On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

18 August 2011

Ride On

Crustation - Bloom was re-uploaded 08/22/2013. Enjoy, NØ.





One thing I’ve learned doing this blog is that out here amongst the byways of the Interweb there are a
bunch of wisenheimers, wait, strike that, fonts of wisdom. I’m calling out to all you Brainiacs around the globe. Riddle me this: What ever became of Bronagh Slevin (musickally mostly...I don’t mean I want to invade her privacy or anything...I not a stalker)???

Crustation was a trip-hop band, formed by Ian Dark, Stig Manley & Mark Tayler, three producers from Bristol. In the 80s they had played in bands with Adrian Utley of Portishead. In a later incarnation of Crustation they collaborated with vocalist Bronagh Slevin. In 1997 they released their only full length album Bloom, under the moniker Crustation with Bronagh Slevin.

After that, the trail of Bronagh becomes sketchy at best.
Below is a picture of her at a Gala student reading Saturday 26 May, 2007.



Carrie Etter presents
a Gala Student Reading
at The George
in Bradford on Avon
with creative writing students
from Bath Spa University
& The Poetry School.














There is a track on Up, Bustle, & Out’s 2010 Soliloquy album, "Luminous Fragments" featuring Ms. Slevin. That’s about all I can discover. Can someone please fill in some more information? Any Irish readers that have the skinny? Musick insiders in the know?

Crustation w/ Bronagh Slevin - Bloom, Jive Records HIP 184, 1997.
decryption code in comments

Side A -
Hey
Purple
Close My Eyes
Face The Waves
Reverie
Side B -
Down Down
Falling
Flame
Life As One
Ride On

Enjoy,
NØ

Thanks to loyal musick lovin' visitors, I've got a fresh half dozen.
As always, decryption code in comments.

15 August 2011

Aztec Ascent

Update : This post was re-uploaded 08/25/2013. Enjoy, NØ.

Something to listen to while reading, if you so desire.


White Car - No Better ep, Hippos in Tanks 4-song 12" HIT002, 2010.
decryption code in comments

Side A -
No Better
Feel Hunt
Side B -
Spread Split Slap
Reality Beat
plus extra non-ep bonus track
No Better (Gatekeeper Freundshaft remix)

& now on with Story Time

Saying things didn’t start too well on this mini-tour, this southwestern soiree, would almost be a joke if any of us were inclined to laugh about it now, but we’re not, so... We just threw this tour together on our own, calling friends & bars, using phones & maps, counting our shekels & busting our piggy banks. I’ll admit, on paper it looked good...really good...BOOK OUR OWN FUCKIN’ LIFE good...this is IT...what a life.

L.A. went smooth as Ex-lax. We played Hell’s Gate. We’ve played there before & they seem to like us all right...at least they don’t throw shit. Hell’s Gate...what a hole. But just the hole we needed to feel our creepiest & play our freshest. Damn, we even got paid $86 so we all fooled
ourselves into believing it was the (false) portent of good future.

Outside of Mesa, AZ...the first problem with our van. The true Mother of all our van problems to follow. Just something simple, right, no problem. The fan belt breaks...& wraps around the fan...& bends the fan...which gouges the radiator. I cut free the fan belt, straighten the fan blades, crimp closed the leaks in the radiator coils with some needle-nosed pliers we just happened to have... BE PREPARED (yeah). Dirt & I hitch to the nearest town/gas station for a new fan belt & more beer, leaving Slag & Pete to keep watch over our gear in the 100o + van. Soon belt, beer, & on our way. Get to the Mesa show late & have to play last. Maybe three people stay for our set after The HeadLiners finish. We’re hot, greasy, & tired. We couldn’t really give a flying fuck about this late night ‘practice’ session, but we give it all we’ve got & then some. The three who stayed liked us. Also, Sean, the punk who hooked us up for the gig, really appreciated the effort & could relate to our road woes. He let us park the van in his driveway. Next day when we finally joined the living, we all got showers & breakfast courtesy of A Righteous ‘Zonian. He even gave us $20 for gas. Thanks, Sean!

50 miles from Durango, CO. More van trouble. Seems the fan shaft had become bent when the fan belt broke. The bent shaft ruined the water pump. Then the water pump froze-up, the fan sheared off & this time devoured the radiator to such a degree that first aid was not going to help. Pete shagged a ride to the nearest phone. Called a tow-truck in Durango to come & get us. Put it on some bad plastic he was burning up. We rode in the van on the back of the tow-truck into Durango (highly illegal but way cool, just sailing alone with no one driving, no one even looking outside. We cranked up the tunes & smoked out. Left the van at a garage in Durango & went to check out the club where we were playing. Turns out the owner is some cowboy redneck shit-kicker. He informs us, thumbs in suspenders & pistol on desktop, that the show has been changed to tomorrow. By the time we get back to the garage after hassling with Cowboy Roy, the place is closed & locked up. The van & all our gear out of reach, locked in tight, well-fenced & guard-dogged. We go back to the club & using our nicest manners, threaten Cowgurl Pearl into putting us up for the night. He finally agrees to let us stay in the club. After it closes at 2:00am, the cleaning crew (bartender [redneck], waitress [redneck’s sister/wife] & bar-back [Hispanic]) take another hour of extreme noise terror & merciless CW mu-sick-sick-sick bombardment. We feign sleep until the dogie-punchers vamoose. Then we help ourselves to an enormous amount of the club’s beer & liquor supply. We drink ourselves to oblivion. We crack our eyelids about 2:00pm & head back to the garage. They’ve already replaced the water pump, the fan, & the belt. They’re just getting ready to put in the used radiator they found at a Pick’n’Pull. Before long, we rolling again...now totally broke. Back to the club. Cow-owner, none too thrilled with our bar tab...informs us that The College Radio Stars who were headlining tonight have canceled so now it’s a free show. No pay. Gas money. $15. We were burning but we were broke. We couldn’t refuse. We couldn’t revenge. All we could do was play our best & pass the hat. We collected $21, sold two T-shirts for $10, & three cassettes for $9 for the huge total of $55. Luckily our next gig was in Aztec, NM, only 120 miles away.

Aztec is where our fortune changed for the as they say better. I don’t want to sound totally bonkers. I don’t want anyone to think my time on the road finally drove me completely insane, but I have to believe it was a direct result of the sacrifice. Normally, I’m the last person to fall for that supernatural mumbo-jumbo. I live in the Here/Now & revel in my own reality. But I saw what happened that night & have experienced all that has transpired since. It is of that sacrifice which I now speak.

Aztec, New Mexico (the Land of Enchantment). Nestled serenely in the arms of the Sangre de Cristo Mountains. Yes, the Blood of Christ mountains. Aztec. Population 6384. Never played a town this small & not at all certain as to the outcome of this venture. We call Zarak, our contact in Aztec. He sounds genuinely enthusiastic if a bit ‘spacey’, but gives us precise directions to his place. He lives on the outskirts of town in a place that used to be a chicken ranch. It’s called The Chicken Ranch. No, really. We find our way to The Chicken Ranch with no problems & are warmly greeted by our host, Zarak. He led us to the bunk-house, which though Spartan, was clean. It afforded us the luxury of spreading out more than van floor or bar booths had thus far. He told us to come up to the main house after we got settled in & washed up. We could discuss plans for tomorrow night’s full moon extravaganza. We unpacked our sleeping bags & back-packs, washed up, smoked a few dubes, then headed up to the house.

Right away Zarak starts smoking us out. Huge hookah bowls of his personal-grown Indo mixed with native Peyote. He had home-made cactus liquor to drink. Before long, the long road was falling away behind us. He started telling us about his plans for this show that he was putting together up on this ridge above the town. Under the full moon. The ridge was a holy Anasazi place. Supposed aliens landed there in 1948. Zarak’s got his own generator. He’s invited thousands of acquaintances. He wants us to really get into it, be the soundtrack to this dream of his. He’ll pay us $1000. He’s going to sacrifice a virgin & eat her heart. We’re all righteously fucked-up. Bound into the web he has woven with smoke & drink & magick. It sounded huge & radical. It sounded fierce. Dangerous. We unanimously agree. We wake up the next evening from our drugged debauch to the sounds of progress. 15 or 20 people are loading equipment & supplies into an old ex-military half-track with the generator loaded on a trailer behind. The show is on. We follow the growing convoy of vehicles to the ridge above Aztec & near the stage find parking in the dust-swept lot. The next hour is a buzz & blur of activity. Zarak comes by, thanks us & pays us in advance for playing. He gives us a generous supply of weed & peyote & cactus liquor. Tells us he wants us to start the show just as we see the moon coming over the horizon.

At first I’m not positive it is the moon coming up. I’m so high. But Dirt, Slag, Pete, & I all vote. We decide it’s time to get the show started. We stumble onto the pale moon-washed dimness of the stage. With a sudden gigantic surge of feed-back we go live, we rip into the start of “Howling at the Moon”. There are several thousand people staggered around the ridge & ancient ruins. The only lights are from our equipment, the moon, & eyes glowing in the night. The moon & the power of the place, the sum of this one moment in time carry us to greater heights. We play as we know we can.

Some time unmeasured later, out of our drug/musick rush of joy I notice torches approaching the stage from the distant darkness. The torch-bearing procession parts the crowd of revelers much as Moses must have parted the Red Sea of lore. A masked High Priest leads a smiling maiden in virginal white to the front of the stage. The musick swells to touch the moon. The moon shines in the midnight sky. The virgin laughs a laugh caught by the microphone & amplified above the cacophony. The knife blade flashes in the wavering torch light. A dripping hand raises high, holding a still beating heart. Zarak throws back the High Priest’s mask. He sinks his teeth into the throbbing organ. I see his scarlet liquid grin in the spotlight moon. I see our musick caress the moon. I smell incense & jism. I smell brimstone & funk. I hear the multitude baying on the night breeze. My fingers are bleeding on my bass strings, but still there’ll be more.

We awaken in our van, alone. We drive around Aztec but can’t seem to find The Chicken Ranch. No one we ask in Aztec has ever heard of it. They all look at us extremely weird. We try Zarak’s phone but the number is no good.

But the $1000 is good. & our next show in Taos, NM is sold out. Word about the Full Moon Show is on every lip. Everyone seems to be expecting a sacrifice. A riot ensues. We’re asked back the following night for double the cash. Another sold-out performance. Plus all our T-shirts & cassettes are sold. It’s just grown from there. Great gigs. A recording offer. $$$. We’ll be back in Sacramento in about two weeks. We’ll see how it goes at home. Slag, Pete, & Dirt all say they vaguely remember eating some raw heart. I tell them it was just the drugs, but... Who knows. Just glad I’m a vegetarian. I’ll never sign on that dotted line. Oh, no.

Enjoy,
NØ

12 June 2011

The Demise of Drop.io...much belated

UPDATE: This post was re-uploaded 05/11/ 2014. Enjoy, NØ.


Anyone that knows me, knows I’m always late to the party. I don’t really socially network. I have my own small circle of friends & it’s enough for me. I don’t have cable TV, I don’t read the newspaper, I don’t listen to FM radio. I’m not totally oblivious, mind you. If events are really important to the planet or humanity, I somehow am aware of them by some weird quantum osmosis that I am unable to explain, either to you or myself. I believe it is imagicknation.

I am really bad at checking comments on my old posts. Somehow through the process of avoiding wage slavery I have entered a state where I have absolutely no unused time, so scheduling time to go back through hundreds of year(s)-old posts checking for new comments is low on priority. I’m sure there’s some more computer-savvy method than physically searching each post in the edit mode, but I’m a Luddite at heart. Beside that, it takes time to learn how, time, as I mentioned above, I don’t seem to have.

Well, when I was checking for new comments late last Sat. nite/Sun. morn, I found numerous searchers letting me know that links I had uploaded to the elegant file sharing service Drop.io were no longer working. Being Nothin’ if not diligent, I googled 'the demise of Drop.io'. About 3,960,000 results in 0.17 second. Late again to the party indeed.

It turns out that Drop.io was purchased by ever-loving Bookface, that on December 15 last they ceased to exist, & bye-bye files. Yes,
"Facebook bought Drop.io & its creator Sam Lessin (who helped Mark Zuckerberg out in early days). So this simple purpose-driven space for our stuff (what else do we need?) that seemed so secure (even the phrase 'Drop.io Drop' contains its own redundancy) had to go away, along with all of the files we put there."

I am now in the process of of re-uploading said files. I am starting with the files actually requested by searchers. I will try to get to everything eventually, but if no one wants it, or at least can’t communicate that they do, well...

Thanks to whSonic & some anonymous other(s). Some of this is on Mediafire & some is on Megaupload. They both have various good & bad points, but are both free. I didn’t want to put all my eggs in one basket, as they say.

I’ve got a Audio-Technica AT-LP2D USB turntable, a better cd player, & better ripping software & devices since I posted this stuff, so I re-ripped everything, all 320Kbps. All in all these files should be better than the originals.

Here’s what’s done so far:
Dyan Diamond - In the Dark
Knuckleheads - Ain’t that America
The Mops - Psychedelic Sounds in Japan
P - P
The Beacon Street Union - The Eyes of...
The Twits - The Twits
Venus & the Razorblades - Songs from the Sunshine Jungle
Steel Pole Bath Tub - European Son/Venus in Furs 7"

plus there was a request for :
Some Cocktail Suggestions..from Steel Pole Bath Tub

Boner Records BR42-1, 1994.
all decryption codes in comments

Side A -
Ray
The Living End
Slip
Side B -
Hit It
Speakerphone
The Wasp Jar

& since posting the SPBT I had acquired their
Tragedy Exstacy Doom & So On 2X7"

Steel Pole Bath Tub - Tragedy Ecstacy Doom & So On,
Genius Records geni R017, 1995.

Side A -
Home is a Rope
Side B -
I Want it Now
4 Barrels
Side C -
Alice, pt. 1
Side D -
Alice, pt 2

that I thought I’d include as a bonus.

Enjoy,
NØ

15 May 2011

Was he a man or was he a Maus?

UPDATE: This post was re-uploaded 10/05/2013. Enjoy, NØ

Carl Gustav Jung put forth the theory of "temporally coincident occurrences of acausal events."

In my years on this planet, I have observed that the more deeply in-tuned one is with this so-called life, the more often these "occurrences"...well...occur.

Recent case in point that spawned this rant.

I was watching 30th Century Man the other night (the 2006 film about singer & musickian Scott Walker né Noel Scott Engel, once a part of the Walker Brothers...the fact that they were not brothers & were not Walkers was very kool).


The movie made me think of the Walker Brothers third & final album, Nite Flights, & that I had not heard it for a long while, which I soon remedied. As I was listening to it, I was thinking...what a perfect piece of musick. I know that the Brothers, especially Scott, had become increasingly less enthralled by the bands TeenScene image & that rather than being a unified effort, Nite Flights was in fact separate showcases for where each Brother was at at that juncture in time. However, I am greatly at odds with most reviews of this work.

(example - "Actually the first four tracks are the only ones worth mentioning - the 6 after were composed by the other two members, the whole a very disjointed reunion album. Considering, the last tracks might have made for a decent album on its own, but Mr. Scott's compositions cast a very large shadow on everything around him..." )

Most heap on the praise, justifiably, for the first four tracks by Scott, & more often than not relegate the remainder of the songs to the cut-out bin. I personally believe that all the songs are best when viewed as whole cloth. While no cuts here come close to the power of Scott's "The Electrician",

(another critic - "But the real darkness descends with The Electrician. A nightmare evocation of US-backed torture squads in South America, this dialogue between torturer and tortured is part intense humming of evil, part south American getaway holiday theme - and if you want to gauge how far the group had come from the clean-cut romance of their '60s glory years, this is the song to go to [in the face of this uniqueness, it's probably unfair to compare the six songs included here by other two Brothers John and Gary]")

I have always appreciated every song. I am particularly partial to the last four songs, penned by John (Joseph Maus) Walker. The darkness of the titles juxtaposed with the emotion of the contents always worked for me.


This ruminating reminded me of Phallus Dei’s last release, A Day in the Life of Brian Wilson, which featured the vocals of John Walker on two of the best tracks. I had been wanting to post it up since it came out last year (in fact I had a copy of the cd in 2009)(I had done a post about it & put up one song)(it is in such limited release that I hardly see it available to purchase or otherwise).

I decided that I would post both titles using the Walker connection as my jumping off point. I went on the Phallus Dei site to check on the availability of ADITLOBW (I know the South Park punks say “Phallus Dei Sucks!”). On the site was an announcement, as follows:

"John Walker, one of the founders of the famous The Walker Brothers, lost his fight with liver cancer and passed away on Saturday, May 7th in his house in San Franciso. The music world has lost a great talent, a fantastic musician and a good friend. It was such a great honour to have worked with this great musician. We will sadly miss him. Rest in Peace, John. "


So here to change your lives, kiddies, are two aural orgasms. Don’t tell your parents I give you this stuff.

The Walker Brothers - Nite Flights, GTO (UK) GTLP 033, 1978.
decryption code in comments

Side One -

Shutout
Fat Mama Kick
Nite Flights
The Electrician
[tracks A1 - A4 by Scott (Engel) Walker]
Death of Romance

Side Two -

Den Haague
[tracks A5 + B1 by Gary (Leeds) Walker]
Rythyms of Vision
Disciples of Death
Fury & the Fire
Child of Flames
[tracks B2 - B5 by John (Maus) Walker]

Enjoy & never forget,
NØ

09 May 2011

Love them Freaks

I think I first heard about/heard this over at Mutant Sounds. I downloaded it & listened to it on a regular basis, then finally the other day I got my hands on a copy. You can try it out & if you like it, you can go over to the Freaks Amour website & get all their stuff. I was having trouble with one track & I contacted Stuart Werner from Freaks A. He e-mailed me back the very next day saying the link was fixed & telling me about another track that was corrupted that I might want to re-dl. Beyond the call of duty & very kool indeed.

Freaks Amour released this in 1989 privately on their own Nart label. Residing somewhere in the Connecticut netherworld between Pere Ubu & the Velvet Underground. Regressive...a stone-age approach to musick...grungy, simplistic noise, best when improvised. NART...that which is not art.This is an amazing amalgam of improvised psych music of guitar, found objects & some simple electronics.

Freaks Amour here: Rich Vaughan - cello, toy piano, & voice; Grant Miller - guitar; & Stuart Werner - Casio SK1 keyboards. Recorded at a live performance:April/May 1988 at WWUH. West Hartford, Connecticut.

Freaks Amour - Regressive Music for the Mind & Body,
NART RECORDS NART #9001, 1989.
decryption code in comments

Side A -
Sleep
MotherF", Incidentally
Sneaky Weasel
Where is it at, You Say?
Lavalamp

Side B -
Live Radio Feedback
Disposable Car
The Square
Noisy Mersey

Enjoy,
NØ

06 May 2011

Funk You

UPDATE: This post was re-uploaded 11/16/2013. Enjoy, NØ.


Here’s a masterpiece of magick musick FUNK!!! At times I think the perfection of the first cd is unsurpassable. I stop & listen to it over & over again. The Godzillatron funk metal of "Orbitron Attack"; the unfathomable beauty that is the cover of Hendrix‘s "If 6 was 9" & the best version ever of "Cosmic Slop"; then the disc ends with Eddie Hazel blistering the cosmos on "Pray My Soul" (listen to this with headphones, it's almost as great as "Maggot Brain"). So if you’re not sure or not familiar with this sucka, then definitely get the first disc & give it an ear.

But let me tell ya, the second disc is full of surprises. First response is often that it’s too 'thought out', with a taste of all your main funk flavors; "Sax Machine" is a Maceo Parker saxophone rave-up; "Animal Behavior" is the Mothership speaking; then the heavy "Trumpets & Violins, Violins"(another Hendrix number); the Brian Auger Oblivionesque "Telling Time"; the turntablism of "Jungle Free-bass"; & the fantastic space-funk of Blackbyrd McKnight’s "Blackout", but let me tell ya...

They start this motha up with "the freaky-deaky not the kinda freek ya wanna be freakin’ out with" "Hideous Mutant Freekz" (that I’ve featured here before) & end the side once more with the Haze blowin’ it out on the guitar on "Sacred to the Pain" with spoken word by Umar Bin Hassan of the legendary The Last Poet. If you don’t grab this cd as well, well...youse a foo!

Artwork By [Cover Art & Comix] – Pedro Bell & Seitu Hayden/Splankwerks East
"...And may we be forgiven for we know not what we've done!"
Producer – Bill Laswell

partial list of players:
Funkateers - Bernie Worrell, Bootsy Collins, Gary Shider, George Clinton, Gary ‘Mudbone’ Cooper, Maceo Parker, Eddie Hazel...

Everybodys frienz - Bill Laswell, Anton Fier, Buckethead...

fabulously famous - Herbie Hancock, DeWayne ‘Blackbird’ McKnight, Sly Stone, Bobby Byrd, Umar Bin Hassan...

Reggae dubsters - Robbie Shakespeare Sly Dunbar...

plus many, many more.

Axiom Funk – Funkcronomicon double cd, Axiom 524 077-2, 1995.
decryption code in comments

CD1 -

1-1 Order Within the Universe
1-2 Under the Influence (Jes Grew)
1-3 If 6 was 9
1-4 Orbitron Attack
1-5 Cosmic Slop
1-6 Free-bass (Godzillatron Cush)
1-7 Tell the World
1-8 Pray my Soul

CD2 -

2-1 Hideous Mutant Freekz
2-2 Sax Machine
2-3 Animal Behavior
2-4 Trumpets & Violins, Violins
2-5 Telling Time
2-6 Jungle Free-bass
2-7 Blackout
2-8 Sacred to the Pain

Enjoy,
NØ

29 April 2011

R.I.P. Miss Poly Styrene


I posted some live X-Ray Spex from CBGBs over at Digital Meltd0wn.
If you need some Marianne Elliot-Said that'll have to do.
What can I say?
What a firecracker!
All us punx, x-punx, & x-ray spex are gonna miss ya.
NØ

28 April 2011

E-mail for Everyone





This post was re-uploaded
01/01/2014.
Enjoy, NØ.















Dragged this out of the dusty vault after a friend told me about a fantastic show SL&G played March 12 at The Slaughterhouse in Berlin, Germany. Sad Lovers & Giant always had their strongest fan base in Europe, but this was their first ever show in Berlin. I think they are currently working on a new release & are also scheduled to play London later this summer (September 4th at the Purple Turtle).

The set list from their recent show:
Close To The Sea
Alaska
One Man's Hell
Echoplay
Vendetta
Man Of Straw
3 Lines
Happiness Is Fragile
Jungle Of Lies
Your Skin and Mine
Silent Decay
Seven Kinds Of Sin
Things We Never Did
Encore 1 -
In Flux
Imagination
Cowboys
Clint
Encore 2 -
Alice (Isn't Playing)
Sleep (Is For Everyone);

had much material in common with this release. The band had broken up for the second time after their label, Midnight Music, went bust. Then Cherry Red purchased MMs back catalogue & released E-mail from Eternity, a ‘best of’ compilation (on their Anagram label). It’s a great place to start if you don;t know or just want to familiarize yourself with SL&G.

Although the band formed in 1980 & their original sound was new wavish, they developed a more indie folk post-punk sound with new wavish overtones as they progressed. This release is a great place to start if you don’t know or just want to familiarize yourself with SL&G.

Anagram Records CDM GRAM 104, 1996.
decryption code in comments

Tracks -
Things We Never Did
Clint
Alice (Isn't Playing)
Art (by Me)
Imagination
Cowboys
On Another Day
Sleep (is for Everyone)
In Flux
The Best Film He Ever Made
White Russians
Take Seven
Seven Kinds of Sin
Return to Clocktower Lodge
One Man's Hell
Alaska
The Sky is a Glove
Things We Never Did (De Puta Madre live version)

Enjoy,
NØ

16 April 2011

I've been Invaded

UPDATE: This post was re-uploaded 09/02/2013. Enjoy, NØ. 

This is what I'm watchin' these days when I get a few moments to plop down my ass.


"The Invaders, alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world. David Vincent has seen them. For him, it began one lost night on a lonely country road, looking for a shortcut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy. Now David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun."


Dominic Frontiere - The Invaders disc 1, 1967.
 Dominic Frontiere - The Invaders disc 2, 1967.
decryption codes in comments

These were posted elsewhere, but the links are dead, so I took the liberty of putting them up here.

Enjoy,
NØ

14 April 2011

Been tripping out to Rob D.

This one is for Ib Sibling

 

 

Something newer than Furious Angels Enjoy, NØ

10 April 2011

American Cheese

from Zodiac (2010) by Electric Six - It Ain't Punk Rock
Enjoy, NØ

06 April 2011

Call in the CDC - I need a Docktor

UPDATE: This post was re-uploaded 04/19/2014. Enjoy, NØ.

Dub is the rub, but I been ill.
My ‘air. Dyeing. I needs Roots Control.
CDC Certified Dope.
If this Dub don’t do you, then
your not smokin’ the rite rope.
Crooklyn Dub Consortium
the Dubbiest Illest
CDC in da Hizzouse Bowie.

Crooklyn Dub Consortium - Certified Dope Vol. 1,
WordSound WSCD003, 1995.
decryption codes in comments

While I was re-uploading this file I decided to add Certified Dope Vol. 2.



Enjoy,
NØ

24 March 2011

Singers & Players - War of Words

Lotta people seemed to have enjoyed the last Singers & Players that I posted up, so here’s another one. From 1981 on 99 Records in the U.S., released the following year in the U.K. on On-U Sound. Although Bim Sherman does the vocal duties on five of the seven tunes (& never sounded finer), this is the first album by Singers & Players with Prince Far-I & Jah Woosh.

War of Words has that heavy slow dub with early dancehall influences. Bim Sherman handles the vocals on "Devious Woman," "Fit to Survive," & "World of Dispensation", great funky rootsy skankers while "91 Vibration" has echoed dub with vocals he must have phoned in from another area code. However, when Prince Far-I steps up to the mike on "Quante Jubila" a re-working of Creation Rebels 's "Know Yourself" it is a thing of beauty, the juxtaposition of the Prince’s gruff vocals with the songs emotional lyrics. If you liked Leaps & Bounds, you’re gonna really groove to this one.

Singers & Players here are: Bim Sherman, Prince Far-I, & Jah Woosh - vocals; “Crucial” Tony - guitar, bass, keyboards, & vocals; Keith Levene - guitar; Geotge Oban - bass; Lizard - bass & vocals; Ari “Stepper”, “Bigga” Morrison, Doctor Pablo, & Nick Plytas - keyboards; Eskimo Fox & “Style” Scott - drums; & Mr. Ranking Magoo - percussion. Produced, of course, by Adrian Sherwood.

Singers & Players - War of Words, 99 Records 99-02LP, 1981.
decryption code in comments

This Side -
Devious Woman
Quanté Jubila
Sit & Wonder
Fit to Survive
Other Side -
Reaching the Bad Man
World of Dispensation
91 Vibration

Enjoy,
NØ

03 March 2011

Youth Pictures of Florence Henderson

UPDATE: This post was re-uploaded 10/05/2013. Enjoy, NØ.

Anders from Youth Pictures of Florence Henderson became a friend after I posted their freshman release Unnoticed in a Tiny Town over at Digital Meltd0wn (where I also do time) & he wrote to me.

If you don't know, YPOFH is a post-rock band from Bodø, Norway. As I said over at DM, their songs are haunting & skygazing epics combining electronic elements with soothing layers of dreamy guitars & pounding yet jazzy intricate beats. It is post-rock with a pop feel laced with spoken, sung & screamed vocals. One can dance to their tunes or be lulled to sleep, they are at the same time beat-driven & dream-inducing.

Anders recently let me know that they are now on tour in the USA, heading for SXSW. They are traveling from NY to TX in March, playing concerts along the way (unfortunately they are not voyaging west to Cali). Below are their tour dates. If you live in any of these areas, go check'em out & tell'em Nathan sent ya. You won't regret it. This is their first time in the US.

MARCH 2011 Limited US Tour
07: Manhattan, NY @ Pianos
08: Brooklyn, NY @ Legion Bar (w/ Cattle Drums and Golden City)
09: Philadelphia, PA @ Millcreek Tavern
10: Ridgewood, NJ @ Tony's house (w/ A Garden Overgrown and Prawn)
11: Annapolis, MD @ Savvas' house (w/ AGO, Prawn and Sleep Bellum Sonno)
12: Harrisonburg, VA @ Crayola House (w/ SBS and many more!)
13: Wilmington, NC @ Soapbox (w/ Fractal Farm and SBS)
14: Clarksville, TN @ The Coup (w/ Deadhorse and The Ascent of Everest)
15: Shreveport, LA @ Bear's Oyster Bar (w/ Gifts From Enola)
16: SXSW (day off)
17: SXSW (day off)
18: notSXSW @ Plush (4pm) (w/ Sleep Bellum Sonno and many more)
19: SXSW @ Swan Dive (8pm)
20: Oklahoma City, OK @ Hi-Lo Club (w/ The Arts & Crafts Movement)

I've taken the liberty to post up their latest, self-titled release. Hope I don't wind up in trouble. Recorded during some hot & not so hot months late 2009 in the southern parts of Norway. 2 x CDs with a hardbound 32 page book with full color & b/w illustrations. Available in four different background color covers: Red, Grey, White (this cover) & Green.

Youth Pictures of Florence Henderson - self-titled,
How is Annie Records HIA031, 2010.
decryption code in comments

Puzzle cd -
Let's Rent Bikes from 1942
I'd Rather Listen to Weston
He Can't be Dead, I got his Autograph Last Week
To Sit Down or to Follow, So I Follow

The Detective cd -
Our Door Handles Stopped Moving Years Ago
The League Will Never let the Albino Kid Win
I Think E.T. is Involved in my Family
Scientists now Think this City is Overdue

Enjoy,
NØ

24 February 2011

R.I.P. Phil Vane

UPDATE: This post was re-uploaded 11/16/2013. Enjoy, NØ


Everyone else seems to be posting up Extreme Noise Terror or Napalm Death as a tribute to the dearly departed M. Vane. Thought I'd give a bit of OWP. Rest in pieces. Vain to the end. Take the bribe or take the bullet.

Optimum Wound Profile - Silver Or Lead,
Roadrunner Records RR 9040 2, 1993.
decryption code in comments

Tracklist -

One Head Two Eyes
Nazilover
Twisted
Crotch Metal Orgasm
Plata O Plomo
Slavetrade
Verfall
Sidewinder
Doghead
Exorcise
Lubricator
Modus Operandi
(hidden tracks)

Enjoy,
NØ

13 January 2011

Up for the Down Stroke

 UPDATE: This post has been re-uploaded 08/27/2013. Enjoy, NØ.

This is thee premier FUNK!

Parliament’s second outing, their first with Casablanca, the return of Bootsy to the Mothership (after two years along with the Horny Horns over at Godfather JB’s place). Everything is right with this slab. The critically acclaimed title cut, the funkier reworking of (I Wanna) "Testify", the poignantly hip "Presence of a Brain". & just as "Maggot Brain" is my número uno Funkadelic song, this album contains my favorite Parliament song, "All Your Goodies are Gone". That song alone propels P-Funk well beyond the adulations laid on less worthy bands like the Beatles or the Rolling Stones. Clinton & frenz are in a class of their own. The title of the album tells it all.

Parliament - Up for the Down Stroke,
Casablanca Records NBLP 7002, Dec 1974.
decryption code in comments

Side 1 -

Up For The Down Stroke
Testify
The Goose
I Can Move You (If You Let Me)
Side 2 -

I Just Got Back
All Your Goodies Are Gone
Whatever Makes Baby Feel Good
Presence Of A Brain

Enjoy,
NØ

12 January 2011

Really Freaked

So I see Randy Quaid is in the news a lot lately, & since he is one of my favorite character actors, I was wondering what all the buzz was. I found out it is great news. He is starring is the sequel to 1993s Freaked.


The movie is called Really Freaked: The Persecution Of Elijah C Skuggs. Elijah & his wife Evie are wanted by the law & are found hiding out at their old place, Freekland. After being released on a half Zillion dollars bail each, they flee the country, trying to get asylum in a foreign Dominion. Elijah has incurred the wrath of the Hollywood Hierarchy after creating his troupe of mutant Entertainers using his Zygrot 24-powered mutation device.


The Hollywood Hierarchy dispatch the insidious Hollywood Star Whackers. What ensues is an action-packed comedy/thriller. The Star Whackers follow a trail of star-studded clues in the search for Elijah & Evie, eliminating everyone they encounter as they go. They manage to kill Heath Ledger, Britanny Murphy, Chris Penn, Natasha Richardson, Michael Jackson, & David Carradine. They poison Jeremy Piven with mercury-laced tuna, launch smear campaigns against Britney Spears, Lindsay Lohan, & Mel Gibson, & frame both Robert Blake & Phil Spector for murder.

The mainstream media is quick to side with the Hollywood-written script, mocking & ridiculing the couple, attributing their defection & apparent betrayal to drug abuse. They circulate rumors that the Skuggses “snort Demerol to cure migraines”.

Then one of Hollywood’s own, publicist Ronni Chasen is gunned down in her Mercedes on a busy Beverly Hills street in broad daylight. She has left documents & photographs to be released to the World press in case of her untimely demise. The media quickly begin singing a different tune (the theme song “Really Freaked” by pedophile Gary Glitter).

I’ve probably given away too much about the film already & I wouldn’t want to ruin the climax for anyone so all I’ll say is, go out & see it yourself. You’ll love it, it’s REALLY FREAKED.

Various Artists - Freaked Un-OST, Bill & Ted Records BTR @$*%!, 19--.

Freaked - Blind Idiot God featuring Henry Rollins
Gumby Jack Flash - Paul Leary
Rip/Stop - Blind Idiot God
Butter Queen - Butthole Surfers
Hideous Mutant Freekz - Axiom Funk (PFunk, Bill Laswell, & frenz)
Sweat Loaf - Butthole Surfers
Midget Man Skank - Blind Idiot God
Cha Bump - Bald Bill Hagan and His Trocaderons
Gluehead Stomp - Blind Idiot God

Eye & Eye, mon.

Enjoy,
NØ

07 January 2011

San Francisco Blues

UPDATE: This post was re-uploaded 08/22/2013. Enjoy, NØ.






While digging through all my accumulated esoterica, I came across this forgotten tome.

Kerouac typed up the complete text for San Francisco Blues in 1961. There were 79 choruses in all. Those choruses were never published together until 1983. Before that, fragments had appeared in small magazines & some only materialized on records. Fifty four of the choruses were never published at all! Kerouac would have loved for the entire work to be published as a 'beautiful unity' as he saw it. To fill that gap in the Kerouac shelf, San Francisco Blues is here published in its entirety.

"My new book of poems SAN FRANCISCO BLUES...I wrote when I left Neal’s in March & went to live in the Cameo Hotel on Third Street Frisco Skidrow---wrote it in a rockingchair at the window, looking down on winos & bebop winos & whores & cop cars..."
--Jack Kerouac (1954)

"SAN FRANCISCO BLUES was my first book of poems, written back in 1954 & hinting the approach of the final blues poetry form I developed for the MEXICO CITY BLUES.
In my system, the form of blues choruses is limited by a small page of the breastpocket notebook in which they are written, like the form of a set number of bars in a jazz blues chorus, & so sometimes the word-meaning can carry from one chorus into another, or not, just like the phrase meaning can carry harmonically from one chorus to the other, or not, in jazz, so that in these blues as in jazz, the form is determined by time, & by the musician’s spontaneous phrasing & harmonizing with the beat of the time as it waves & waves on by in measured choruses. It’s all gotta be non stop ad-libbing within each chorus, or the gig is shot."
--Jack Kerouac (1961)

Chorus (15)
When whistlers stop scowling
Smokers stop sighing
Watchers stop looking
& women stop wailing
& worrying overcoats
When gray beards grow no more
& pain don’t take you by surprise
& bedposts creak in rhythm
Night & morn
& dry men’s bones
Are not pushed
By angry-meaning
Pelvic propeled legs
Of reason
To a place you hate
Then I’ll go lay my crowned body
On the heads
Of three men
Hurrying & laughing
In the wrong direction
My idol

Chorus (25)
For the World’s an eye
& the Universe is seeing
Liquid,
Rare,
Radiant

Chorus (35)
I also have loud poems:
Broken plastic coverlets
Flapping in the rain
To cover newspapers
All printed up
& plain

Chorus (51)
Little boys are angels
Crying in the street
Wear funny hats
Wait for green lights
Carry bust out tubes
Around their necks
& roam the railyards
Of the great cities
Looking for locomotives
Full of shit

Chorus (52)
Run down to the waterfront
& dream of Cathay
Hook spars with gulls
Of half-a-void thought


Jesse ‘Lone Cat’ Fuller - San Francisco Bay Blues,
Original Blues Classics OBC 537,1992. (re-issue of 1963 release)
decryption code in comments

Side 1-

San Francisco Bay Blues
Jesse's New Midnight Special
Morning Blues
Little Black Train
Midnight Cold
Whoa Mule

Side 2 -

John Henry
I Got a Mind to Ramble
Crazy About a Woman
Where Could I Go But To the Lord
Stealin' Back to My Old Time Used to Be
Brownskin Gal (I've Got My Eye on You)

Enjoy,
NØ

03 January 2011

As the Veneer of Democracy Starts to Fade

UPDATE: This post was re-uploaded 09/08/2013. Enjoy, NØ.


Since I started the heavy rotation of Singers & Players around here, I dragged out all the OnU Sound/Adrian Sherwood material (Skip ‘Little Axe’ McDonald, Tackhead, Mark Stewart & Maffia). This is one heavy, heavy chunk o’ vinyl. 1985!

from the OnU Sound website -

"Mark Stewart & Maffia"

"As teenage front man and mastermind of seminal Bristol post-punk legends The Pop Group (1978-80), Stewart already used his microphone as a weapon. In an era that saw public opinion and perception tainted by Thatcher, Reagan and the Cold War, The Pop Group emerged as one of Britain’s most radical exponents of new music and quickly gained notoriety well beyond the British Isles. Their until then unheard mix of punk, funk, dub, jazz and noise, countered by Mark Stewart’s scathing political slogans and lyrics (We Are All Prostitutes), easily counts among the most impressive, provocative and lasting manifestations of musical spontaneity seen, heard and experienced by the end of the 1970s.

After the group’s dissolution in the early 1980s, members of the Pop Group re-emerged in a flurry of new bands and guises: Rip Rig & Panic (featuring the then still unknown Neneh Cherry), Pigbag (with their surprise Top 10 hit ‚"Papa’s Got A Brand New Pig Bag”) and Maximum Joy. After a short stint with the New Age Steppers, Mark Stewart decided to pursue a solo career as Mark Stewart & the Maffia. His friend, On-U sound owner Adrian Sherwood, took care of production and mixed the Maffia on their various tours. With Doug Wimbish, Skip McDonald and drumming talent Keith LeBlanc Stewart recruited a truly exceptional rhythm section who had previously played with the likes of Sugarhill Gang, Grandmaster Flash, James Brown, Madonna, Africa Bambaata, George Clinton, Tackhead and many others. Considered seminal milestones by many of his peers and fans, the solo outings by this‚ godfather‘ of Bristol’s eclectic music scene blend the most diverse of genres in a unique and unconventional mix of dub, funk, punk, techno, electro, noise – spiced up with a generous dose of Stewart’s trademark political lyrics and slogans.

Albums like As The Veneer Of Democracy Starts To Fade or Learning To Cope With Cowardice have left a lasting mark on the current music scene: icons in their own right like Massive Attack, David Bowie, Nine Inch Nails, Carl Craig, Asian Dub Foundation and Nick Cave call Mark Stewart’s work a decisive influence."

Mute STUMM 24, 1985.
decryption code in comments

Side A -

Passcivecation Program & (passcivecation dub)
Bastards
The Resistance of the Cell
Untitled (Call to Mecca)

Side B -

As the Veneer of Democracy Starts to Fade
Pay it All Back
Hypnotized
Slave of Love
The Waiting Room

Enjoy,
NØ

01 January 2011

Blood Satisfaction

UPDATE: This post was re-uploaded 10/12/2013. Enjoy, NØ.
 
Well, it’s a New Year.


Hope you all got your blood satisfaction for all your funky little demons.


You can read all about it in the Wolfgang Press.

" Too sophisticated for the mainstream and too, well, arty for the prevailing underground scene of the time, any record of theirs was always going to require more than one pass to grub out the intricacies. "
----- Sam Bucca


The Wolfgang Press - Funky Little Demons,
4AD CAD 4016, 1995.
decryption code in comments

Side 1 -

Going South
11 Years
Blood Satisfaction
Chains
Christianity
Derek The Confessor

Side 2 -

So Long Dead
Executioner
She's So Soft
New Glass
Fallen Not Broken
People Say

I have added the bonus CD Funky Little Demons Mixes from the 2007 CD re-release.

Executioner (Adamson mix)
Christianity (Sherwood mix)
Going South (Adrenalin mix)
11 Years (Sabres main mix)

Enjoy,
NØ