On-U Sound with Adrian Sherwood at the helm produced, in my
opinion, the best dub outside of Jamaica. When Sherwood met Keith
LeBlanc in New York
in 1984, things would never be the same at On-U or in the world of dub musick.
LeBlanc met up with Skip McDonald & Doug Wimbish in
1979. McDonald & Wimbish had been part of the New York 70s disco scene in
the band Wood Brass & Steel They released a self-titled album in 1976 on
Turbo records that gave them a pair of minor hits, "Always There" (a Ronnie
Laws cover) & "Funkanova" (an underground jazz/disco classic
still enjoyed by club-goers decades later). After meeting LeBlanc, the three
hooked up with the newly-formed Sugarhill Records. They soon became the label's
house band, providing backing for the Sugarhill Gang, Grandmaster Flash, &
Melle Mel. They were instrumental (literally) in launching 80s rap.
As Sugarhill self-destructed (accompanied by drawn-out legal
hassles over musick rights), the three musicians continued to work together on
various projects. Described as one of
the day’s ‘most extraordinary rhythm sections’, they moved on from
Sugarhill to Tom Silverman's Tommy Boy label. There Keith LeBlanc released some
solo work ("Maneuvers"
& "Uh!" on the
1985 Masters Of The Beat compilation). He created the now legendary
unique DMX drumbeats style by mixing it with his own special drum sound.
LeBlanc’s release "Malcolm X No
Sell Out" featured the cut-up words of civil rights activist
Malcolm X juxtaposed against the infamous DMX drumbeat, now acknowledged as the
first ever sampling record. Sugarhill had purchased some of Malcolm X’s
speeches & LeBlanc got some samples from Marshall Chess. He then recorded
“Malcolm X No Sell Out” at Tommy Boy, as Sugarhill was not willing to pay
Malcolm’s widow royalties. In fact, Sugarhill released a version of the song,
credited to the phony group Sugarhill All-Stars.
"Malcolm X No
Sell Out" caught the attention of London's dub-meister extraordinare & On-U
Sound label owner Adrian Sherwood. Sherwood was working on a remix of Akabu’s "Watch Yourself" for Tommy
Boy. He met LeBlanc, along with Keith’s cohorts McDonald & Wimbish. This
meeting spawned the radical collaboration between the British producer &
the three American musicians that continues to this day. Later the four teamed
up in London to
begin work on a new project which they christened Tackhead/Fats Comet. Wimbish
came up with the name Tackhead, which is New
Jersey slang for homeboy. Fats Comet was the alter
ego of Tackhead.
Tackhead is the zenith of years of experimental
collaboration: LeBlanc’s beats; Sherwood’s Dub Methodology; McDonald’s
distorted guitar; & Wimbish’s funky bass.
To quote Steve Barker's liner notes for the Tackhead/Fats
Comet compilations Power Inc., volumes
1 & 2:
"In short, the master plan, although never commited to either memory or paper, was for Tackhead to take dub/funk on a journey through leftfield and into the unknown to God knows where, and then for Fats Comet to pilot the mothership smoothly back from this alternative dimension to a safe earthly landing with sounds that you would recognise instantly without ever having heard before."
"In short, the master plan, although never commited to either memory or paper, was for Tackhead to take dub/funk on a journey through leftfield and into the unknown to God knows where, and then for Fats Comet to pilot the mothership smoothly back from this alternative dimension to a safe earthly landing with sounds that you would recognise instantly without ever having heard before."
Here, collected in one place, are all the singles of FatsComet…
decryption code in comments
BOP BOP
(12" on World Records & Magic Records/World
Records - 1985/1988)
- Bop Bop
- Zoop Zoop
Credited: Fats Comet and The Big Sound
DEE JAY'S DREAM
(12" on World Records - 1985/1988)
- Dee Jay's Dream
- Dee Jay's Program
- Eat the Beat
DON'T FORGET THAT BEAT
(12" on Rough Trade Records - 1985/1987)
- Don't Forget that Beat
- Freak Out
Credited: Doug Wimbish featuring Fats Comet
KING OF THE BEAT
(12" on World Records - 1986, never officially
released)
- King of the Beat
- (It's Time)
- Body to Burn (So Different)
- Eat the Beat (Put a Smile on Your Face)
- (Now Here Comes that Beat)
Credited: Fats Comet with DJ Cheese
ROCKCHESTER
(12" on World Records - 1987)
- Rockchester
- O.K. Bye!
STORMY WEATHER
(12" on Rough Trade Records/Logarhythm Records/Rough
Trade Records - 1985/1986/1987)
- Stormy Weather
- Dub Storm
Enjoy,
NØ
NQtlBFC41hcNd94vbIdCkQ_JajE5q5LpSgNAQW-0QM0
ReplyDeleteKiller post! King of the Beat and Mantronix
ReplyDelete/Art of Noise were my faves as 12 year old in 1986-7! Still jams today.
Dude, now you got my mind spinning. I was/am a huge Art of Noise fan & haven't posted anything by them. Need to remedy that. & I still have Mantronix What It Is? on vinyl that I should rip & post. Thanks for the comment & the eye opener.
DeleteCool stuff! I'm here because I have the DeeJay's Dream 12", and I've had Eat The Beat in my head for weeks now. Thanks a lot!
ReplyDeleteThey sound amazingly clean, my own copy is probably in need of a much deeper cleaning than I've been able to give it.
"now acknowledged as the first ever sampling record".
ReplyDeleteUhhhh - Holger Czukay - in 1968 - might lay a slightly better claim on that one.
There is no doubt that Czukay was one of the earliest pioneers in sampling. He was doing it early on, physically cutting & pasting magnetic tape. But William S. Burroughs & Brion Gysin were doing just that in the early to mid 60s. Czukay incorporated his sampling into his compositions, but never released a "...sampling record" & never in 1968 (his earliest solo or Can work was 1969). All that said, I'm not the one who "acknowledged". I was just passing on the hopefully knowledgeable thoughts of others. You are welcome to your opinion & I welcome the chance for informed dialogue. Thanks for the comment, anonymous.
DeleteAWESOME...Thank you!
ReplyDeleteA short but brilliant discography, long live Fats Comet! Such a shame that the EP with DJ Cheese never saw a proper release, grateful to the people who've posted the tracks on YouTube.
ReplyDeleteThere are "physical" copies of King of the Beat floating around if you do some digging.
ReplyDelete& in case you missed it, in the first sentence above the singles covers photos:
"Here, collected in one place, are all the singles of FatsComet…", if you copy the code in comment 1 & select the words 'all the singles of Fats Comet', you can have them yourself, just paste the code you copied when prompted by MEGA & enjoy.