On any post, if the link is no longer good, leave a comment if you want the music re-uploaded. As long as I still have the file, or the record, cd, or cassette to re-rip, I will gladly accommodate in a timely manner all such requests.

Slinging tuneage like some fried or otherwise soused short-order cook. Embiggening the earholes

From Buttholes to Europop, from Loons to Bassoons.

10 February 2016

Finally, Some DUB Again

This bashy offering is from mi key Dub-fanatic Jonder. I wanted his compilation to be the first Dub of the new year here. Let’s get wit da rockas & have us a bangarang, bwoys.





The website skysaw.org is an invaluable resource for the adventures of Adrian Sherwood and his merry men. The site's Rhythm Directory reveals that a number of songs released by the On-U collective known as Singers & Players were also issued in Dub versions, mostly on albums by Dub Syndicate. Dub Syndicate was a collective as well, with Lincoln "Style" Scott the only consistent member from 1982's Pounding System through 2015's Hard Food (released a few months after Scott's death). Five albums credited to Singers & Players were released by On-U between 1981 and 1988.

Like the Jamaican producers who inspired him, Sherwood remixes and reuses his source material, issuing new dubs and versions often re-titled and credited to different artists. Over 250 rhythms have been traced back to their original On-U recordings by the dub detectives of the Rhythm Directory.

Singers & Players In Dub is a mix that alternates S&P songs with their corresponding Dubs, as identified in the Rhythm Directory. For me, listening to the songs in this order heightens my appreciation of the talented singers, the musicians of the Dub Syndicate, and the inspired madness of the man behind the mixing desk. Thanks to the host of skysaw.org and its contributors, and respect to the late Style Scott, Prince Far I, Mikey Dread and Bim Sherman.
                                           
Jonder Underneathica



Devious Woman - Singers & Players featuring Bim Sherman
Last Sane Dream - Creation Rebel/New Age Steppers
Fit to Survive - Singers & Players featuring Bim Sherman
Threat to Creation - Creation Rebel/New Age Steppers
Bedward the Flying Preacher - Singers & Players featuring Prince Far I
Pounding System - Dub Syndicate
Dog Park - Singers & Players featuring Prince Far I
Hi Fi Gets a Pounding - Dub Syndicate
School Days - Singers & Players featuring Mikey Dread
Ascendant Part 6 - Dub Syndicate
A Matter of Time - Singers & Players featuring Bim Sherman
Substyle - Dub Syndicate
Snipers in the Street - Singers & Players featuring Congo Ashanti Roy
Drainpipe Rats - Dub Syndicate
Boof Um Baff Um - Singers & Players Feat. Delroy Cat
Boof Um Baff - Dub Syndicate - Boof Um Baff

Thanks Bredda Hope…
Enjoy All,



03 February 2016

Residents Unknown





I previously posted up another entirely different sort of offering from C.W. Vrtacek (Ver – tass' – ik) & Dancing Lessons called Monkey on a Hard Roll. Here's another tastee morsel of wonderful insanity.

I found this over at the strangely different now Willard’s Wormhole from someone tagged Zed (no #s any more???). Thought I’d share it with ya'll.

From the tape insert:

"This is a parody. A parody is a satirical imitation of something. This is an imitation of the underground recording group The Residents. It is in NO WAY connected with or authorized by The Residents, Ralph Records, or the Cryptic Corp.  It Is also in NO WAY representative of my own musical output, which can be heard on the award winning, #1 album "Victory Through Grace" and the forthcoming "Days And Days" (which is different from "Victory..."). Confused? Don't feel bad, it happens to me all the time."

Here is a comment posted on a music blog by C.W. Vrtacek (Charles O'Meara) in response to critics accusing him of plagiarizing the sound of The Residents:

"hi i'm C.W. Vrtacek, the guy who created the Residents parody. my real legal name by the way is Charles O'Meara.

let's get a few things straight...by the time i did the residents parody i had already recorded two solo albums, i didn't "copy" the residents sound, it isn't representative of what i do, it was JOKE because i know "the inidividuals responsible" for the residents sound, i.e., i knew "their real names"...so it was just an inside joke that circulated to some friends at the time...chris cutler, david thomas, a few others i forget, probably fred frith...

in a lot of ways i wish i had never done that thing because people keep digging it up without realizing that i've recorded BUNCH of solo albums, that i'm a member of Biota, that i've collaborated with Nick Didkovsky, Chris Cutler, Steve MacLean, Thomas DiMuzio and others and released five albums with my band Forever Einstein...

OK?"

Everything on Now Available  was done by C.W. hisself. Kool, eh?

C.W. Vrtacek – Now Available single-sided cassette, Leisure Time Records, 1983.

Tracklist –

Now Available:
     Pt. 1 – Who are The Residents
     Pt. 2 – Tailored Lunacy
     Pt. 3 – enoynA ekiL tsuJ
     Pt. 4 –  reprise
     Pt. 5 – On the Eighth Day
     Pt. 6. – Direct from Shreveport

Enjoy,

31 January 2016

Time for Some Voodoo & Juju






Lafayette Afro Rock Band – Voodounon EP, Editions Makossa EM23.04, 1974.
all decryption codes in comments

Side One –
Azeta
Oglenon

Side Two –
Voodounon
Hihache
Nicky

bonus tracks –
Soul Makossa (Manu Dibango cover)
Darkest Light
Dr. Beezar: Soul Frankenstein (using the Captain Dax moniker)





Oneness of Ju Ju – Electric Juju Nation (introducing Virtania Tillery), Move MVLP14, 1986.

Side One –
Electric Juju Nation/Keep it Moving
Plastic is Easy to See Through
Get Your Head Together
Be About the Future

Side Two –
This Time I’ll be Sweeter
Share with You
Later for You
Turning on to Me

Enjoy,


27 January 2016

Mid(west)-Life Crisis



As with the first two volumes in the series, this compilation contains tracks from rare punk records from 1978-1982, this time by bands from across the U.S. Midwest.

Various – Bloodstains Across the Midwest, Bloodstains BLO-03, 1994.
decryption code in comments

Side A –
Can’t Stand the Midwest - Dow Jones & the Industrials
Takin’ the City by Storm (pt. III) – Haskels
Sex Drive – Embarrassment
Human Garbage Disposal – Gizmos
I’m a Drunk – Baloneyheads
Long Gone – Customs
Slack – NNB

Side B –
Killed in Jail – Latin Dogs
War Hero – Toxic Reasons
Gym Gerrard – Gynecologists
Berlin Wall – Cult Heroes
I Let Jenny Ride – Brain Police
Soldier 19 – Mentally Ill
Process of Elimination – Endtables
Police State – Crap Detectors
Death – The Five

Enjoy,

24 January 2016

Welcome to My Life



Back in May 2014 I posted up Bloodstains Across Texas, the first offering in the ever-thrilling Bloodstains series. Here’s the second dose from my own present state (of mind).

Bloodstains Across California is a compilation of tracks from rare California punk singles from 1977-1982.



Various – Bloodstains Across California, Bloodstains BLO-02, 1993.
decryption code in comments

Side Ahhhhh –
American Society – Eddie & the Subtitles
Prison Walls – Injections
Waiting for the Bomb Blast - Funeral
Don’t Blame Me – Reign of Terror
Wasted – Silver Chalice
I’m Gonna Punch You – Child Molesters
Stiff Love – Insults
Mean Boy – Destry Hampton
Laurie’s Lament - Vidiots

Side Blaahhhhh –
Bloodstains – Agent Orange
Midget – Vktms
Tammy Wynette – Maggots
Cutie’s Wrong Now – Seizure
Hard Rock – Gears
Move – Plugz
Slow Boy – Controllers
Class War – Plain Jane & Jokes
Criminals in My Car – Jones
Tower 18 – Chiefs
John Rock - Dogs

Enjoy,

01 January 2016

Eulogy for a HawkLord





One for the ages.



Here’s something from one of Lemmy’s other bands.




Some great old nuggets done only as Lemmy could do them, with the help from some of his friends. We will not forget you brother.

The Head Cat: Lemmy Kilmister – bass & vocals; Danny B. Harvey - lead guitar & piano; & Slim Jim Phantom - drums.

The Head Cat  –  Walk the Walk…Talk the Talk, Niji Entertainment Group NEG007, 2011.
decryption code in comments

Tracklist -

American Beat
Say Mama
I Ain’t Never
Bad Boy
Shaking all Over
Let it Rock
Something Else
The Eagle Flies on Friday
Trying to Get to You
You Can’t do that
It’ll be Me
Crossroads

R.I.P.

28 December 2015

Final F For 2015



The Fatima Mansions – The Loyaliser CD single, Kitchenware Records SKCD67, 1994
decryption code in comments

Tracklist –

The Loyaliser
Gary Numan’s Porsche
Arnie’s Five
Into Thinner Air with The Loyaliser (Juno Reactor mix)

Feliz año nuevo,

23 December 2015

Back to Alphabet City



Got both Fad Gadget & Frank Tovey under F, so let's go.

Francis John (Frank) Tovey is Fad Gadget.

He was an early practitioner in the melding of New Wave & Industrial into skewed pop songs filled with his black-humor lyrics regarding dehumanization in the modern Industrial age & the mass media's enslavement of modern society.

Fad Gadget's music was synth-driven but augmented by the sounds of electrical appliances such as electric drills or razors. The vocals were satirically deadpan.


Fad Gadget was the first artist to sign to Daniel Miller's Mute Records. "Back to Nature" was recorded as the second Mute Records release at RMS Studio in London.



Side A –
Back to Nature

Side B –
The Box


"Back to Nature" was a great success for Mute Records so the follow-up record titled "Ricky's Hand" was recorded. The recording included Tovey's wife, Barbara, singing a vocal part near the end of the recording; the vocal part is then mixed with a synthesiser part into the outro of the song.



Side A –
Ricky’s Hand

Side B –
Handshake


By the time Frank/Fad recorded the album Fireside Favourites at Blackwing Studios, he had decided to record the album without Daniel Miller's assistance. He wanted the final say to be his alone. Tovey recorded two more albums for Mute at Blackwing, Incontinent & Under the Flag. During the recording of Under the Flag Frank began using a Roland MC-4 Microcomposer. This made it easier for him to create a more controlled style of music. This style was carried on with the recording of the album Gag.


The recording of Gag was a change of direction for Tovey. It was the first time he used a band of musicians to record an album. Before he had recorded most of the musical parts himself. He also moved the recording from London to Hansa Tonstudio in Berlin. This recording included many acoustic instruments (like Joni Sackett – viola & David Simmonds – keyboards). Frank had utilized synthesisers before they were fashionable, now he moved away from electronic instrumentation which was the trend at the time. At this same time, Einstürzende Neubauten played a show with Fad Gadget at The Loft in Berlin & Tovey was moved by the use of heavy machinery for percussion. He had heard a large printing press nearby & got recording engineer Gareth Jones to record it. This was looped & would become the basis for "Collapsing New People".


Here Fad Gadget was assisted by: David Rodgers – guitar, double bass, & bass synthesizer; David Simmonds – piano, synthesizer, organ, celesta, bottles, & marimba; Joni Sackett – vocals & viola with additional vocal chores by Tovey’s wife Barbara Frost & daughter Morgan Tovey-Frost as well as guitars by Rowland S. Howard.



Fad Gadget – Gag, Mute STUMM 15, 1984.
all decryption code in comments

Side 1 –
Ideal World (featuring Rowland S Howard – guitar)
Collapsing New People
Sleep (featuring Morgan Tovey-Frost – baby vocals)
Stand Up
Speak to Me

Side 2 –
One Man’s Meat
The Ring
Jump
Ad Nauseam (featuring Rowland S Howard – guitar)


After recording Gag, Tovey began recording under his own name, Frank Tovey. In 1986 he released Snakes & Ladders. The dancefloor success of the Fad Gadget single "Collapsing New People" led to the song's inclusion on both the U.S. & Canadian versions of Snakes & Ladders as it was the first Frank Tovey or Fad Gadget album released in North America. This special edition French version includes a free limited issue 12" maxi EP with songs selected from all four previous Fad Gadget albums.


Frank Tovey – Snakes & Ladders w/bonus 4-song 12" 45, Mute STUMM 23, 1986.

Face A –
The Cutting Edge
Snakes & Ladders
The Cutting Edge (reprise)
Shot in the Dark
Concrete

Face B –
Luxury
Small World
Luddite Joe
Megalomaniac

Maxi Face A –
Coitus Interruptus
Innocent Bystander

Maxi Face B –
Sheep Look Up
Ideal World



In 2001, Tovey resurrected his old pseudonym to support his former colleagues & Mute label-mates, Depeche Mode on their Exciter tour. Tovey suffered from heart problems since his childhood & died of a heart attack on April 3, 2002 at the age of 45. He was working on a new album at the time of his death.

F-you,

13 December 2015

Space Dub - Zither Style



This gem came out the same year as Audio Active’s On-U Sound release Happy Happer.

Here Audio Active are Taki 244 (Tsuyoshi Taki), 2 DD (Daisuke Omura), Masa the Al-Tamyran (Masa Osada), & Nanao (Shigemoto Nanao), on this outing joining zither great Laraaji Nanananda (Edward Larry Gordon).

Audio Active & Laraaji – The Way Out is the Way In, All Saints ASCD26, 1995.
decryption code in comments

Tracklist –
New Laughter Mode (the Way In)
Music & Cosmic (Feel Yourself) w/Bill Nelson - guitar
Think Cosmically
How Time Flies (when You’re Having None)
Laraajingle
Space Visitors for Tea-That Lump on Your Head
Hither & Zither
Blooper’s Dance Floor
New Laughter Mode (the Way Out)

Enjoy,

12 December 2015

& Now for Somethin’ Completely Different





Here is Man Klan's only LP, released in 1987. Their output consists of two 12" EPs  released in 1985, this LP, & a 12" single of  "Wanting & Waiting". They were from Stockholm, Sweden although this particular LP was released on the UK label Wire. Some good female-fronted punky Goth grooves in the vein of Devils era Concrete Blonde or 4ADs X-Mal Deustchland.

Man Klan was started by Carita Palmroos – vocals & Jacki Pazda/Huberhoff – bass with Jens Lansman – guitar; & Johan Bomberg – drums on this release.

Man Klan- Flesh Machine, Wire Records WRLP007, 1987.
decryption code in comments

Side A –

Wanting & Waiting
Everytime
Love for Pleasure
No Time for Mercy
Redheads

Side B –

Candyman
Getting Closer
Fisherman
Flesh Machine
Love Child

Enjoy,

06 December 2015

Today's E is You, Gene





Eugene McDaniels, 70s revolutionary radical & all-around heavy cat, was once Gene McDaniels, mellow soul singer & #1 contender for the Black Scott Walker title. Here's a pair of doozies from the mid-60s Genester.

Gene McDaniels – The Facts of Life from Sometimes I'm Happy Sometimes I'm Blue LP, 
Liberty 7175, 1960.

&


Gene McDaniels – (There goes) The Forgotten Man single side B, Liberty F 55752, 1964.



Leap ahead to 1970: Here’s a Bible-toting, denim-clad McDaniels on the grainy, guerilla-styled cover shot for Outlaw accompanied by then-wife Ramona, outfitted in ammo-belt & Angela Davis afro, & a grim-faced feminist Susan James with a semi-automatic.  Like many other of us from that era, something BIG had happened to Eugene McDaniels between 1965 & 1970 that transformed him from Gene McDaniels to "Eugene McDaniels the Left Rev. Mc D". This is a back-to-the-country rock album in many places, but the funky soul shines through strongly, especially on tracks like "Reverend Lee". McDaniels recorded Outlaw with a rock/jazz band that featured legendary Miles Davis alum jazz bassist Ron Carter & ubiquitous 70s session guitarist Hugh McCracken. The group fleshed out the Rev's hippie-folk-funky dreams with smooth style. The band is largely responsible for the record’s pure cohesiveness, as they bring McDaniels disparate elements together into one of the most powerfully lasting statements of post-Aquarian Age culture.

"Under conditions of national emergency, like now, there are only two kinds of people – those who work for freedom and those who do not." -Mc D.



Eugene McDaniels – Outlaw, Atlantic SD 8259, 1970.
all decryption codes in comments


Side One –

Outlaw
Sagittarius Red
Welfare City
Silent Majority
Love Letter to America

Side Two –

Unspoken Dreams of Light
Cherrystones
Reverend Lee
Black Boy

Outlaw's follow-up, 1971s Headless Heroes of the Apocalypse cover superimposes McDaniels' screaming face on a painting of a samurai battle scene. This release features a more jazz-inflected moodiness than Outlaw. While much of Outlaw was countrified blues, casually arranged, Headless Heroes is a much tougher, tighter, & more adventurous outing. With a distinctive two-bass attack supplied by the tag-team of prog hero Miroslav Vitous on acoustic & Gary King electric, HHotA is largely the work of seasoned jazzmen essaying early 70s funk.

Vice President Spiro Agnew allegedly called Atlantic to issue a verbal cease-&-desist order upon the release of Headless Heroes of the Apocalypse. Altantic pulled support for & finally sales of the album, though they cited "poor sales numbers".




Side One –

The Lord is Back
Jagger the Dagger
Lovin’ Man
Headless Heroes
Susan Jane

Side Two –

Freedom Death Dance
Supermarket Blues
The Parasite (for Buffy)

In 1975, Gene (once more) McDaniels released Natural Juices. Here McDaniels delivers his by-now perfected blend of Soul/Funk combined with his exceptional songwriting abilities.



Gene McDaniels – Natural Juices, Ode Records SP 77028, 1975.

Side 1 –

Feel like Makin' Love
Lady Fair
Natural Juices
Can't Get Enough of You
River

Side 2 –

Shell of a Man
Dream of You & Me
Waterfall
Honey Can You Know
The Perfect Dream

But just before he became a true Outlaw, McDaniels handled the vocal duties on my favorite Bobby Hutcherson release, Blue Notes's Now! from 1969. Here is that sometimes neglected gem. If you've come along this far with Eu/Gene, you should really enjoy this (I added some alternate takes as a bonus).

Bobby's band members: Bobby Hutcherson – vibraphone & marimba; Harold Land - tenor saxophone; Kenny Barron & George Cables – piano; Wally Richardson – guitar; Herbie Lewis & James Leary – bass; Joe Chambers & Eddie Marshall – drums; Candido Camero – congas; Gene McDaniels – vocals; Hilda Harris, Albertine M. Robinson, Christine Spencer, Eileen Gilbert, & Maeretha Stewart - backing vocals; Stanley Cowell – piano & electric piano; Manny Boyd - tenor & soprano saxophone; & Bobbye Hall Porter – percussion.



Bobby Hutcherson – Now!, Blue Note BST 84333, 1969.


Side One –

Slow Change
Hello to the Wind
Now!

Side Two –

The Creators
Black Heroes

+ bonus tracks –

Slow Change II
Now! II
Hello to the Wind (live)
Now! (reprise)

Enjoy,

03 December 2015

Death of a Dog





Back in August I decided to start going through a folder I have called “Musick that Needs Work” (cleaning up the sound, fixing the tags, getting the art work, whatever).

I’d made it through the Ds (Dakila, Darshan Ambient, & Dot Allison) before I drifted off into Dub & harvest & krazy kat adventures. Think I’ll venture back to that dreaded folderland (it was helping me straighten out messes that I’ve left too long undone) until the end of the year (or until life once more distracts me).

Brought to you by the letter E & pertinent to out dismal times…



Ennio Morricone’s soundtrack to White Dog. White Dog is a 1982 film directed by famous cult filmmaker Samuel Fuller. The film depicts the struggle of a dog trainer named Keys (played by the great Paul Winfield) trying to retrain a stray dog found by a young actress (a ‘young actress’ Kristy McNichol), that is a "white dog", that is, a dog trained by racists to viciously attack any black person. Fuller uses the film as a platform to deliver an anti-racist message as it examines the question of whether racism is a treatable problem or an incurable condition.

The film takes a hard look at racism. Fuller's uses melodrama & metaphors to present his argument. The film’s disheartening ending makes its point that while racism is learned, it cannot be cured. Many critics have questioned the film's lack of release in the United States when it was completed in 1982 (Paramount Pictures feared “negative press”) & have applauded its belated release (2008) by Criterion.

Included is a 16 page booklet that delves deeply into the whole production-process fiascos & Fuller’s frustration with Hollywood.


Ennio Morricone – White Dog soundtrack, FSM Vol. 13 No. 3, 2010.
decryption code in comments

Tracklist –
Main Title
Sick Dog
Death of a Dog
Walking Dog
Dog’s Escape
Saving Cops
Chasing Rabbits
Dog Pound – The Girl’s Thought
Sweeper Attack
Dog’s Return
Stewardess Surprise
Untitled 3M3
Certainties & Uncertainties of the Dog
Cure or Kill – Dog’s Escape
Protected Attack
Sorrowful Julie
Cage Escape
Attack #2
After the Murder
White Dog
White Dog 2
Absent-mindedly from a Radio far Away
The Girl & her Problems
Cured Canine
Attempts at Fidelity
Death of a Dog – End Credits

Bonus tracks
Second Theme: The Girl & the Dog
Guitar Venizia
After the Murder (alternate)
Absent-mindedly from a Radio far Away (source music)
Lamb Bone Muzak
Inside the Church
Death of a Dog (part 1)
Death of a Dog (part 2 – album track)

Enjoy while we can,

28 November 2015

Yes it is Bless



Dub Syndicate - Pure Thrillseekers is essentially a collection of previously released Dub Syndicate material from the Europe-based Lion & Roots label (much of it familiar to No Bed of Roses & Acres of Space owners, listeners, or followers).


Dub Syndicate – Pure Thrillseekers, Shanachie 45062, 2005.
decryption code in comments

Tracklist –

Tricks (vocals by Cornell Campbell)
Weeping Eyes (vocals by Gregory Isaacs)
Breath of Fresh Air
Guns & Cocaine Crime (vocals by Jah Bless)
One in a Billion (vocals by Luciano)
Private Dub
Kingston 14 (vocals by Gregory Isaacs)
Time Dub
Ready for the World (vocals by Moses)
God is a Man (vocals by Junior Reid)
Yes it is Bless (vocals by Little David)
Sound Clash (extended)

bonus tracks –
Time (live)
Time (version)


Live on, Style!

27 November 2015

Delayed Impact

Massive Dub from Clive Chin recorded at Randy's Studio 17 North Parade Kingston Jamaica between 1972 & 1975 with all the heavy hitters: Bertram "Ranchie" McLean, Karl Pitterson, Mikey Chung, & Tarzan Nelson – guitar; Ansel Collins – keyboards & melodica; Augustus Pablo, Earl "Wire" Lindo, Robbie Lyn, & Tyrone Downie – keyboards; Tommy McCook – tenor saxophone; Vin Gordon – trombone; "Chicago" Steve – harmonica; Aston "Family Man" Barrett, Lloyd Parks, & Val Douglas – bass; Eric Lamont – percussion; & Carlton Barrett, Mikey "Boo" Richards, & Sly Dunbar – drums.



Impact All Stars – Forward the Bass: Dub from Randy's 1972-1975,
Blood & Fire BAFLP 022, 1998.
decryption code in comments

Side One –
Jaro
Maro
Ordinary Version Chapter 3
Extraordinary Version
Wire Dub
Shining Dub
Easy Come Dub

Side Two –
Dubwise Situation
Last of the Jestering
Oh Jah Dub
Sabotage Dub
S-Corner Dub
Just Another Dub
Upbeat Version
Verdict in Dub

Enjoy,

26 November 2015

Deadly Dreams



Various – The Men with the Deadly Dreams cassette, White Stains Tapes werk 002, 1981.

Side A –
Christopher R. Watson – News Cut-up 2/5/81
Rema Rema – Why ask why?
Eyeless in Gaza – Pale saints
Culturcide – Land of Birds
Side B –
Chris Carter – Climbing
Rema Rema – Christopher
A House – Words From a Radio
Richard H. Kirk – Powermad
M. A. Peacock – Voices

Enjoy,



11 November 2015

Bright Star

My friend Jonder said it best:

"It was nice of Bernie Sanders to fill in as a guest blogger while Farmer Nathan was busy toiling in the fields."

I am deeply indebted to Senator Sanders, but he doesn't post enough musick. Let's start to fix that right now.

Tenor Saw (Clive Bright) was a Prince of Jamaican Dancehall. He is hailed as one of the most influential singers of the Jamaican digital era of the mid 80s.

In August 1988 he was killed by a motor vehicle in Houston, Texas. The official cause of death was listed as a hit & run accident. Many of those who knew him insisted that he was murdered. He was only 21 years old.

I like dancehall style well enough, but around here we favor Dub. Here's a compilation of Tenor Saw Dubwise.

Tenor Saw - In Dub, various sources, 1985.
decryption code in comments

Tracklist -

Lots of Dub
Woman Dub
Shirley Dub
Sunday Dub
Eni Meeni Mini Mo Dub
Progress Dub
Dub Fever
Give Up Dub
Jah Guide Dub
I & I Dub
Rub-A-Dub Dub
Run Come Dub Me
Time Dub
Praise Jah with Dub

Enjoy,


15 October 2015

If DoG is GoD, then BuD is DuB



It's that time of year again. I might be kinda scarce for a while. I'll be checking heavy traffic & trying to keep up with requests & re-ups, but until things are back to normal (???), I leave you with this…

Various - Baskin' n Riddim 52 Flavas


Stoned Immaculate – Dub Syndicate featuring Akabu
Herb – The Revolutionaries
Sinsemilia – Sly & Robbie
Marijuana Dreams – Dubblestandart
Jamaica Colley Dub – The Revolutionaries
Bud’s Bush – Roots Radics
Weed Specialist – Audio Active
Herbs of Dub – Jah Lloyd
Bush Weed – Lee 'Scratch' Perry & the Upsetters
Dub Spliff – Michael Rose
Collie Rock – Lone Ranger
Lamb's Bread Herb – King Tubby
Marijuana – The Revolutionaries
Herbsman Anthem – Jah Warrior
Ganja Roots – Sly & the Revolutionaries
Rolla – Sheriff Lindo & the Hammer
Collie in Dub – The Revolutionaries
Bubbling Sweet Tonight Version – Two Friends Crew
Jamaican Grass – Joe Gibbs & the Professionals
Kasha Herb Rock – Mikey Dread
Marijuana Dub – Harry Mudie meets King Tubby
Marijuana Dub – Mad Professor & Prince Fatty featuring Earl 16
Free Up the Weed – Lee 'Scratch' Perry & the Upsetters
Lambsbread – The Revolutionaries
Hemp Dub – B.R. Stylers
Leggo the Herb Man Dub – Glen Brown & King Tubby


Legalize It (Dub Version) – Peter Tosh
Half Ounce – Joe Gibbs & the Professionals
Heb Dub / Collie Dub – Legendary Skatalites meet King Tubby
Ganja Syrup – Maxie
Lambs Bread Dubwise – Glen Brown & King Tubby
Weed Specialist – Two Badcard
Herbman Style from the Ghetto – Winston Edwards
Lambs Bread Collie – Cedric 'Im' Brooks & the Light of Shaba
Smoke the Weed Dub – Michael Palmer
Collie – The Revolutionaries
Afghani Dub – The Mothman
Collie Dub – Horace Andy
Lick Weed Dub – King Tubby meets Jacob Miller
The Marijuana Affair – Joe Gibbs & the Professionals
Dub Ganja – Max Romeo
Collie Dub – King Tubby
Acapulco Gold – The Revolutionaries
Purple Skunk Dub – Bush Chemists
Free the Marijuana – Audio Active featuring Bim Sherman
Big Spliff – Black Uhuru
Sensimilia Dub – King Tubby
(I Love) Marijuana Dub – Linval Thompson
Weed Specialist (remix) – Audio Active
Marijuana Dreams (Dub) – Dubblestandart
Ganja – Joe White
High Times – Roots Underground

Toke, toke, pass,