n' roll, dope, & fuckin' in the streets was their slogan). The music gradually became looser, louder, & freer than imaginable.

At some point in all the hilarity I noticed that DT (Dennis Thompson, drummer for MC5) wasn't getting any weed being kinda isolated in the back. I was in such an elevated state that I grabbed a handful of joints from the bag, handed the rest to Whalebait, & told him, "I'll be back."

I stealthily made my way to the far side of the stage & found a unobserved passageway that provided passage to an area behind the drum riser. I moved up behind DT, lit up a joint, passed it around to him on a roach clip & held it so he could hit it "no hands". He never missed a drum beat. I continued to pass him hits until after several joints, he signaled thumbs up, that he was good. I returned to the floor & joined up with Whalebait. We finished off the rest of the joints & enjoyed the rest of the incredible show. They played on & on, doing three encores, they played the entire Back in the USA & much more. It was a glorious evening

I felt that we had really done something, for the crowd, for the music, but mostly for myself. The effects of the arrest, the trial, the time in jail, the humiliation of the haircut all washed away in a single evening of Revolutionary Rock 'n' Roll.

We cruised back home without incident, all my fears allayed. Of course my hair grew back, & I looked back on it all & laughed. But I've never forgotten that night. One time in the early 90s in LA I happened to be back stage talking with Wayne Kramer & mentioned that night, not sure if he would remember it, as it was probably important only to me, but he got a huge grin on his face. Mission accomplished, I'd say.

So, here's some music for you all… 
 
MC5 – Live 1970, NØ Comps, 2021

Intros / Ramblin' Rose
The American Ruse
Tonight
Rama Lama Fa Fa Fa
It's a Man's, Man's, Man's World
Motor City is Burning
Looking at You
Fire of  Love
Shakin' Street
Starship / Kick Out the Jams / Black to Comm

Enjoy...I did,

27 November 2021

December Gifting

 

So far my bag of joy is not too full.

The list now includes good blogfriends  Jonder,  MrDave,  AboynamedStew,  Stupiddle,  Anonymous from Patagonia,  Pablo,  &  Carlo. They all have gifts awaiting delivery.

To anyone else interested, there are only a few days left until December & then Satan's workshop is closed for the holidaze.

See you then.

Shake that Ikebe, Baby

 

Seven-piece Afro-soul band Ikebe Shakedown formed in Brooklyn in 2008. They took their name from a Nigerian boogie album (ikebe being Nigerian slang for booty).

Ikebe Shakedown are purveyors of up-tempo vintage-sounding afrobeat & R&B instrumental soul. They combine elements of 70s soul with a raw psychedelic style adding tastes of 1960s surf along with cinematic spaghetti Western soundtracks to their powerful grooves & soaring melodies.

So get up off of your ikebe & shake down...

Ikebe Shakedown - Do the Shakedown, NØ Comps, 2021.
decryption code in comments

The Prisoner
Five Points
Cover Your Tracks
Brushfire
Can't Contradict
No Going Back
Horses
Out of the Shadows
She's Knocking
By Hook or by Crook
Stone by Stone
Tames the Beats
No Name Bar
Kings Left Behind

Enjoy,

24 November 2021

Back to Trip-hop & Then Beyond into the Vacuum

 

Originally the Love Letter Boxes, then Hoover, but Hoover sucks, so they changed their name to Hooverphonic. They are a Belgian group formed in 1995. The original members are: Alex Callier - guitar, bass, mixing; Raymond Geerts - guitar; & Frank Duchene - keyboards with an ever-changing line-up of singers including Esther Lybeert, Nina Sampermans, Liesje Sadonius, Geike Arnaert, Noémie Wolfs, Luka Cruysberghs, & now Geike Arnaert again. 

 

I kinda lost interest in this band when they added all the heavy orchestration (right after 2010s The Night Before). But I listen to their older material regularly. That's eight full-length albums & numerous singles to draw inspiration from... 

 


Bohemian Laughter
Heartbeat
Shampoo
50 Watt
Club Montepulciano
Expedition Impossible
Mad About You
Jackie Cane
2 Wicky
Norwegian Stars
No More Sweet Music
This Strange Effect
Heartbroken
Every Time We Live Together We Die a Bit
Mad About You (live)

Enjoy,