On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

10 February 2013

Once was a Good Samaritan in Cali




I’ve posted Black Humor’s Love God, Love One Another in the past. Finally in late 2011, Superior Viaduct had the smarts to reissue this lost treasure. Well Dan Houser of Black Humor also plays guitar on this Good Samaritans 7”. Bob Pittman released a single “I Just Do/Wanderer” on Fowl Records in 1984 co-produced by Dan Houser & with lead guitar on “I Just Do” by another member of Black Humor, George Miller. Patty Costa , the vocalist here, sings Black Humor’s “Neo-Hippies”, Marc Berndt plays drums in both bands, so you get the whole Black Humor/Good Samaritans incest thing, right.

Good Samaritans are: Patty Costa – vocals; Dan Houser – guitar; Bob Pittman – guitar & vocals; John Anderson – bass; Marc Berndt – percussion; Darvin Bowen – saxophone; & Sara Tyson – backing vocals.


decryption code in comments


Side A: Dotted Line
Side B: Nightmare Theme

Enjoy,


09 February 2013

Homme de beaucoup de chapeaux



Jean-Pierre Massiera (at board) & Bernard Torelli (right) at Antibes Studio 16
 
Jean-Pierre Massiera's name should be familiar to anyone into heavy duty psych/prog/experimental musick. Composer, arranger & producer extraordinaire, JP is a shadowy figure involved in much of France's most arcane musickal output. He had a hand in everything from Visitors's surrealist sympho-prog & Horrific Child's deranged rock to J.P.M. & Co.'s discombobulated disco & his pinnacle achievement, 1968s studio project Les Maledictus Sound (a holy grail in French underground musick).

Jean-Pierre Massiera was born in Nice. Early on he was a guitarist with two local rock bands in the sixties, Les Milords & Les Monegasques. From there he gravitated to the recording studio, becoming a noted sound engineer, involved in various ways with the French rock scene in the sixties, seventies & eighties. As early as 1966, he had opened his own eight-track studio in his home town, recording some of the pioneers of the local rock scene there such as: Les Pyranhas, with drummer André Ceccarelli, later to become a well-known jazz artist; & the female singer Jessie Joyce. In 1972, he opened his new 16-track studio at La Fontonne between Nice & Antibes, which became known as the Azurville studio (a.k.a. Antibes Studio 16).

Bernard Torelli is half-brother of Jean-Pierre. Bernard had been guitarist in numerous outfits & Jean-Pierre naturally asked Bernard to participate in planned Antibes Studio 16 ventures. Bernard accepted enthusiastically, having his own ideas for new projects & compositions.

Turn Radio On is illuminated by Torelli’s funk/rock guitar work & Massiera’s phenomenal studio wizardry. Many Antibes 16 alumni guest on this mélange of musickal marmalade. “Turn Radio On” TRO’s opening track is a perfect slice of funky 70s R&B. From there this album somehow touches on: popcorn disco; Earth, Wind, & Fire style soul/jazz fusion; syrupy orchestral dance tuneage; blaxploitation soundtrack; Village People Indian tomfoolery; pseudo-classical; & acoustical folk funk. “Radio Galaxia” offers up some twisted French cosmic Funkadelic slop while “Special Night” is all sci-fi hi-jinx. There something here for everyone to dig. Ya gotta love this OOP treasure.
Massiera-Torelli – Turn Radio On, Marcy Music – 27 12 76 002, 1976.

Side A:
Turn Radio On
Help Taxi
Whistler Program
Knock Out
Chicaccordios
Quelquepart Quelqu'un

Side B:
Radio Galaxia
Indian Duck
Concertrim
5/4 Connection
Special Night
Radioscopia

Enjoy,

Time to Come Clean




I suppose I don’t really need to go to any great lengths telling you all about The Clean. Formed in Dunedin, New Zealand by brothers David (guitar) & Hamish (drums) Kilgour. After a few line-up changes, the brothers K settled on Robert Scott as their bass player. The band was the forerunner of NZ punk. They are practically the reason why the phenomenal label Flying Nun came into existence. Their sound is unique, combining elements as divergent as surf rock, pop, dub, psychedelia, kraut rock, & punk. They influenced myriad bands such as Sonic Youth, Yo La Tengo, Pavement, Guided By Voices & many, many more.

The Clean’s Syd's Pink Wiring System is made up of material recorded in 2000 (tracks 1-9 recorded live at Sammy's, Dunedin, NZ on 13 Oct 2000 for a live Broadcast from Dunedin by KFJC 89.7 FM Foothill College, Palo Alto, CA. - 10-11 recorded live at Arc Cafe, Dunedin, NZ on 7 Nov 2000) & was released to help support the bands June 2003 US tour. The music here is chameleon-like, mesmerizing, improvisational…variations on many of their best tunes. This release is currently OOP.


 The Clean – Syd’s Pink Wiring System, Cleano Records cleano 0001, 2003.
decryption code in comments

Tracklist:
Fish
I Wait Around
Hold on to the Rail
At the Bottom
Point That Thing Somewhere Else
Do Your Thing
Quickstep
Crazy
Side On
Stars
Jala

Enjoy,





07 February 2013

Light, Traps & Exploding Wires




 Naux was Juan Maciel. He died on February 8,2009 after a prolonged illness. Naúx is pronounced ‘nah-ooj’, based on the reversed spelling of his first name. Naúx was a guitarist for Richard Hell’s Voidoids during the Destiny Street sessions & was a co-founder along with bassist Steve Cohen of China Shop.  China Shop has enjoyed a retrospective digital download release from Anthology Recordings, but Naúx's solo album remains a vinyl-only rarity. 

Light, Traps & Exploding Wires is a rather obscure & rare LP from the New York no wave collective named here simply Naux. This record was the second release on the Noise New York label, recorded at Noise New York studio located on 34th Street above La Polpetta (the Meatball), owned by Frank & Dwight Eaton. It has all the hallmarks of No Wave: jagged guitar lines; funky bass lines; lyrics about alienation; & an all-around artiness. It features some of the New York No Wave scene’s finest.

Richard Horowitz & Sussan Deihim would go on to release exquisite albums of synth-heavy Western/Middle Eastern fusion; Fred Maher was the original drummer in Material as well as playing with the Voidoids; Robert Quine is well-known as Richard Hell's main guitarist & for his guitar work on Matthew Sweet's "Girlfriend"; Mike Allison continues recording today under the moniker Darshan Ambient; & Steve Cohen has played with Mike & Naux in Nona Hendryx’s Zero Cool & China Shop (with a young Richard Edson) . 


Naux – Light, Traps & Exploding Wires, Noise New York NNY 002, 1982.
decryption code in comments


Side One:
Mammoth Tarpits: Naux – guitar & synthesizer; Mike Allison – bass; Frank Eaton – synthesizer
Forget Just Once: Naux – guitars & vocals; Mike Allison – bass, Charles Wood – drums
Don’t Know Love: Naux – guitar, bass, synthesizer, & vocals; Mike Allison – guitar; Jay Dorfman -                                               Roland 808synthesized drums             
The Tiger Waits for Me: Sussan Deihim – vocals; Naux – guitar, bass, synthesizer, & vocals; Frank Eaton –                                        synthesizer; Charles Wood – drums
Too Much Sex: Naux – guitar, bass, synthesizer, & vocals; Steve Cohen – synthesizer
The Dance of Conflict: Naux – guitar, bass, & vocals; Cliff Williams – bass; Richard Horowitz – synthesizer;
                                   Douglas E Bowne – drums & congas

Side Two:
Sounds & Daughters: Naux – vocals; Kevin Fuller – guitar; Mike Allison – bass; Frank Eaton -                                           synthesizer; Steve Cohen – synthesizer; Jim Allington – drums
Transmissions: Naux – guitar, bass, synthesizer, & vocals; Richard Horowitz - synthesizer; Charles
                      Wood – drums, percussion,  Kevin Fuller – percussion
Atlantis: Naux – guitar & vocals; Mike Allison – guitar & vocals; Steve Cohen – bass; Jim
             Allington – drums & vocals,
Face to Face: Naux – guitar, synthesizer, & vocals; Robert Quine – guitar; Jim Allington – drums
World Without End: Naux – guitar, synthesizer; Brian Cullman – synthesizer; Frank Eaton – synthesizer;
                               Jim Allington – drums
Info sheet lists phantom track "Time Zones" between A6 & B1
(though this goes unexplained…it is on vinyl??? after all).

Enjoy

This Ain’t Bubblegum




I’ve wanted to post some Bazooka Joe for quite some time. Their two 7” eps Pastor of Muppets & Send in the Klowns are both great energetic political punk from 1988-1989. I saw them at a house party in West Oakland with some of the same bands on the compilation featured here today. I got to hang out with the band & the two Darryl (or Darel)s were super cool. I got a cloth patch from them that has adorned many long-gone pieces of apparel, yet the patch lives on. 


Bazooka Joe are from Myrtyle Beach, South Carolina. The band’s members were deeply involved in the punk scene in Myrtle Beach & the Carolinas, bringing some of the first touring punk acts to their area. Formed in 1987, they play throughout the South & also did three national tours before disbanding in 1991.


I knew that the Joes had re-grouped a few times in the ensuing years. I just found out that they played at the annual Rockers Reunion this past Thanksgiving, are now planning on recording some new material, & might be re-releasing their first two eps. In the hopes that it might be true, I won’t post up that material, but will give you all a taste of their sound anyhow. They have appeared on a few compilations, most notably Maximum Rock’N’Roll ‘zines They Don’t Get Paid, They Don’t Get Laid, but Boy Do They Work Hard &  Very Small Records/Too Many Records What Are You Pointing At?, the latter which I’m posting up today.


Very Small Records was a very cool Bay Area (CA) independent record label formed in 1989 by David Hayes, also co-founder & former co-owner of Lookout! Records. In 1994 Hayes changed the name to Too Many Records but then in 1997 changed it back to Very Small Records. Very confusing/ Too many names.

Bazooka Joe are: Darel Watts – vocals; Darryl (Derelict) Cook - guitar; Sean Sheely - bass; & Mark Holt – drums.

All the other bands on this comp. are excellent. I posted Econochrist here before & everyone is surely aware of Screeching Weasel & Dissent, if not the rest. I am not ignoring them or selling them short…this just happens to be about Bazooka Joe.



Second pressing – black & white cover, black vinyl, 1770 issued in1994 on Too Many Records, which is just Very Small Records by a different name.
Decryption code in comments

Side A:
Take
Tooth Itch - Econochrist

I Wanna be a Homosexual
Kamala’s too Nice – Screeching Weasel

Die Robot Die
11:40
Rich Boy – Vapor Lock

Side B:
Peanut Butter
Punching Bag
Governmental Parasites
Chamba – Schizoid

Typical
Meathouse – Dissent

Do What You Can
Ignorance
Morals – Bazooka Joe

Outro

Enjoy,


04 February 2013

Let Me Be Your Servant




About time I post up some punk rawk here. 


Today’s serving is the band Ludovic from São Paulo, Brasil. Ludovic formed in 2000 with: Jair Naves - vocals; Edward Square – guitar; Ezekiel Underwood – guitar; Fabio Sant’anna – bass; & Julio Santos – drums.

They began playing local house shows & hole-in-the wall ghetto clubs, strictly in the best of DIY punk tradition. Soon their notoriety grew through word-of-mouth & they were playing some of Brazil’s largest festivals.

Ludovic released a self-titled ep in 2001, then Servil(Servant) in 2004, & Idioma Morto (Dead Language) in 2006. Servil is the release that really solidified their following, showcasing their unique style while hinting at some of their probable influences (Mission of Burma & Black Flag to name two). Their sound is raw, fast & intense. At the time, this album made many Best of… lists. It also garnered the band the 2005 Independent Music Dynamite Award for ‘best album in indie rock”. While Idiomo Morto may be the bands most accomplished & polished release, Servil has a much rougher, less produced style more approaching the band’s live sound.


Ludovic – Servil, Teenage in a Box, 2004.
decryption code in comments

Tracklist:
Você Sempre Terá Alguém A Seus Pés
Teoria E Prática Na Voz De Um Veterano Ofegante
CVV
Vane, Vane, Vane
Boas Sementes, Bons Frutos
Nós, Os Milionários
Repetição Insignificante
Ombro A Ombro
Tolice
Servil
Mais Um Vexame Para A Minha Coleção

Enjoy,

03 February 2013

Bugs Fuckin' Bunny



 
The Fatima Mansions took their name from a crumbling Rialto, Dublin housing estate. They were formed in London in 1989 by the acerbic Cathal Coughlan, who had recently emerged from the demise of Microdisney, & he teamed up with guitarist Andrias O'Gruama, bassist Hugh Bunker, drummer Nick Allum & keyboardist Zac Woolhouse.


Viva Dead Ponies was released in 1990, when TFM’s sound was transitioning from a more synthy sound to a more guitar driven style. Their musick has been described as ‘Vitriol delivered in a smooth package with a poisonous soft centre’. Cathal Coughlan’s singing is unique & he's a clever songwriter as well, with more than a touch of Scott Walker.

VDP starts off with “Angels Delight”, whose light poppy intro lulls you in, then kicks you in the head with some absolutely vicious lyrics. Then the band comes in with musick that knocks you backwards onto your angelic ass. The album continues from here, alternating between dark & darker bitter pop.  This is a high point for the edgy, assaultive Fatima Mansions.


Viva Dead Ponies was re-released under a short-lived reissue program by Kitchenware Records/Warner Music (UK) under exclusive license of Sony/BMG Music Entertainment (UK) Ltd. in the UK & Europe in 2007. It is once again out of print, but you never know about corporate greed, so you better get it while you can.

The Fatima Mansions on Viva Dead Ponies are: Cathal Coughlan - vocals & keyboards; Andrias Ó Grúam - guitar; Hugh Bunker - bass; Nick Bunker - keyboards; Nick Allum - drums & guitar; with Kenny Davis - accordion & Dame Alison Jiear - additional vocals.


The Fatima Mansions - Viva Dead Ponies, Kitchenware Records‎– KWLP 15, 1990.
 decryption code in comments

Side A:
Angel’s Delight
Concrete Block
Mr. Baby
The Door-to-Door Inspector
Start the Week
You’re a Rose
Legoland 3
Thursday
Ceausescu Flashback
Broken Radio No. 1
Concrete Block

Side B:
Look What I Stole for Us, Darling
Farewell Ontario
The White Knuckle Express
Chemical Cosh
Tima Mansio Speaks
A Pack of Lies
Viva Dead Ponies
More Smack, Vicar

The tracklist on the back cover of the album is different from the tracklisting on the record. Above is the order the songs actually appear on the record..


Enjoy,





02 February 2013

All is Not Quiet inside Soviet France



:Zoviet*France: is a prolific ambient industrial music group formed in 1981 in Newcastle upon Tyne in Northern England. :Zoviet*France: , like The Residents, practice the theory of obscurity, never indulging in the cult of personality so prevalent in today’s culture. Unlike The Residents, who have used their anonymity as their image, :Zoviet*France: have chosen to remaim primarily anonymous. They don’t use their images on their musick or to promote said works. They believe that the musick should stand on its own. Of course in the thirty plus years that they’ve been around, certain names & photos have surfaced: including Robin Storey, who now records as Rapoon; Mark Spybey, who now records as Dead Voices on Air; Peter Jensen; Andy Eardley; Paolo Di Paolo; Lisa Hale; & Neil Ramshaw. Presently they feature Ben Ponton & Mark Warren.


They play their own personal brand of tribal/ritual musick. Their musick, consisting of droning textures set against tribal rhythms & fleeting dissonant melodies, made up of neglected sound sources: obscure radio broadcasts; toy instruments; instuments they have made themselves from found or pilfered materials; often heavily processed or looped. Over time their sound became increasingly electronic and computerised.

The packaging of their early works was extraordinary; records were released in burlap, roofing shingles, aluminium foil. Tapes in creosote-soaked muslin or ceramic boxes with bird feathers from a plutonium accident site. Their CDs have been more standardized, but occasionally included felt, decorative pins, & wood veneer.

Soviet France - A Flock Of Rotations (Rare original 1987 UK Red Rhino label 12-track vinyl LP) is housed inside a thin paper sleeve. Includes an additional heavier paper foldout sleeve with artwork by Robin Storey & Ben Ponton adorning both sides plus artist/album info on inside. "Soviet France musicians present A FLOCK OF ROTATIONS: a Congress of talking animals; a collision on the horizon…"


 Soviet France – A Flock Of Rotations, Red Rhino Records ‎– REDLP68,1987.
 decryption code in comments

Side Ring Accelerator, Collieshangie Cailin:
IO!
Drive
Skritha
Slide
Drifan
Mandrel

Side Line Accelerator, A Nest of Cocks:
Skratte
Irken
Ions Collis
Luh
Luh Windan
Dream Hole

Enjoy,

Portrait of a Sister




Here’s a kinda rare one. PhoenixHairpins is the only place listed that had this sucka, & it’s no longer available there. The Indian Feast were from Switzerland. This is the only release I can find listed anywhere for them. Released on the small Swiss label Helvete Underground. It’s kinda industrial light / post-punk musick. Coupla covers here: “Loneliest Person” by Pretty Things & “We Must Bleed” by The Germs. Not much more to say but  give it a listen. 

The Indian Feast - Portrait Of A Sister, Helvete Underground-HEND 85003, 1985.
decryption code in comments


Side A:
The Time is Now
100 Sacred Needles/ Soldiers of the Dark
S/S Traces

Side B:
We Must Bleed
Burning Cathedrals/Catechism
Loneliest Person

Enjoy,

31 January 2013

Marcel, Da Campiest




LHOOQ was an electro trip-hop band from Iceland. The band is named after a work of art by Marcel Duchamp. In 1919, Marcel Duchamp drew a moustache & goatee with a pencil on a post card reproduction of Leonardo's Mona Lisa. He named his work "L.H.O.O.Q." This, when read aloud in French, gives "Elle a chaud au cul", which means something like "She has a hot ass."

This is some smooth trip-hop in the Morcheeba or Olive vein with sexy vocals by Sara.
"A Day Lasts Forever", "BEM", & the instrumental "Peeping Tom" are particularly good.

LHOOQ are: Sara Guðmundsdóttir – vocals; Pétur Hallgrímsson – guitar; Guðni Finnsson - bass guitar; Jóhann Jóhannsson – keyboard;  & Arnar Geir Ómarsson - percusion. They issued only one EP called I Don't Want to Know (Bogus)  & this album called LHOOQ in 1998.


LHOOQ ‎– LHOOQ, Echo ‎– ECHLP 22, 1998.
 decryption code in comments
Side A:
Losing Hand
A Day Lasts Forever
Darkness
Take Me Away
Missile

Side B:
Calling Me
I Don’t Want to Know (Bogus)
More to Life
Bem
Peeping Tom

Enjoy,

29 January 2013

Now I Want Tom Trocoli's Dog




Tom Troccoli’s Dog was an SST band featuring: Black Flag roadie Tom Troccoli –guitar; Greg Ginn – bass; & SST hanger-oner Dave Claasan - drums. This album may be a low point to faithful SST fans, but the album contains undoubtedly the best ever Dylan cover. Tom's Dog’s rendition of “Girl From The North Country”, with John Doe of X being the Johnny Cash to Troccoli’s Bob Dylan is one of the finest Dylan covers I’ve ever heard. Another great song on this record is also a cover, a version of Lightnin’ Hopkins’ “Play with Your Poodle”.  Don’t confuse TTD with SST, this is more Grateful Dead than Black Flag, but choose your own poison. Just something that doesn’t seem to be available that might be worth checking out.


                                          TOM TROCCOLI’S DOG – s/t LP, SST 047, 1985.

Side A:
Sucide
Orcanese Faretheewell
Davo’s Boogie
Katie & Elmo
So Long
Slow Dancing

Side B:
Girl from the North Country
Play with Your Poodle
Camarillo
Todo Para Mi
Patience

decryption code in comments
Enjoy,

27 January 2013

The Bhopal Disaster





Union Carbide Productions was a Swedish rock band formed by: Ebbot Lundberg – vocals; Patrik Caganis – guitar; Björn Olsson – guitar; Per Helm – bass; & Henrik Rylander – drums; in Göteborg. They were a bunch of thuggish-sounding, Stooges-inspired pounders playing a fusion of psychedelic rock & punk rock, a bit angrier, closer to stoner rock than The Soundtrack of Our Lives (the band that emerged from the ashes of Union Carbide Productions). There are few bands who employed the Stooges primal riff - thud'n'noise better than UCP. With a background in Göteborg 's richer suburbs, the bands members built an image of lost & alienated yuppie kids on a hunt for kicks, somewhere in a fictive world between nothing to lose & adulthood’s rules. Their musick was fueled by the rampaging guitars of Patrick Caganis & Bjorn Olsson, topped off by  the half-octave, node-encrusted vocal growl of Ebbot Lundberg.

These are the original mixes completed in Chicago in 1992 & produced by Steve Albini. These are not the remixed & partially re-recorded tracks released on the RADIUM 226.05 Records label version of the album SWING which was done by Union Carbide Productions following their return to Sweden that same year.  These recordings are taken direct from the uncut DAT masters. There are two bonus tracks taken from the same session. The track “Doing Time” was previously released only as a B-side on the High Speed Energy single released in North America exclusively on the Pistpuppet label in 1993. The track “Get Riddley” is from the same session & is previously unreleased. Also included are two live tracks recorded in Europe & some closing words from Ebbot.

This may be an ‘authorized bootleg’ & it may not be available in print now, but if you’re interested in this, you might want to get it quick. Scandinavian psychedelic garage rock played the way it was meant to be played.   


Radium Records 084-98312, 1993.
decryption code in comments

1. Hey Steve!
2. Waiting For Turns
3. High Speed Energy
4. Anytime
5. Solution
6. Turn Off The Blues
7. Chameleon Ride
8. Doing Time
9. Mr. Untitled
10. Right Phrase
11. How Do You Feel Today?
12. Gameboy (raw mix, not completed)
13. Beefhead (raw mix, not completed)
14. TV Spiders
15. Get Riddley (previously unreleased)
16. Glad to Have You Back (live)
17. Here Comes God (live)
18. Bullshit

Enjoy,

23 January 2013

Trying the Privacy Thang!

levelofdetail left a comment over at Go Fuck Your Music Reviews asking for a possible re-upload.

I've been fishing around for a reliable file server in the clouds these days, ever since the untimely Big Brother attack on Kim Dotcom's haven in New Zealand & the wanton destruction of millions of legal (& illegal, to be sure) files. MegaUpload had been easy & reliable.

Then the fear spread like wildfire. Mediafire suspended my account for no good reason. I had no DMCA incidents. In fact, only twice in this blogs history had artists even requested that I delete files (Van Morrison & Rodney Bingenheimer), which I did immediately. Mediafire's reason was simple fear. Since then I have tried more than a dozen other options (Depositfiles & ZippyShare being the best so far).

Then on the one year anniversary of the attack on MegaUpload, Kim Dotcom & company launched a Privacy Project...MEGA. I have high hopes for its success. We all shall see.

I have re-upload levelofdetail's request to MEGA. Try it out if you choose. You'll have to check the comments on the original post to get the decryption key. The only seeming problem so far has been that MEGA uses HTML5. Now all current browsers say they are, well...current, but MEGA recommends Google Chrome. With it, everything seems quite good. They even provide a download of Chrome from their site, or you can get it from Google or many other sources.

Give it a try. Let me know. Keep your fingers crossed. There may be hope for LEGAL file sharing yet.

Enjoy the NEW privacy!

11 January 2013

Hoping Third Time's a Charm


 

dms left a comment over at Invisible Chains letting me know that the Invisible Chains link is no longer active. I have uploaded it twice in the past, here's hoping that the third time is a charm. I had indicated to dms that I would do it Thursday night, but time keeps on slippin' (as is said) into the future, so here it is, Friday night, but done now. You can get it here or there if you are interested in the original post or you can go here if you want to read the re-up post. So many choices, what to do? Well, you could just...

Enjoy,

10 January 2013

Violence Against Women is Global

UPDATE: This post was re-uploaded 09/14/2013. Enjoy, NØ.





Sakine Cansiz, one of the founding members of the Kurdistan Workers’ Party or PKK & the organization’s first senior female member, along with two other Kurdish women, Fidan Doğan (of the Brussels based Kurdish National Congress) & Leyla Söylemez, were found executed today in Paris. The executions took place as the Turkish government is negotiating with PKK leaders in Turkey. It appears to be the action of persons within the Turkish government that wish to destroy these negotiations. The PKK is hated by many hard-line Muslims because they advocate full emancipation for women. Part of their party’s platform states:
     “All laws reflecting male domination should be annulled. Violence against women, all forms of control on women’s bodies and lives resulting from outdated custom and traditional habits and bride’s price should be forbidden.” (KKP Program, 2003)
This program of the PKK is in stark contrast to the harsh anti-feminist positions of the Islamic capitalist governments of Iran, Turkey, & Iraq. Yet despite these sexist human rights positions, Turkey is still an ally of the US.

Many of the Kurds know that their national interests will never be served by the “liberating” forces of Turkey & Iran or British & American imperialism. This will only be established by the Kurds themselves, by the alliances they build with other anti-imperialist forces. British imperialism divided Kurdistan, a country with its own unique language & culture, into a minority inside the nations of Iraq, Turkey, Syria, & Iran. Today the Kurds are the largest nation without a homeland in the world. Imperialism, with its motto of divide & conquer, never has & never will solve the Kurdish question. A free & united Kurdistan will only be born through a sweeping socialist revolution that overthrows the capitalist regimes of Turkey, Iran, Iraq, & Syria while challenging the military dictates of the United States.

decryption code in comments 





02 December 2012

My Gov, My Soul

Anonymous wanted this re-upped. Great choice. If you are looking for anything else by Bo Qu, let me know. I have most of their many releases. You can get this here or there.

Enjoy,


01 December 2012

Sayonara Syria




Anonymous has declared cyber war against the embattled Syrian government just one day after the country sparked outrage by shutting down its citizens’ Internet access. As Network World reports, Anonymous has vowed to attack “all Web assets belonging to the Assad regime that are NOT hosted in Syria” in retaliation for the country’s suppression of its citizens’ digital communications. Anonymous said that the Syrian government’s actions were particularly rash because it had “physically severed the fiber-optic & coaxial cables coming into Syria” which is “not damage that can be easily or quickly repaired.” The hacker collective said its first target will be a website belonging to Syria’s embassy in China.

Anonymous is attacking Assad in response to the Internet shutdown. Anonymous is *not* attacking Assad in support of the Free Syrian Army.

‘Anonymous Operation Syria –
Press Release Thursday –
November 29, 2012 7:00 PM ET USA

Greetings World – 

Today, at precisely 10:30 AM ET all Internet traffic into & out of Syria ceased. Within a half hour of this sudden shut down, the PBX land-lines were degraded by 90% & Mobile connectivity was degraded by 75%. The nation of Syria has gone dark. & Anonymous knows all to well what happens in the dark places. 

Anonymous has done an exhaustive analysis of the Internet shut-down in Syria & we have concluded that the Syrian regime has physically severed the fiber-optic & coaxial cables coming into Syria. Essentially, they have physically "pulled the plug out of the wall". As we discovered in Egypt, where the dictator Mubarak did something similar - this is not damage that can be easily or quickly repaired. Fortunately, Anonymous has been working with Syrian activists for well over a year in anticipation of this moment. 

We produced & disseminated the Syrian Care Package - http://bit.ly/Wxx0ev & there are emergency independent media centers already set up in every city of Syria. Activists & independent journalists in Syria will be able to utilize these media centers to get news & media out of Syria, & Anonymous will assist in propagating that media to the world. Anonymous will keep open the lines of telecommunication with the free Syrian people. We will be the voice of the voiceless in Syria. 

"When your government shuts down the Internet, shut down your government." ~~ Anonymous Egypt

Anonymous will NOT allow this massive violation of the human rights of the free Syrian people go un-punished. We feel this is a desperate move by a dying regime, one that has slaughtered tens of thousands of innocent civilians. Beginning at 9:00 PM ET USA Anonymous will begin removing from the Internet all web assets belonging to the Assad regime that are NOT hosted in Syria. We will begin with the websites & servers belonging to ALL Syrian Embassies abroad, which we will begin systematically removing from the Internet tonight. 

Our first target will be the website of the Syrian Embassy of in China: syria.org.cn - we encourage the media to follow the Twitter account @OpSyriaIRC for announcements on take-downs, defacements, data dumps, E-Mail bombs and black fax attacks. By turning off the Internet in Syria, the butcher Assad has shown that the time has come for Anonymous to remove the last vestiges of his evil government from the Internet. Soon, his people will remove him from this world. Let the final battle for a free Syria begin.... 

We Are Anonymous 

We Are Legion 

We Do Not Forgive 

We Do Not Forget 

Bashar Assad, your turn has come - EXPECT US’

decryption code in comments 

18 November 2012

Ding Dong & Ho Ho

UPDATE: This post was re-uploaded 01/12/2014. Enjoy, NØ.

Although Hostess is blaming the Bakery, Confectionery, Tobacco Workers & Grain Millers International Union (the BCTGM) for their demise, here is the truth:

Hostess first entered bankruptcy in 2004 after a failed restructuring attempt. During this first bankruptcy, which lasted 4.5 years, BCTGM local unions & members at Hostess (then IBC) agreed to significant wage & benefit concessions that brought Hostess wage rates below national competitors.

Beginning in 2003, Hostess began closing production plants, thrift stores & consolidating driver sales units, resulting in major loss of employment for the unionized workforce. Before this first Hostess bankruptcy, the BCTGM represented more than 10,000 Hostess workers. That number is now approximately 5,00 due to plant closings.

Reports suggest Hostess saved $110 million because of concessions its unionized workforce took. The money was NOT reinvested in the business.

In 2009, Hostess Brands emerged from bankruptcy as a private company controlled by a private equity firm (Ripplewood Holdings...shades of Bain???) & two hedge funds (Silver Point Capital & Monarch Alternative Capital...Romney economic policy in real-time practice). The new ownership promised to focus on brand building, modernize its plants & trucks, & invest in new technology that other baking companies were employing. Instead, aging trucks & plant machinery were not replaced. New technology was ignored. The company's debt continued to grow & its sales continued to decrease.

In 2011, the company was floundering & again demanded major concessions from unionized members.

Workers refused additional givebacks. Hostess filed for bankruptcy for the second time in January 2012.

In bankruptcy court, Hostess retained one of the top law firms in the nation (Jones Day...guess they can afford that) at ludicrously high hourly rates & attacked its union contracts. Hostes demanded:
  • An immediate 8% wage reduction;
  • The shift of at least 20% more health care costs onto its employees;
  • Elimination of the employees' W-1 (retiree medigap insurance) & P-Plan (a pension supplement used to pay health & funeral costs);
  • Closure of additional plants (10 - 12), refusing to tell the union which plants are profitable, which plants will be closed, why, etc.;
  • Elimination of the eight-hour work day.
Outside of court, Hostess unilaterally stopped paying its pension obligations (that is its hourly contributions to the workers' pension funds), in violation of Federal labor law. The BCTGM filed multiple complaints with the National Labor Relations Board against the company for doing this, among other reasons. Those charges are currently in litigation. In the meantime, workers have not earned additional pension time for any of 2012.

Since 2004, the company has closed 21 plants, costing thousands of workers their jobs. The following plants were closed during the first bankruptcy: Grand Rapids,MI; Milwaukee,WI; San Pedro,CA; Monroe,LA; Buffalo,NY; Miami,FL; Charlotte,NC; New Bedford,MA; San Francisco,CA (2); Davenport,IA; Lakewood,WA; Los Angeles,CA; Pomona,CA; Glendale,CA; San Diego,CA; Decatur,IL; Jamaica,NY; Akron,OH; Columbus,OH; & Rock Island,IL.

Hostess is not & will not be viable: If Hostess had emerged from bankruptcy under the latest plan, it would still have had too much debt, too high costs, & not enough access to cash to stay in business for the long term. It would not have been able to invest in its plants, in new products, & or in new technology. Yet they are blaming their closure on the striking union...

but since 2002, Hostess has had six different CEOs. None of them have been successful in turning the company around. Instead of planning to share in the sacrifices the workers were forced to endure, the BCTGM learned that the Hostess CEO was awarded a 300% raise & at least nine other top executives were awarded raises ranging between 35% & 80%.

decryption code in comments

Enjoy,

04 November 2012

Angelic Movement

Anonymous wanted this re-upped. Well, here or there.
Enjoy,