On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

12 February 2021

A Fantastic Voyage from Oklahoma City to Dayton, Ohio to Plainfield, New Jersey

 

 Black History Month on the move.


Start in Oklahoma City...

In the South it's usually a fact that if you live near the railroad tracks or by the river, you're probably live in the bad part of town. The Moore house was built on stilts, with the river on one side & the railroad tracks on the other.

 

According to Harold Moore Sr.: He had four children, Jr. & his three sisters who had been abandoned by their alcoholic mom. Harold Sr. worked for a very rich woman who took a liking to the kids & bought them musical instruments, even paying for lessons. She made the kids a deal that if they learned how to play at least three songs she would get them a slot on some local TV telethon. The kids took to music very quickly. Within a year they were appearing on local TV.  The response was so good that the woman paid for them to record an LP but suggested they write "original" songs. This is where Harold Sr. comes in. Dad wrote all the songs that appear on the LP, with most of them being attacks on the drunken & supposedly abusive ex-Mrs. Moore… "Mama drinks Tequila / She stays drunk all the time." Once the LP was recorded & pressed, the next step was to get them in the local record stores. At least one store told Mr. Moore that they could not stock them unless they were shrink-wrapped. Harold went to a butcher shop where his brother worked. Harold used their shrink-wrap machine to seal the LPs… unfortunately, this was a high heat machine. Sr. had melted every single LP in the process. This wasn't discovered until someone bought one & took it home. All the LPs were pulled from the stores. Rather than re-press it, the woman decided to release some 45s.

These 45s were compiled to recreate the original melted LP.

Jr. & his Soulettes - Psychodelic Sounds, HMM Records SH 954-955, 1971.
all decryption codes in comments

Side One -
Thing, Do the Creep
Momma Love Tequilla
Pimp
Waw-Waw Rock
Love from Above
Flip Will
Do Your Funky Thing

Side Two -
Slow
Sweet Little One
Kewetha
Kat-Walk
Rock 'N Roll Santa
Rock Blues
Pop Junior Pop

Jr & his Soulettes: Harold M. Moore, Jr. - guitar & vocals  (age 10); Jacqueln Carol Moore waw waw organ & vocals (age 6); Vinita Marie Moore - bass & organ (age 6); & Denise Marshell Moore - drummer (age 7).

 
 
I never know how the lesson plan is going to turn out before I get ready for class. This time it was driven by a comment on the Wackies post from aboynamedstew. So mixing the classroom/roadtrip metaphor, I decided to detour to Dayton, Ohio before heading on to New Jersey.

Dayton Funk Connection

Being originally from Pennsylvania & spending much time in the musick dives of neighboring Ohio, as well as being a Funk fanadelic, Dayton Funk has always held a place in my heart.

Of course there's Ohio Players (I've posted Skin Tight over at digital meltd0wn blog). I'm giving some different tastes from FunkenTown so although the Players are sublime (& their covers even more sublime), you'll have to grab that Ohio elsewhere, player. Ditto Zapp (however I've added a tribute to Roger Troutman before I leave Dayton).

That's the easy ones, but do you all know Slave or Lakeside or Faze-O or Platypus?...

Steve Arrington of Slave:
     “Dayton's scene was all these bands that didn't sound anything alike. Ohio Players didn't sound anything like Heatwave who didn't sound like Slave; Slave didn't sound like Zapp; Zapp didn't sound like Lakeside. What we got from the Players was, we had to find our own voice. The Dayton sound was—innovation.

But they all had one commonality: Charles Spencer, a music teacher at Roosevelt High School, Dayton, Ohio.. Every band in Dayton that went on to sign a major label deal (including Platypus) had students of Spencer's in them. Spencer made his kids read music & study theory. He also staged battles-of-the-bands to raise money for the school. The funds were good for the musicians but so was the competition; it helped the players hone their skills & also build an audience.


 
Lakeside was loosely formed in 1969, on the cusp of the funk boom in Dayton. It wasn't until the late 70s & early 80s that this group really hit its stride with the hit song "Fantastic Voyage". The song hit #1 on the Billboard R&B charts, propelling the band into the national spotlight for the rest of the 1980s. Say yes.
 


Lakeside - Fantastic Voyage, Solar BXL1-3720, 1980.

Side A -
Fantastic Voyage
Your Love is on the One
I Need You

Side B -
Strung Out
Say Yes
Eveready Man
I Love Everything You Do
Say Yes (reprise)


 
Slave formed in the mid-70s in Dayton. They quickly had a hit single with their song "Slide".  They were known for their use of electric trumpet, fat bass licks, & soaring vocals. They had more hits in the early 80s like "Snap Shot" featured here. Disco funk...it's the spice of life. Smokin'.  I'm enSlaved.


Slave - Show Time, Cotillion SD 5227, 1981.

Side One -
Snap Shot
Party Lites
Spice of Life (oh Yes, You’re the Best)
Smokin

Side Two -
Wait for Me
Steal Your Heart
For the Love of U
Funken Town

This L.P. is dedicated to Allah for the Concepts of Pure Growth!!
 


Faze-O was a late 70s funk group produced by Clarence Satchell of the Ohio Players,

Faze-O - Breakin' the Funk, She Records SH 742, 1979.

Side One -
Breakin’ the Funk
Ya-ba-da-ba-duzie
I Still Love You

Side Two -
Let’s Rock
I’m Tankful
See You Through the Night


 
Platypus was a little known, short-lived disco-funk band that was active in the late 70s-early 80s.They combined their appreciation of the Ohio Players & Parliament/Funkadelic with a lot of disco gloss & occasional rock elements. Unlike the Players or P/Funk, Platypus didn't use any horns.

Platypus - Platypus, Casablanca NBLP 7171, 1979.

Side 1 -
Dancing in the Moonlight
Street Babies
Love the Way You Funk
Don’t Go Away

Side 2 -
Dance if You Can
Running from Love
Body & Soul

 
 
Zapp.  Zapp & Roger.  Roger.  He wore many coats. He was gunned down by his brother.  Tribute.


Victim of Love
More Bounce to the Ounce
Dance Floor
Do it Roger
Heartbreaker (Pt 1 & Pt 2)
Computer Love
Girl, Cut it Out (maxi-single)
Fire
Thrill Seekers (extended remix)

 
 
Now were finally headin' for Plainfield & I feel the pull of the Mothership.

I've posted plenty Funkadelic nectar here & here & here & here, & elsewhere...you can search it out if you want it. Here's some close family representing.




Parlet - Invasion of the Booty Snatchers, Casablanca NBLP 7146, 1979.

Side 1 -
Ridin’ High
No Rump to Bump
Don’t Ever Stop (Lovin’ Me, Needin’ Me)

Side 2 -
Booty Snatchers
You’re Leaving
Huff-n-Puff

Parlet began as: Jeanette Washington (in 1975 she joined Parliament with...);  Debbie Wright (the first female members of Parliament & Funkadelic); & Mallia Franklin (also vocalist with Parliament-Funkadelic who introduced George Clinton & Bootsy Collins in 1971 as well as bringing ex-Ohio Player Junie Morrison to P-Funk in 1978).  Here Parlet is: Jeanette Washington; Shirley Hayden (replacing Debbie Wright): & Janice Evans (replacing Mallia Franklin).

 
 
 
These last two are not really Funk...they're Funk & Punk & Rock & Roll & Soul & Blues & Rap & Poetry & Jimi & they're all P-Funk. This is a Black History lesson for all who will listen. Last days for the revolutions of Jimi. Don’t crash & burn.

Blue Dog Records PCD-2827, 1994.

Scuse Me While I Kiss the Sky - John Sinclair with Ras Kente
Purple Hazel - Eddie Hazel
Pleasure With the Dirt Devil - Blackbyrd
Positivity - Michael Hampton
Look Now Baby James Glass & the Get to Gettin’ Band
Fly On -  Blackbyrd
Reflections on Jimi Part 1 - George Clinton
Funky Kazoo - Michael Hampton
The Wind Cries Colors - Ras Kente
Get to the Gettin’ - James Glass & the Get to Gettin’ Band
Future Past - Randall & Allen Lynch
Should’a Known - Randall & Allen Lynch
Reflections on Jimi Part 2 - George Clinton
Debbie Does the Voodo Child - Point Blank

Thanx Jimi - Andre Foxxe
Return of the Gypsy - Johnny Graham
Oh Say Can You See, the Red, the White, & the Blues - Johnny Graham
Father forgive Um - Mud Bone Cooper & Michael Hampton
Jimi Why D-U Have ta Go - Dee Dee "Dirty Mugg" James & Bootsy's Rubber Band
Revolutions of Jimi - Bootsy Collins
Jimi Why D-U Have ta Go (dance version) - "Dirty Mugg" & Bootsy's Rubber Band
Future Equations - The Darryl Plummer Band
What You Gonna Do? - Ras Kente
Fishin; da Sea - Menace
I Need a Man - Menace
Last Days - Menace
Crash & Burn - Andre Foxxe

Both volumes recorded New Orleans, Lousiana; East Detroit, Highland Park, Michigan USA 1994.

Funk On!

10 February 2021

Let’s Move on to Jazz

 

In keeping with the Black History Month theme...Jazz.

 

Jazz originated in the African-American communities of New Orleans, Louisiana in the late 19th/early 20th centuries, with its roots in blues & ragtime.



 

As I like my reggae Dubbed & my funk(psych)Adelic, I like my jazz Free. Free your jazz & your mind will follow.

 

Jazz was always a break-through for improvisation in music & thus created freedom. Yet jazz was mired deeply in a swamp of strict structures. Free jazz broke free from that morass into an open space of  "free tonality" in which meter, beat, & formal symmetry no longer applied.

 

The first major stirrings came in the 1950s with the early work of Ornette Coleman (whose 1960 album Free Jazz: A Collective Improvisation coined the term).

 

So in honor of breaking free from formal symmetry, I'll both start & end this chapter with the O.C...Sir Ornette Coleman.


Lotus LOP 14.074, 1980.
all decryption codes in comments


Lato 1 -
Lonely Woman
Monsieur le Prince

Lato 2 -
Forgotten Children
Buddah Blues

The Unprecedented Cast: Ornette Coleman - alto saxophone, trumpet, & shanai; Charles Haden  & David Izenzon - bass; & Ed Blackwell - drums. All written by Ornette.

 




side A -
Don's Dawn
AY

side B -
ITT

NY E & E Crew: Albert Ayler - tenor saxophone; Don Cherry - trumpet; John Tchicai - alto saxophone; Roswell Rudd - trombone; Gary Peacock - bass; & Sonny Murray - drums.



Another one from ESP 1966...


side A -
Strange Uhuru
Lacy's Out East

side B -
Three Spirits
Black Mysticism

 



Anthony Braxton - News from the 70s, Felmay fy 7005, 1999.


Composition 23E
Composition 8C
Composition -1
Composition -2
Composition 8G
Four Winds



Caravan of Dreams Productions CDP85001, 1985.


Side 1 -
To Know What You Know
Harmolodic Bebop
Sex Spy

Side 2 -
City Living
See-Thru
Compute

The Prime Time Crew: Bern Nix & Charles Ellerbee - guitar; Albert MacDowell & Jamaaladeen Tacuma - bass; & Denardo Coleman & Sabir Kamal - drums.



Enjoy,

06 February 2021

Lovers Rock Wackies Style

 

Black History Month


 

 

As the beloved Morgan Freeman sez: "I don't want a Black History month. Black History is American History."   But the greatest thing about Black History Month is that it is a time when the culture & contributions of African Americans take center stage. These contributions are highlighted in a variety of cultural institutions including theaters, schools, libraries, & museums. Nowhere are the contributions of African Americans more greatly showcased for me than through the voices of Black Musick.

 I have decided to concentrate my efforts this month on some of their music on this forum. Hope you enjoy.

One Draw



 





Since DUB is my lifeblood & Lloyd Barnes' studio at 4371 White Plains Road, Bronx, NY was probably the very first DUB studio in the USofA, good place to start this thing. 

 

I’ve covered a great deal of Wackies output here or here or here in the past.



 

 

The key to Barnes' Bullwackies sound was his unique use of relatively humble tools: a moog synthesizer; a DI box for that distinctive quaking bass: & a big Ampex machine for his eight track tape recorder (this machine now finds a home in the Les Paul Museum). Slight but significant innovations were also made with a special booth constructed for the recording of the drums which Lloyd covered in tailored padding & aluminum foil. Somehow, the process created a sound that still transcends.


 

I'm gonna start at the beginning, with the first album, Wackies #1...



all decryption codes in comments

Side A -
Addis Ababa Dub
Rock Ago Rock
Undying Dub
Freedom Dub
Gem Rock Dub

Side B -
Wackies Rock Tune
Mozambique Trial
Always Dubbing
Betrayers Call
This Exit



Roots Underground - Tribesman Assault, Wackies Senta-L-0038, 1977.

Side A -
High Times
Makka Root
Tribal Rock
Dread Feeling
Wrong Cord

Side B -
Shotgun Skank
Disco Reggae Rocker
Black Brigade
Tribesman Assualt
Open the Gates (K.C. White & the Love Joys)
 
 

Side A -
There You Are
Sing & Shout
Jah Don't Like That
Hey Lady
Joy, Joy

Side B -
I Gave You Love
Dancing in the Rain
Mash Down Babylon
Back to Africa
All Things
 


Most of the rest of these are with non-JA, US-based artists 
 
 

Joe Morgan & Reckless Breed - Basement Session 7", Bullwackies Records Senta-0033, 1976.
 
Side A -
Basement Session

Side B -
Basement Scrub
 


Joe Axumite - No Equal Rights in Babylon, City Line Records SENTA-2004, 1978.

Side A -
No Equal Rights in Babylon - Joe Axumite

Side B -
No Equal Rights in Babylon (version) - Bullwackies All Stars
 


Itopia - Creation, Wackies-272A, 1981.

Side A -
Creation

Side B -
Creation Dubwise version
 


Itopia - Message from Jah, Wackies-273, 1981.

Side A -
Message from Jah

Side B -
Message from Jah Dubwise version
 
 


Junior Delehaye - Showcase, Wackies W-1382, 1982.

Side A -
Love
(I Love You) For All Seasons
All I Need is Jah

Side B -
Travelling Man
Sitting in the Park
Your All I Need (Movie Show)
 
 


Love Joys - Lovers Rock Reggae Style, Wackies W-2383, 1983.

Side A -
One Draw
Long Lost Lover
Stranger

Side B -
Let Me Rock You Now
Chances Are
All I Can Say
 
 


Jah Batta - Argument, Wackies W-2395, 1983.

Side A -
No Meat
Ten to Seven
Argument
I Don't Want to Wait
Mi Black

Side B -
Youthman School
Hold on 'Pon the Woman
Informa (Watch It)
Youthman Time
Out a Reach
 
 

Side A -
Brass Pipes
Rockfort Rock
Drum Song
Song Maker

Side B -
Pie Song
African Rootie
Music Man Rock
Version Pipe


 
& a few scattered left-overs...
 

Mango Walk (Dubwise version) - Chosen Brothers
Working Hard for the Rent Man - Junior Delahaye
Roots Rock Special (extended version) - Wackies
Gimme Back (Part 2) - Love Joys w/ Wackies Rhythm Force
Movie Show Dubwise - Bullwackies All Stars
Mystic Revellation - Junior Delahaye
March Down Babylon version - The Chosen Brothers


 
Let's end with Bullwackies All Stars one more time...scratching guitar & scorching street stride bass rhythm & horn, the kind which usually accompanies the deadpan cool of some mustachioed, ball-busting, honkey-slapping Blaxploitation vigilante. A surprisingly balanced mix of DUB & funk released on Aires, one of Wackies many sister imprints.
 

Side A -
Skin Tight Part 1

Side B -
Skin Tight Part 2

Enjoy,

30 January 2021

Mobilize the Lumpenproletariat

The Lumpen Proles were a punky new wave band from Albany, New York.  

 

 

They only released one 7" single "She Wasn’t Home" b/w "Positive Thinking" in 1983 on No Crust Records. They had a few tracks on various compilations ("World in Darkness" on the Live at 288 comp recorded in September 1983 at the notorious 288 Lark Street, Albany & "You Can't Forget (alternate intro)" on the 1982s Hudson Rock comp. 

 

 

The band featured: Scot Gray - lead guitar & backing vocals; Josh Vincent - bass & vocals; & William S. Rella - drums & backing vocals.



I dug up this recording of a live show they preformed in Albany summer 1983.



Lumpen Proles - Live in Albany '83, NØ Comps, 2021.
decryption code in comments

It's Not the Same
She Wasn't Home
Room 355
Play for Today
In America
Worlds in Darkness
You Can't Forget
Soldier
People are Temperature
I Can't Wait

Bootlegs, babee.

Enjoy,

29 January 2021

Until All Our Lights Combine

Long time since I played the Bills redux...since when aeoplanes were dragonflies.



Earlier today I posted up Channel Light Vessel's 1994 release Automatic. This is a project that included Bill Nelson along with Roger Eno, Kate St. John, Laraaji, & others. I realized I had previously posted it elsewhere on this here mess so I removed it & am going to remedy that omission right now.

 

 

I have never really posted up Be Bop Deluxe but someday plan to get around to their five disc opus Futurist Manifesto - The Harvest Years 1974-1978. For now I'm posting up a live show from Chicago in 1976 covering the Sunburst Finish era material. However, that being said...non-Sunburst "Bill's Blues" will fix whatever ails you.



Be Bop Deluxe - Live at the Riviera Theater, Chicago, 1976.
all decryption codes in comments

Fair Exchange
Stage Whisper
Life in the Air Age
Sister Seagull
Adventures in a Yorkshire Landscape
Maid in Heaven
Ships in the Night
Bill's Blues
Blazing Apostles

Bill Nelson - guitar & vocals; Andy Clark - keyboards; Charlie Tumahai - bass & vocals; & Simon Fox - drums.


 

I posted Getting the Holy Ghost Across elsewhere. This is a set of remixes of  "Because of You" from that album. (I tacked on the original album track for your listening pleasure.)



Bill Nelson - Because of You remixes, Portrait RAS 2568, 1986.


Side 1 -
Because of You (Popstand remix)

Side 2 -
Because of You (Nailed to the Dub version)
Because of You (Dubbed to the Drums version)

bonus: Because of You (original album version)


 

Now here's a taste of 21st Century Bill.

2008 saw Nelson caught up in a flurry of composition. By July he had completed sixty four tracks which he split up between this release & Clocks & Dials. These are the more vocal-oriented tracks. This is some of the very finest music from one of my all time favorite guitarists/songcrafters. Believe me when I say that's quite a statement about someone with William Nelson's body of work. This is so very, purely...dare I say it..Bowiesque. I can't really say enough about this. Just give it a listen. You will not be disappointed.


Welcome to Electic City
Once I Had a Time Machine
Summer Hums in the Bee-Loud Glade
Frosty Lawns (Snowballs & Oranges)
God Glows Green in Small Town Park
My Empty Bowl is Full of Sky
When Aeroplanes Were Dragonflies
Night is the Engine of My Imagination
The Old Nebulosity Waltz
Help Us Magic Robot
Time’s Quick-Spun Globe
Fountains are Singing in Cities of Light
The Emperor of the Evening
I Saw Galaxies
Until All Our Lights Combine
Heaven is a Haunted Realm
Golden Melodies of Tomorrow
Golden Coda (Farewell to Electric City)

Fare thee well.

Enjoy,

23 January 2021

The Marcel Shimmy

 

Like a musical chameleon, Kramer completely shed his pop/indie skin for his next two solo releases, which were both commissioned by John Zorn for his new Tzadik label.

Coming first in 1998 (& featuring the extraordinary contributions of violist Deni Bonet) Let Me Explain Something to You About Art comprises three compositions that take the listener deep into a Proustian world of memory, loss, & longing. A wholly unsentimental meditation on aging & an imaginary soundtrack for the dying, it is quite possibly Kramer's most emotional work; an internal journey that begins in a world we all recognize as our own but ends in a Kubrickian landscape as alien to us as the final scenes of 2001; A Space Odyssey.

John Zorn stated, "Kramer has now come into his own as a composer."

Kramer - Let Me Explain Something to You About Art, Tzadik TZ 7119, 1998.
decryption code in comments


Umberto D
Odds Against Tomorrow
Jupiter & the Infinite

Next are the Greenberg variations.

Enjoy,

 note: Anyone following these latest ramblings might want to hear The Fugs with Kramer on bass. You can pick up a great one: The Fugs - Songs from a Portable Forest over at Zero G Sound. If you do, tell’em Nathan sent you.

 NØ

Hardcore Shimmy

 

 

The latest request for additional Shimmy, this go-around is some art noise from Belgium. Thanks to hardkor for the ask.



Perverted by Desire is a Nieuwerkerken, Limburg, Belgian experimental noise rock band formed in 1984 as the perverted love-child of a number of experimental projects (Ensemble Jean Dumoulin, Ah-Rates, Cadavre exquis, & Manifobia). For the first 5 years their only releases were self-released cassettes distributed among friends). During this period the band played a few rare performances.
    
After a few line-up changes (Bo Lemaître - bass & Genis Ugly - vocals) their first album Dance Music for Dying Soldiers was recorded in 1989 at the Amsterdam Cow Rental Company studio . The overall reception was overwhelmingly positive & the band's initial uncertainty turned into self-confidence.

 

For the second release, La Sigla del Sadico Esperto, Kramer was hired as producer. Kramer's efforts resulted in a harder, more devastating record full of hidden sounds & blaring feedback.
    
For the third album the group went to Kramer's Noise New Jersey studio. Technically the band's growth advanced both in terms of recording facilities & musically. Although Kuvun Huuto was not a million seller, both  the musical press & hardcore perverted music lovers were thrilled.

After the album Kuvun Hunto the band name was shortened to Perverted.

The Band:  Genis Ugly - baby toys, shaking eggs, latin drum, synthesizer, tapes, guitars, & vocals; K. Rel - keyboards, slide guitar, vocals, & guitars; Bo Lemaitre - glockenspiel, bongo, tapes, backing vocals, & bass guitars; with Anne Kahelin - backing vocals & cow bell; Guy A3Aensen - slide guitar, backing vocals, congas & cowbell; Kramer - fuzz bass, jazz bass. & Hamond organ; Babi 'Bungy Wungy' Olatungi -congas; Steve Watson - synthesizer, enthusiasm, & energy; Nasser - snare drum & rattle; & J.M.H. Berckmans - voice.

Perverted (by Desire) - Kuvun Huuto, Shimmy Disc Boot 5, 1993.
decryption code in comments

01 Fin*Einde
02 Riddle
03 Boris
04 Y. A. Til Une Vie Avant la Mort
05 Kesytetty
06 M Nr
07 This Is How The Story Goes
08 Wasn’t It Our Turn 2b Hyped?
09 Song for Sinead
10 We All Drove Away Whistling
11 Fuga? Si! No Means? No!
12 Witch on a Horse With Devil
13 Red Lorry Story
14 5 Teenagers Drowned
15 Music to Shop By
16 Riddle (Reprise)

Once more back to Tzadik.

Enjoy,

The Rutland Shimmy

 

 

Another Shimmy request, this time from flojo23. Rutles cover tunes by the army of Shimmy bands. Great choice. Glad to oblige.

The Rutles sprang forth in a Rutland Weekend Television spin off called All You Need is Cash, a pseudo-documentary that quickly gained cult following. On the strength of the TV movie, several recordings were released featuring Eric Idle, Ricky Fataar (ex-Beach Boy [Holland period]), John Halsey (ex-Timebox, Patto, & more), Ollie Halsall (ex-Timebox, Patto, Boxer, & again many more), led by musical director & song writing genius Neil Innes (ex Bonzo Dog Doo-Dah Band & Monty Python).

You don't necessarily have to know the recordings of The Rutles to appreciate this collection but that does add to the overall enjoyment. There's a lot of diversity on these covers: prog; folk; punk; avant-garde; electronica; & outsider. They all add depth & fire to Innes's clever Beatlesesque parodies.

Various Artists - Rutles Highway Revisited (a Tribute to the Rutles),
Shimmy Disc shimmy-00000000000000000000000000000000000000000041 ,1990.
decryption code in comments

Side A -
Cheese & Onions - Galaxie 500
Hold My Hand - The Pussywillows
Number One - Bongos, Bass, & Bob
Good Times Roll Lida Husik
Another Day - Dogbowl
Piggy in the Middle - Das Damen
I Must Be in Love - Syd Straw & Marc Ribot
Nevertheless - Joey Arias
Let's Be Natural - When People Were Shorter & Lived Near the Water
Between Us - Unrest

Side B -
Ouch - Peter Stampfel & the Bottlecaps
Blue Suede Schubert - The Tinklers
Living in Hope - Tuli Kupferberg
Baby Let Me Be - Daniel Johnston
It's Looking Good - Uncle Wiggly
Goose Step Mama - Shonen Knife
Get Up & Go _ Jellyfish Kiss
Doubleback Alley - King Missile
With a Girl Like You - Paleface
Love Life - Bongwater

Soon off to Tzadik land.

Enjoy,

Dead Pink Shimmy

 

Kramer's third solo LP (& final part of the trilogy), Songs from the Pink Death, is a dark, deeply introspective look into the subterranean world inhabited by the artist's own inner demons. More atypically, more brutally evocative than either of his previous solo ventures, this features heartbreaking ballads alongside impactful sonic statements defining Kramer's labyrinthian inner landscape. This release is aided immensely by the musical contributions of ex-Galaxie 500 drummer Damon Krukowski & ex-Luna guitarist Sean Eden, each of whom showcase some of their career-best work on this LP.

Kramer - Songs from the Pink Death, Shimmy Disc SHM-502, 1998.
decryption code in comments

The Funny Scene
Buddy Holly Will Never Die
The Opium Wars Have Long Ceased
Don't Come Around
The Parasite Song
The Pink Death Song of Love
It Never Stops Being Absurd
Eddie Called Back on the Carphone
You've Got To Hide Your Love Away
The Hot Dog Song
It's Alright if She Don't Love You Right

Next, let me explain something to you about art.

Enjoy,